Guy Debord's analysis of a consumer society.
How the Monuments Came Down is a timely and searing look at the history of white supremacy and Black resistance in Richmond. The feature-length film-brought to life by history-makers, descendants, scholars, and activists-reveals how monuments to Confederate leaders stood for more than a century, and why they fell.
Niko nema ovakve ljude! (trans. No One Has This Kind of People!) is the live/video album by Serbian rock band Riblja Čorba, released in 2010. The album was recorded on the band's concert held on October 10, 2010 in Belgrade Arena. The album featured two CDs and one DVD with the recording of the concert.
Under the pretext of fighting terrorism or crime, the major powers have embarked on a dangerous race for surveillance technologies. Facial recognition cameras, emotion detectors, citizen rating systems, autonomous drones… A security obsession that in some countries is giving rise to a new form of political regime: numerical totalitarianism. Orwell's nightmare.
Um real a hora
A genre-bending documentary using dance and physicality to explore themes of youthfulness, fear, regret and aging. The star of the show is New York. The perspectives of elderly citizens of NYC are interpreted physically by a younger generation. The words come from real-life interviews recorded with a diverse selection of aging New Yorkers.
A documentary about the Charlotte, North Carolina Punk scene
There is a small town in Austria called Pinkafeld, which gained adverse publicity as a “Nazi village” during the presidential election of 2017, when a majority of its citizens voted for their famous neighbour, the right wing candidate Norbert Hofer. What do people really think in regard to their homeland, refugees and populism? The community shows a society in transition, a microcosm reflecting Europe’s zeitgeist.
Elogio da Graça
A short documentary about being trans in Ireland.
Áurea
Get to know a little bit about Paulo Moreira, sign painter from the metropolitan region of Belo Horizonte - MG, his hand painting techniques and the challenges that his profession presents in the daily lives of big cities.
Over the weekend of October 11, 2002, my uncle along with two friends set out on a camping trip in the Sierra Nevada mountains. Upon returning home, they were changed men, and recounted tales of alien abduction. Today, only two of the three men are alive to tell the story of what unfolded before, during, and after that fateful outing, and they're convinced it was extraterrestrial. This film explores the haunting accounts of two friends who underwent an alien abduction experience while camping in the remote mountains. Featuring psychedelic visuals and an alien hand print, Ten Eleven O Two opens a plethora of questions and is a must-see for anyone interested in the paranormal. Based on the true life events of Ken Mathis and Adolph Santistevan.
Emir Kusturica views himself as a rock musician and believes that he became a world-famous filmmaker by pure chance, as he shoots his movies only in between concert tours with the “No Smoking Orchestra” band. At these little pinpoints of time he gets “Palms d’Or” at Cannes, “Golden Lions” in Venice, builds his own villages, a power plant and a piste and regrets not becoming a professional football player. Kusturica’s own living is very much similar to his movies, where shoes are polished with cats, death is treated like a story from tabloid press, and life is a miracle...
Documentary showing the efforts to bring cinema to marginalized communities in Mexico.
A midwife goes to medical school to learn modern techniques.
Shrouded in secrecy and notoriously cash-strapped the North Korean regime has resorted to running one of the world's largest slaving operations - exploiting the profits to fulfil their own agenda. These bonded labourers can be found in Russia, China and dozens of other countries around the world including EU member states. Featuring undercover footage and powerful testimonials, we reveal the scale and brutality of the operation and ask what, if anything, is being done to stop it.
Present day: a small village somewhere in rural Serbia. Reports on the upcoming parliamentary elections drone from the radio while a local traffic policeman tries to teach his old grandmother how to use a mobile phone. Glimpses of this old lady, who lives a lonely life on a remote farm, become the red thread running through the film with its snapshot-like portraits of everyday life in the tiny community. There’s the grocer’s shop the men visit to talk about money and politics. Or the postman who delivers on his moped the ballot papers for the forthcoming elections. The policeman who stops cars as he fancies. The school with a handful of children in the overlarge classroom. The pub in which something approaching merriment occasionally arises. And the recurrent visits to the old peasant woman: Her matter-of-fact inventory of aches and pains delivered to the local doctor, her worries about increasing thievery confided in the village priest.
In a remote mountainous village elderly people no longer deemed productive are stoned to death.