This Much We Know

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

Priests, theologians and bishops are increasingly confessing that the majority of clergy no longer keep celibacy. They condemn the institution of the church and its treatment of priests. And they refuse to obey the ecclesiastical laws imposed by the Vatican. They no longer want to keep their private lives secret. Many are calling for an end to compulsory celibacy.

Shot in various villages throughout Yugoslavia, this is a disturbing document of a time when people were stabbing each other with knives without any real reason. Murderers, people who witness these murders and the families of victims all talk about the senseless violence and the human condition.

Satan in the Suburbs tells the shocking story of a grisly ritualistic murder in the quiet bedroom community of Northport, Long Island in the summer of 1984. The killing, it soon emerged, was linked to a teen satanic cult. Perhaps more disturbing than the details of the murder itself was the revelation of a conspiracy of silence among the town's teenagers, many of whom had been aware of the, e killing in the two weeks before an anonymous call finally tipped off local police. 17- year-old Ricky Kasso was arrested and confessed to the crime; five days later, he hung himself in his holding cell. Kasso's friend Jimmy Troiano also. confessed, but was acquitted after jurors learned that he was beaten by local police. The murder shocked the local community and reverberated nationally, with some uninformed observers rushing to scapegoat rock music as the cause.

A feature-length documentary about our complex relationship with manufactured objects and, by extension, the people who design them.

Motherhood is a short documentary film about a single mother trying to secure a future for her severely disabled son.

Quiet towns across rural Australia are in the grip of an Ice epidemic. Major international drug cartels are working with local outlawed motorcycle gangs to push crystal meth to a captive market of children.

October 2018, France. Macron’s government decrees a tax increase on the price of fuel. A wave of protests starts to grow. Citizens mobilize throughout the country: this is the beginning of the Yellow Vests movement. In Chartres, a group of men and women gather daily. Among them, Agnès, Benoît, Nathalie and Allan commit themselves to the collective struggle. Like a whole nation, they discover that they have a voice to be heard...

"I often say sociology is a martial art, a means of self-defence. Basically, you use it to defend yourself, without having the right to use it for unfair attacks." (Pierre Bourdieu) The world has witnesses who speak out loud what others keep to themselves. They are neither gurus, nor masters, but those who consider that the city and the world can be thought out. The sociologist, Pierre Bourdieu is one such witness." Over a three- year period, Pierre Carles' camera followed him through different situations: a short conversation with Günter Grass, a lively conference with the inhabitants of a working-class suburb, his relations with his students and colleagues and his plea that sociology be part of the life of the city. His thinking has a sort of familiarity, which means it is always within our reach. It is the thinking of a French intellectual who has chosen to think his times.

LIKE is an IndieFlix Original documentary that explores the impact of social media on our lives and the effects of technology on the brain. The goal of the film is to inspire us to self-regulate. Social media is a tool and social platforms are a place to connect, share, and care … but is that what's really happening?

Somi is pregnant with her second child. A girl, she hopes. Together with her husband she prepares for this new phase of their parenthood. It means that their son has to go to school, but as an ex-Naxalite that is tough to achieve in contemporary India, where people like them are third-rate citizens. They lack the certificates and an opaque bureaucratic process doesn't help. Directors Isabella Rinaldi, Cristina Hanes and Arya Rothe of the NoCut Film Collective concentrate on Somi's close family ties, painting a portrait of ex-Naxalites in India. Once, Somi and her husband were communist rebels fighting for the rights of Indian tribes. However, to safeguard their family's welfare, they surrendered to the government in exchange for marginal compensation and simple accommodation.

On the night of Oct. 2, 2005, Hart and Dana Perry's 15-year-old son Evan jumped to his death from his New York City bedroom window. This moving film is the story, told by his filmmaker parents and others who knew him, of Evan’s life and death, and his life-long struggle with bipolar disorder. It delves into the complexity of Evan's disease, sharing his family's journey through the maze of mental illness. In showing how one family deals with generations of loss and grief, the film defies the stigma related to mental illness and suicide and tells a human story that touches everyone.

America has questions about today's youth, what we care about, and where we're headed. We had those questions too. So, after graduating college, four of us loaded an RV and embarked on a journey looking for answers. We traveled to all of the lower 48 states, talking to our peers about growing up, 9/11, race, the Internet, careers, sex, love, and the American Dream. Along the way, we met a wide cross-section of young Americans, ranging from a cancer researcher in Boston to a drug dealer in New Mexico, from an Iraq veteran in Florida to the founder of Facebook in Silicon Valley. The film ultimately leads to the recent historic election, where our generation finally stands up to make its voice heard. OUR TIME is a passionate portrayal of a generation, a meditation on coming of age in 21st-century America, and a rallying cry against apathy.

Ten years after an enormous open-pit gold mine began operations in Malartic, the hoped-for economic miracle is nothing more than a mirage. Filmmaker Nicolas Paquet explores the glaring contrast between the town’s decline and the wealth of the mining company, along with the mechanisms of an opaque decision-making system in which ordinary people have little say. Part anthropological study, part investigation into the corridors of power, Malartic addresses the fundamental issue of sustainable and fair land management.

Compulsive Twitterer, Elon Musk bought himself his favorite social network in 2022, and brutally shaped it according to his desires. This punchy investigation relates the stormy relations between the platform and the billionaire, and their impact on the public debate.

Have you ever had a dream that felt so real, you couldn't tell the difference between the real world and the dream world? On November 18, 2001, the world's biggest star, Britney Spears, brought her "Dream Within a Dream" Tour to the MGM Grand Garden Arena in legendary Las Vegas. Watch this defining concert, witnessed by millions of fans, as it was broadcast live on HBO.

The former talk show host speaks out from behind the glass at an assisted living facility where a restrictive guardianship has made her a 'prisoner.'

Guy Debord's analysis of a consumer society.

'Do you feel cheaper?' We are filming young Lithuanian men working in Sweden. They do not want to be caught on camera, they do not want to participate in creating yet another media image of guilt and pity. They film us. We empty a bottle of moonshine, we dance on their porch. They might let us film them tomorrow. Second Class is a time document about class, respect, the value of work and human being.

Michael Moore comes home to the issue he's been examining throughout his career: the disastrous impact of corporate dominance on the everyday lives of Americans (and by default, the rest of the world).