The Egg

A scarce and seldom seen cartoon from 1937 with excellent hot jazz and containing caricatures of Cab Calloway, Ted Lewis and Bessie Smith.

The boozy mercenary of the title, based on the actual historical figure of Naoyuki Ban (1567-1615), attempts to rid a haunted castle of spooks.

Wallace Carlson walks viewers through the production of an animated short at Bray Studios.

Flint must quickly alter his plans for a romantic date with Sam after his monkey-cleaning invention goes awry.

Flint's mischievous gummy bear grows to 50-feet by using his new food-modifying invention.

The Foodimals join Earl's scouting program but are very competitive.

Manny saves an adorable kitty with his many skills.

After a dreadful incident coupled with an ungovernable paroxysm of violence, a butcher will fall into a downward spiral that will burn to the ground whatever dignity still remained in him.

A young llama named Koro discovers that the grass is always greener on the other side (of the fence).

Nazi Third Reich propaganda film that used architecture as a statement about "racial accomplishment," and so called "racial superiority." Hitler claimed that between 1934 and 1940, the Nazi rule of Germany had produced architectural uniqueness, and this film was produced to shown to attempt to validate that. The opening montage gives a survey of earlier Gothic and Baroque structures in the country as an example of "architectural superiority" that the German race was said to be the sole inventor of; then moves on to deride the recent construction of the Bauhaus school (with a racially motivated score of Jazz music) and an example of German "architectural decay." Then proceeds to show off buildings constructed by the Nazi and an architectural revival, to "last 1000 years," Film also spends a great of time dwelling on massive and "busy" monuments that had been erected all over the county.

The film tells the back story about the characters and events leading up to the explosive oil truck heist in Fast & Furious.

A series of trick film hallucinations and scary doubling effects result when Patachon smokes an opium cigarette.

Mad God is a fully practical stop-motion film set in a Miltonesque world of monsters, mad scientists, and war pigs.

The ultimate manual when it comes to the proper handling of the living dead. Recommended behavioural patterns in case of imminent Zombie epidemics are explained in comprehensible steps and vividly executed.

The Farmer is abducted by a capering Jungle Goddess. As pre-Code as a Terrytoon ever got. Most animation is by Frank Moser; with him are Art Babbitt, Jerry Shields, Bill Tytla and others.

You'll never look at a statue of the Virgin Mary the same way again. Based on the assertion that divine apparitions aren’t what they always appear to be, Vesuvius is an interesting take on the psychopath with Catholicism smacked against the background. Gio Alvarez provides a convincing portrayal of a madman, and people can even argue if this short inclines toward the supernatural or the psychological. Whereas Grave Torture uses darkness impeccably, Vesuvius plays with light so well.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Kill

My Friend Friedrich opens on awkward, bespectacled Columbia student Nate having a heart to heart on the phone with his mother. Then, in a philosophy class, he almost succeeds in landing a date by lobbing an illustrated invitation at his love interest, Emma. All goes awry when a taller, more confident, bespectacled Columbia student cuts him off at the knees. So far, so very New York student film, but a conceit arrives to distinguish this story of Ivy League dating woes: the ghost of Friedrich Nietzsche appears before Nate to guide him towards self-actualization.

'It was in San Francisco at a punk festival. I was already high and the air was so thick in the rooms that you could cut it with a knife. I had a photograph camera with me; I stood in a corner of the entrance hall and took 36 pictures on slide film. At home I put the slides into a slide projector. I took out the lens and filmed the slides by filming directly from the projector - using single frames according to a certain plan.'