Festival panafricain d'Alger is a documentary by William Klein of the music and dance festival held 40 years ago in the streets and in venues all across Algiers. Klein follows the preparations, the rehearsals, the concerts… He blends images of interviews made to writers and advocates of the freedom movements with stock images, thus allowing him to touch on such matters as colonialism, neocolonialism, colonial exploitation, the struggles and battles of the revolutionary movements for Independence.
Si-Gueriki is the story of the confrontation of a young man with his history, his roots and culture.
Zambia's copper resources have not made the country rich. Virtually all Zambia's copper mines are owned by corporations. In the last ten years, they've extracted copper worth $29 billion but Zambia is still ranked one of the twenty poorest countries in the world. So why hasn't copper wealth reduced poverty in Zambia? Once again it comes down to the issue of tax, or in Zambia's case, tax avoidance and the use of tax havens. Tax avoidance by corporations costs poor countries and estimated $160 billion a year, almost double what they receive in international aid. That's enough to save the lives of 350,000 children aged five or under every year. For every $1 given in aid to a poor country, $10 drains out. Vital money that could help a poor country pay for healthcare, schools, pensions and infrastructure. Money that would make them less reliant on aid.
In 2007, Beau attempted to paddle 4000kms from one side of Africa to the other. Starting in Mozambique, he continued along the Southern African coast, allowing five months to complete the voyage. Battling surf, deep sea swell, and too many days waiting for the wind, Beau only completed 2000kms of the original plan.
Evokes the personal trajectory of a Tanzanian Massai woman refusing genital mutilation. Directed by two NGO volunteers from Luxemburg working on a development project in Tanzania. Released in 2009, this film has been broadcasted since in various film festivals in Europe, on the occasion of different AR actions in Luxemburg and on national television (RTL).
The Ebola outbreak in West Africa seen through the eyes of the local populations, village officials, aid workers, the sick and those who recovered.
In Uganda, AIDS-infected mothers have begun writing what they call Memory Books for their children. Aware of the illness, it is a way for the family to come to terms with the inevitable death that it faces. Hopelessness and desperation are confronted through the collaborative effort of remembering and recording, a process that inspires unexpected strength and even solace in the face of death.
Pasolini seeks in Africa the peasant and revolutionary authenticity he had sought in the Roman villages. This hope will end in a new disappointment: Africa is a reservoir of irremediable contradictions that will explode in the massacres of yesterday and today. It is an Africa that starts from the outskirts of Rome, but thousands of non-EU citizens flock to the sub-proletariat of the villages.
Serengeti Symphony is a breathtaking look at the astounding landscape and exotic animals that make up the Serengeti National Park in Tanzania. The film accounts the daily lives and intricacies of animals such as giraffe, flamingos, leopards and cheetahs, each vivid scene flawlessly paired with a musical score written by Laurens van Rooyen. Serengeti Symphony brings the beauty of Africa to life like never before, with close up colourful images of the terrain and unimaginable glimpses of the wildlife, allowing the true character of the landscape, and the grace and spirit of every animal, to shine through.
Back To Africa
Wilder Planet Erde - Afrika Gorillas
Wilder Planet Erde - Afrika Outsiders
Wilder Planet Erde - Afrika Super 7
Born Free - Filhos da Revolução
In 1950 architect Anthony B. Almeida was one of the first to introduce modern architecture in Tanzania. At that time architectural modernism was the preferred expression of the intended colonial welfare state. After Independence in 1961 Nyerere’s African socialism used the same architectural style to convey the hope and strength of the new African nation. Following Almeida and some of his colleagues, the film questions what is left of the dreams and ideals of this first generation. It searches for new definitions of happiness in booming African cities like today’s Dar es Salaam. The film documents the everlasting human pursuit of modernity, not only in architecture but also in contemporary urban life.
Christof Wackernagel, best known in Germany as an actor and former member of the Red Army Faction ("RAF") lives in Mali. In his compelling portrait, Jonas Grosch shows a man who simply cannot stand still if he senses injustice. The courage to stand up for one’s beliefs coupled with vanity? However one chooses to look at it, it is easy to imagine what made him connect with the "RAF". With his irrepressible will for freedom, Christof Wackernagel gets entangled in the horrors of day-to-day life in Africa.
For wildlife filmmakers, the only way to safely explore the startling African lion is at the end of a mighty long lens — until now. Man v. Lion follows veteran big cat expert Boone Smith across the Nambiti Game Reserve as he tracks three male lions in the open African bush. But to truly understand these brothers, Boone goes face to face with them. We take an in-depth look at the lions' unique physical attributes, intricate hierarchy, and complex hunting strategies. Boone explores each stage of a lion's kill leading up to the final face-off: Boone in the middle of lions devouring their prey.
The EU is investing billions to establish African states as its new border guards. It also supports dictatorships that close their borders in return.
In Capetown, South Africa, in September 1966, Prime Minister Hendrik Verwoerd, the architect of apartheid, was stabbed to death in Parliament. The course of South African history was changed by the assassin, Dimitri Tsafendas, who was written off as mad and condemned to twenty-eight years of imprisonment. A Question of Madness tells the extraordinary human story of a man, born of a black mother, but classified white, who travelled the world in hopeless search of sanctuary - eventually returning to the land of apartheid to wreak vengeance on the one who symbolized the racism which had haunted his life.
On the African plains, where only the strong survive, one big cat rules supreme. This is life in the raw: savage, beautiful and unforgettable. During the eight years that Jurgen Jozefowicz filmed a pride of lions in South Africa's Kruger National Park, he won the trust of the dominant male and, astonishingly, was accepted into the pride. This is his story. How does it feel to live amidst a group of the most feared predators on the African continent as they fight to survive in a harsh, unforgiving world? Jurgen's film shows what it's like and is the result of his remarkable adventures. Jurgen is one of the world's premier wildlife photographers. His story of his life with these lions is one that spans a period of political struggles, disease and drought, showing the highs and the lows of life in the lion pride.