Whizzy is a little mouse, Whitebelly is a fox. They are naturally mortal enemies. One day, after an unfortunate accident, both meet in animal heaven. Together, they will embark on a fantastic journey and discover friendship can overcome everything.
A mouse adopts a hawk.
A quartet of girls from a prep high school are recruited by a secret paramilitary academy to conduct cloak-and-dagger missions. Short film later expanded into a feature film with the same name.
Mickey is a railroad engineer with an anthropomorphic locomotive. He feeds the train (coal), then feeds his dog, then makes lunch for himself. Minnie drops by and plays a tune on her fiddle while Mickey dances. After lunch, the train has trouble climbing a hill, and the last car with Minnie aboard detaches and runs away.
Mickey, Goofy & Donald have 10 minutes to fix Pete's car. Or else!
A short animated film by Tadanaro Okamoto.
Meadows the butler quits after being tormented by the spoiled family cat, who finds he is unable to survive on his own, especially after meeting the mice Hubie and Bertie.
Ever wonder who was the fastest Road Runner or Speedy Gonzales? This cartoon aimed to answer that all-important question between two of Warner Brothers' speediest characters. Of course, the race (set in an American desert) wouldn't be interesting without Wile E. Coyote or Sylvester trying to nab the bird and mouse. Both the hard-luck coyote and the puddy tat use a variety of tactics to grap their respective dinners, all which (of course) fail. In the end, Wile E. and Sylvester use a supersonic jet to pass their prey at the finish line (and "win" the race), but their vehicle quickly careens over the cliff. The poor puddy tat fall down over the cliff, just like Wile E. has so many times.
Mickey is driving a taxi. His first fare is a very large gentleman. Mickey stops traffic and gets a tongue-lashing from the officer. The cab runs into some bad road, bounces the fare down to almost nothing, then bounces the customer right out of the cab. Mickey pulls up to the curb and picks up his second passenger, Minnie. She plays her accordion while they ride. The cab gets a flat tire, and Mickey uses a pig to pump it up.
Sylvester Cat leaves a trailer in a National Forest Camping Ground to go bird hunting and discovers an egg in a nest. Sylvester decides to sit on the egg to hatch it, and when it hatches, out crawls Tweety Bird! Sylvester chases Tweety into a geyser and down a river in a boat toward a waterfall.
Mickey comes onstage to the applause of an unseen audience and plays various classical tunes on the violin, after some minor mishaps. During a sad song, he is overcome with emotion and has to stop.
A wartime cartoon that satirizes the Axis leaders of World War II.
Mickey leads an 8-piece orchestra (that's counting the bass played by three birds as one) through the most recognizable parts of the Poet and Peasant Overture. The setting, as the title implies, is a barnyard, and some of the instrumentation reflects that (including various animals used as instruments, like a tuned group of piglets whose tails Mickey pulls).
In this early short Harold Lloyd sneaks into a movie studio in order to locate an attractive young lady he's just met at a snack bar. He's retrieved a letter she dropped and wants to return it to her, but it's pretty clear that his interest extends beyond mere politeness. (She's the adorable young Bebe Daniels, so this is easy to understand.) The movie studio setting provides Harold with lots of opportunities to do what comedians do in comedies like this one: flirt with actresses, anger the studio brass, and dash through sets disrupting everything.
Every 50 years a cat demon has to be killed by a Cheung family member until the body-hopping feline demon's 9 lives are up. This time it falls on the shoulders of Master Cheung. He is afraid of cancer killing him before he can stop the demonic force, so when Long comes to him after his boss gets possessed, he tries teaching him his family's Mao Shan magic hoping to pass it onto him since Cheung's bloodline stops with himself.
A cartoonist falls asleep at the drawing board and into the clutches of his own villains, until Beans the Cat comes to the rescue.
A canary is frustrated by being caged. One day the kind old lady who owns him opens a nearby window, and also leaves the door to the cage open. Freedom! But it's not all it's cracked up to be.
Mickey and Pluto are reading scary stories; they go to investigate a noise and find a foundling mouse that's been left on the porch.
Come Along, Do! is an 1898 British short silent comedy film, produced and directed by Robert W. Paul. The film was of 1 minute duration, but only forty-some seconds have survived. The whole of the second shot is only available as film stills. The film features an elderly man at an art gallery who takes a great interest in a nude statue to the irritation of his wife. The film has cinematographic significance as the first example of film continuity. It was, according to Michael Brooke of BFI Screenonline, "one of the first films to feature more than one shot." In the first shot, an elderly couple is outside an art exhibition having lunch and then follow other people inside through the door. The second shot shows what they do inside.
In front of a flour mill, two men fight. One is the miller, and he's swinging a bag of flour in the scuffle. The other is a chimney sweep, and he's swinging what may be a bag of flour, but when it breaks open, it's clearly something else. Well into the havoc, spectators gather and give chase to the flour-covered sweep and the "well-sooted" miller.