A fragmented portrait of a moment, a person, and a place, seen through the subjective memories of a young Black girl, Imani, and a rookie police officer, David, who both have wildly different recollections of the same fateful moment in a corner store that will leave their lives altered forever.
Fritz, now married and with a son, is desperate to escape from the domestic hell he now finds himself in. Lighting up a joint, he begins to dream about his eight other lives, hoping to find one that will provide a pleasant distraction.
An outrageous, affectionate look at coming of age in the Eisenhower era in Brooklyn.
Using innovative animation and expert insights, this documentary based on Ibram X. Kendi's bestseller explores the history of racist ideas in America.
A visual journey that challenges us to think about a universal belonging that doesn’t confine itself to a city, region or national boundary, in an age in which xenophobia, nationalism and intolerance are a daily occurrence.
What does beauty look like? In this award-winning short, Kenyan filmmaker Ng’endo Mukii combines animation, performance, and experimental techniques to create a visually arresting and psychologically penetrating exploration of the insidious impact of Western beauty standards and media-created ideals on African women’s perceptions of themselves. From hair-straightening to skin-lightening, YELLOW FEVER unpacks the cultural and historical forces that have long made Black women uncomfortable, literally, in their own skin.
Brother Rabbit, Brother Bear, and Preacher Fox rise to the top of the crime ranks in Harlem by going up against a con-man, a racist cop, and the Mafia.
Experimental documentary examining the interaction of hate, religion, and the apocalypse in the United States.
Free to Be…You and Me, a project of the Ms. Foundation for Women, is a record album, and illustrated book first released in November 1972, featuring songs and stories from many current celebrities of the day (credited as "Marlo Thomas and Friends") such as Alan Alda, Rosey Grier, Cicely Tyson, Carol Channing, Michael Jackson, and Diana Ross, among others. An ABC Afterschool Special using poetry, songs, and sketches, followed two years later in March 1974. The basic concept is to encourage a post-60's gender neutrality, while saluting values such as individuality, tolerance, and happiness with one's identity. A major thematic message is that anyone, whether a boy or a girl, can achieve anything.
The story begins in the basement of a worn-out blues bar in Louisiana in the 1980s. A few regular customers are having a drink. A guitarist gets on stage and everybody comments on the newcomer. The guitarist draws the attention of the audience by tapping the microphone. He introduces himself. He will tell them the true story of Blind Boogie Jones.
The story of a rabbi and his talking cat, a sharp-tongued feline philosopher brimming with scathing humor and a less than pure love for the rabbi's teenage daughter.
With their marriage on the rocks, Fred and Wilma take a holiday together to rekindle the fire in their relationship.
Adaptation of the satirical poem by Samuil Marshak, ridiculed racism. Mister Twister with his family went to the USSR on the boat, previously agreed with the Cook Travel Company to any boat or in the hotel was not "blacks, Malays and other riff-raff." Arriving in Leningrad, Twister and his family stayed at the hotel "Engleterre", and everything went smoothly until they saw on one of the floors the guest from Africa.
When Helene Angel walks home from school with her older brother she is attacked by a street gang and painted white. The effect on Helene and her family is devastating. Helene locks herself in her room, her brother blames himself for not having successfully defended his sister, and the media descends on their neighborhood, completely disrupting her small family. But an outpouring of love and understanding from Helene's friends, classmates and family helps her face what has happened and draws the community together. Inspired by actual events, WHITEWASH conveys a powerful message that transcends age and race, told in an entertaining way perfect for children of all ages.
The big bad cats are the villains/Indians, and the little mice are the settlers going west in their little covered wagons, and the Indians are on a rampage about it. Things look dark indeed for the settlers when the likes of Buffalo Bill, General Custer and Daniel Boone are unable to defeat the attacking cats but...wait...up in the sky...here comes the singing, flying mouse...Mighty Mouse. Not recommended for Revisionists.
Max Fleischer considers hiring a new cartoonist. While the new guy draws Max's portrait, Koko gets into a fight with a cartoon Chinese man.
The film addresses issues of racism in the Jim Crow American South. Themes of racial injustice, racial violence, working-class solidarity dominate the film. It depicts black men working in a field, walking in chains, sitting behind bars, and being executed in an electric chair. In most scenes, a white authority figure is seen whipping or guarding the men.
A hard-on-his-luck hound finds himself in a town full of cats in need of a hero to defend them from a ruthless villain's wicked plot to wipe their village off the map. With help from a reluctant mentor, our underdog must assume the role of town samurai and team up with the villagers to save the day.
Betty Boop and friends meet Louis Armstrong on a jungle safari.
An animated satire on the question of self-image for African American women living in a society where beautiful hair is viewed as hair that blows in the wind and lets you be free. Lively tunes and witty narration accompany a quick-paced inventory of relaxers, gels, and curlers. This short film has become essential for discussions of racism, African American cinema, and empowerment.