This Much We Know

Guy Debord's analysis of a consumer society.

Amidst the paralysis of downtown São Paulo, the film follows the journey of 5 characters to the same place - a common meeting point. The voices and experiences of each reveal something greater: a new perspective on life, movement and art.

Hermanovce, Slovak Republic. A Romani village located deep down in the valley, with old shacks and newer concrete ones. Four Romani women tell us about their day-to-day life through ancient habits, along with words that travel near borders with different worlds...

In the 1920s, former coal miner Harry Hoxsey claimed to have an herbal cure for cancer. Although scoffed at and ultimately banned by the medical establishment, by the 1950s, Hoxsey's formula had been used to treat thousands of patients, who testified to its efficacy. Was Hoxsey's recipe the work of a snake-oil charlatan or a legitimate treatment? Ken Ausubel directs this keen look into the forces that shape the policies of organized medicine.

C'est tout pour nous et vous

In 1937, tens of thousands of Haitians and Dominicans of Haitian descent were exterminated by the Dominican army, on the basis of anti-black racism. Fast-forward to 2013, the Dominican Republic's Supreme Court stripped the citizenship of anyone with Haitian parents, retroactive to 1929, rendering more than 200,000 people stateless. Elena, the young protagonist of the film, and her family stand to lose their legal residency in the Dominican Republic if they don't manage to get their documents in time. Negotiating a mountain of opaque bureaucratic processes and a racist, hostile society around, Elena becomes the face of the struggle to remain in a country built on the labor of her father and forefathers.

In 1999, 11-year-old Nisha Platzer lost her older brother, Josh, to suicide. Twenty years later, her search for a specialized medical treatment leads her to the door of someone who was once exceptionally close to Josh. And so it is that she finally has the chance to truly know her brother through his chosen family. Captured over five years in which synchronicities continually manifested, Platzer’s documentation of these encounters gently asserts that both grieving and healing are meant to be communal experiences.

Why is it prohibited to sit in food courts if you will not order foods? Why did Isko Moreno, newly elected Mayor of Manila, suddenly withdrew the licenses of bars near university establishments? What is life at night in Poblacion, Makati for Prostitutes? These are the questions that intrigued the group of students from Adamson University from tapping the nameless dilemma of the business industry and figuring in the end if they are ethical or not.

Visual artist Daniela Torres creates colorful ceramic dick sculptures inspired by the men who have been dicks to her. In this intimate artist portrait, Daniela shares her struggles, anger and catharsis as she creates a sculpture modelled after a series of unsolicited dick pics. She also shares her process with a diverse group of women who come together in one of her popular Berlin-based dick sculpting workshops. It's a hands-on approach to healing trauma that yields beautiful results.

On September 19, 2022, several young artists went to the streets of the city of Belgrade in order to find out what their fellow citizens had to say about an abstract painting. During the process, the idea of recording the survey itself was born.

A strippers' convention and a major contest. The movie focuses on a few strippers, each with her own strong motive to win.

A feature-length documentary about the film Galaxy Quest and its legacy, celebrating its milestone 20th anniversary.

A view of the religious tensions between Muslims and Buddhist through the portrait of the Buddhist monk Ashin Wirathu, leader of anti-Muslim movement in Myanmar.

Satan in the Suburbs tells the shocking story of a grisly ritualistic murder in the quiet bedroom community of Northport, Long Island in the summer of 1984. The killing, it soon emerged, was linked to a teen satanic cult. Perhaps more disturbing than the details of the murder itself was the revelation of a conspiracy of silence among the town's teenagers, many of whom had been aware of the, e killing in the two weeks before an anonymous call finally tipped off local police. 17- year-old Ricky Kasso was arrested and confessed to the crime; five days later, he hung himself in his holding cell. Kasso's friend Jimmy Troiano also. confessed, but was acquitted after jurors learned that he was beaten by local police. The murder shocked the local community and reverberated nationally, with some uninformed observers rushing to scapegoat rock music as the cause.

Shot in various villages throughout Yugoslavia, this is a disturbing document of a time when people were stabbing each other with knives without any real reason. Murderers, people who witness these murders and the families of victims all talk about the senseless violence and the human condition.

An innovative and charismatic influencer is suddenly exiled from her community of creative partners and colleagues when she states an opinion that she did not know was “unacceptable” in their eyes.

Painter Zdzisław Beksiński, his wife Zofia and their son Tomasz, a well-known radio journalist and translator, were a typical and unconventional family, both at the same time. One of the father’s obsessions was filming himself and his family members. Using archival footage only, shot primarily by Zdzisław, as well many other materials, which have not been presented anywhere so far, the film tells a tragic story of the Beksińskis that has never ceased to fascinate Polish filmmakers.

OUTREMONT AND THE HASIDIM reveals the challenges of accommodating the “Hasidim” – or ultra-Orthodox Jews – in the affluent Montréal borough of Outremont.​Some 7,000 Hasidim live in or near this choice neighbourhood of Québec’s Francophone elite. After settling there more than 70 years ago, the Hasidim are a rapidly growing minority group which today represents about 23% of Outremont’s population.​Thanks to unprecedented access to this self-isolated community, the film lifts the veil on its practices, traditions, music and life as they had never before been seen on Canadian television, without ignoring the community’s expectations, fears. and hopes.

Final Line

Presos del silencio