Long Live the Republic

Benjamin is meant to be a great doctor, he’s certain of it. But his first experience as a junior doctor in the hospital ward where his father works doesn’t turn out the way he hoped it would. Responsibility is overwhelming, his father is all but present, and his co-junior partner, a foreign doctor, is far more experimented than he is. This internship will force Benjamin to confront his limits… and start his way to adulthood.

Thomas Wiesel's comeback with a new show. After blowing away Romandy and every politician and personality natural to it, he makes way to Paris with a new target: himself. He opens up, complains (a lot), makes fun of himself, and, above all, tries to reassure you that: it's okay, promise. (translated from the French TMDB page.)

Charly is the editor in chief of a fashion magazine. When her father dies, she inherits the family business: a butchery. Not exactly her passion in life... She’s about to sell it when Mar- tial, who worked for her father, wants to take it over, but she is having second thoughts. These two opposite characters will have to get used to one another.

Documentary on Les Charlots, known as The Crazy Boys in the English-speaking world, a group of French musicians, singers, comedians and film actors who were popular in the 1960s, 1970s, and early 1980s.

Forced by the parents to be married, a young couple in Paris discover things about themselves as they mature through their romance together.

In a kingdom tormented by fashion crazes, a queen and her court must always keep up with the new trend. If not, an abominable monster will consume them: the Ridicule. But with the arrival of a disarmingly natural cowboy, this nation of fashion victims laughs, and a simple question arises: what if the Ridicule isn’t what we think?

France, le plus beau décor de cinéma

Adèle's life is changed when she meets Emma, a young woman with blue hair, who will allow her to discover desire, to assert herself as a woman and as an adult. In front of others, Adele grows, seeks herself, loses herself, finds herself.

Erase

The personal and professional story, told in first person, of Spanish actress Carmen Maura, director Pedro Almodóvar's first muse and a brilliant artist in her own right.

La Folle Aventure de Louis de Funès

During a trip to Naples, a young French man falls in love with a fisherman's granddaughter, Graziella. They are separated when he must return to France, and Graziella soon dies.

Catherine Deneuve couldn’t care less about being a celebrity, but fame made her an icon long ago and she occupies a special place in our imagination. The star is not one to let others get too close, but when she gives you her confidence, she keeps her word. If Deneuve’s career covers a half-century of cinema, it also bears witness to the force of a generation that experienced the deepest transformation of mores. This portrait reflects her entirely. The story of a mystery and an adventure.

Throughout the 19th century, imaginative and visionary artists and inventors brought about the advent of a new look, absolutely modern and truly cinematographic, long before the revolutionary invention of the Lumière brothers and the arrival of December 28, 1895, the historic day on which the first cinema performance took place.

In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.

Alexa Boulton interviews the students and teachers of Kelvin High School to uncover the possibilities for the future of cinema

An hour-long discussion between Fritz Lang and Jean-Luc Godard in which they discuss a variety of art forms, the role of the cinema, their collaboration together, and much more. (Filmed in 1964 but released for TV in 1967.)

This afterword to India Song (Duras' celebrated 1975 film) is organized in several parts. It begins with an interview to Marguerite Duras by Dominique Noguez, an expert in her work; the interview links the film to the two movies whom it's related to: The Ravishment of Lol V. Stein and The Vice-Consul. Several themes are tackled: childhood, autobiographical traces, relationships between differents characters and different films and more. India Song's main actors — Delphine Seyrig and Michael Lonsdale, who played Anne-Marie Stretter and the French vice-consul — join the conversation and talk about their roles and their craft. Marguerite Duras then evokes her memories of the shooting with the composer Carlos D'Alessio and her camera operato Bruno Nuytten. The conversations are punctuated by clips of the film.

On the occasion of the fortieth anniversary of the death of Louis de Funès, this documentary by Jacques Pessis pays tribute to the cult actor by retracing his career through excerpts of his greatest successes in the cinema and in the music hall, never-before-seen archives, as well as testimonies from personalities and relatives.

Daniel Prévost : bande de ringards !