A exploration of the fanaticism that surrounds the Apple brand, featuring interviews with Mac evangelists and members of the Mac community.
Apple. Intel. Genentech. Atari. Google. Cisco. Stratospheric successes with high stakes all around. Behind some of the world's most revolutionary companies are a handful of men who (through timing, foresight, a keen ability to size up other people, and a lot of luck) saw opportunity where others did not: these are the original venture capitalists. All were backing and building companies before the term 'venture capital' had been coined: companies that led to the birth of biotechnology and the spectacular growth in microprocessors, personal computers and the web. SOMETHING VENTURED uncovers the ups and downs of the building of some of the greatest companies of the twentieth century, and the hidden dramas behind some of the most famous names in business.
Documentary about the poor circumstances in the process of manufacturing iPhones - about mineworkers in Rwanda, illegal workers in Shenzhen, and repair-techs in Hamburg.
The story about the men who made the world of technology what it is today, their struggles during college, the founding of their companies, and the ingenious actions they took to build up the global corporate empires of Apple Computer Inc. and Microsoft Corporation.
The story of Steve Jobs' ascension from college dropout into one of the most revered creative entrepreneurs of the 20th century.
Set backstage at three iconic product launches and ending in 1998 with the unveiling of the iMac, Steve Jobs takes us behind the scenes of the digital revolution to paint an intimate portrait of the brilliant man at its epicenter.
Ariel Roth is a 30-something graphic designer. He feels close to his Mac, his apartment and riding his bike at night. Ariel doesn't want too much out of life. Is that too much too ask?
ROUCH meets Rublev! Anssi Mänttäri’s and Heikki Takkinen’s new joint direction work is an ethnographically fascinating documentary about rituals across the border. It takes us to Estonia, to the small village of Saatse where Setos celebrate their traditional folk festival.
Can feminism and religion coexist? Inna Shevchenko of the Ukrainian FEMEN collective seeks answers to a difficult question in candid conversations with priests, imams, rabbis and other activists.
An immersive journey into southern Galicia, one of Europe's most vulnerable wildfire zones, where humans and animals alike struggle to cope during the hottest, driest summer on record.
Ensayos y errores
Through a personal journey through space and time, where the past and present connect, a granddaughter rediscovers with her grandfather the corners of her childhood and ventures to explore her memory, in an incessant search for a fading past . Discovering old cassette tapes, he faces grief and longing, and decides to revisit his grandmother's house, in search of the essence of his journey.
Jeff Towne revisited four years after the release of the original film.
In an attempt to make her mother's dream come true, the director accompanies and is accompanied by three VRChat users, Rúben, Rodrigo and Stiff, who share their experiences and their contact with virtual reality, in an affective, technological and critical way.
Tekoá Koen-ju
Tekoha Ha’e Tetã
Kwanxwala-Thunder recovers the history of the Kwakwaka’wakw and stitches it together with contemporary stories of football and potlach in Canada. This creative documentary intertwines Canadian history, indigeneity, colonial legacies, feminisms, and sport. Shot over the period of several years (2009-2015), Kwanxwala-Thunder constructs a portrait of Alert Bay through soccer. The film's impressionistic approach takes us through the incorporation of soccer into Kwakwaka'wakw culture despite its colonial arrival on the island while highlighting multiple generations of female soccer players.
From photographs archived in family albums and photographs of patterns and texture, a collection of small stop motions emerges, accompanied by nostalgic ambient sounds. A reflection on childhood and the lack thereof.
"Porta de Expressão" begins with a shot of the stairs at the entrance to the Cineclube de Guimarães. The sound of footsteps ascending the stairs and the murmur of a small crowd fill the air, but the stairs are empty. This "phantom sound" creates an atmosphere of mystery and absence, reflecting the invisibility and silence forced by censorship. The subtle sound of the projection machine mixes with some voices that tell of the many creative ways that the film society found to circumvent censorship during the PIDE era. Among the many cinephile memories there are reports of the cultural resistance of the film club.
The word and image "Meer" are brought together by young people in a provisional way.