Verdi – Messa da Requiem

Documentary about the entire process that keshi had to create his second album, Requiem.

In celebration of its 100th anniversary in 1983, the Metropolitan Opera hosts a four-hour performance uniting some of the world's most spellbinding opera singers and conductors. The event includes a ballet from Samson et Dalila and boasts incredible classical performances from Kathleen Battle, Plácido Domingo, Jose Carerras, Leonard Bernstein, Marilyn Horne, Leona Mitchell, Luciano Pavarotti and many more.

Love them or hate them, there are 33,000 urban foxes roaming Britain's suburbia. For the residents of the Copse in Sutton-in-Ashfield, Nottinghamshire - as for so many other suburbanites - the urban fox provides evenings of enchantment. A cul-de-sac of neighbours compete to offer the tastiest snacks for their bushy-tailed visitors, with one couple even setting up their own CCTV system to provide happy evenings of Fox TV.

A TV Land special reuniting the living cast members of The Brady Bunch who share their recollections from the series. Hosted by Jenny McCarthy.

Carlin returns to the stage in his 13th live comedy stand-up special, performed at the Beacon Theatre in New York City for HBO®. His spot-on observations on the deterioration of human behavior include Americans’ obsession with their two favorite addictions - shopping and eating; his creative idea for The All-Suicide Channel, a new reality TV network; and the glorious rebirth of the planet to its original pristine condition - once the fires and floods destroy life as we know it.

It's Charlie Sheen's turn to step in to the celebrity hot seat for the latest installment of The Comedy Central Roast.

George Carlin's first ever comedy special, filmed live at the University of Southern California. Here, he talks about monopoly, flying on planes, random thoughts, walking, and other things.

Filmed on tour at Berlin's Philharmonie, this account of the valedictory Ninth Symphony is an intense interpretation, expressing Bernstein's conviction that modern man had at last caught up with the message encoded in Mahler's last completed work. Having made his famous 1966 studio recording of "Das Lied von der Erde" in Vienna, Bernstein re-recorded this in Israel with the same searing subjectivity. René Kollo draws on the voice of a great Wagner tenor, while Christa Ludwig, the greatest exponent of the contralto songs at the time, is unbearably poignant in the final movement's fusion of elation and sadness.

Leonard Bernstein made these recordings during his wonderfully productive collaboration with the Wiener Philharmoniker in the mid-1970s when he was at the peak of his career. Humphrey Burton's direction is, as always, very fine, giving the viewer/listener both the larger picture and highlighting individual soloists, players or groups of musicians and, of course, the maestro. The video and audio tracks show their age, but are quite acceptable even for today's standards. Bernstein's Seventh is everything one could desire: dark and spooky, highly sensual, but also structurally strong and assertive where needed. Bernstein's reading does not gloss over breakdowns in tonality and the foreshadowing of later musical developments.

This material was developed and prepared over the last year or so, mostly in comedy clubs. This special kind of goes back to when he used to just make noises and be funny for no particular reason. It felt right to him to shoot this special in a club to give it that live immediate intimate feeling. The show is about an hour long. The opening act, who is seen at the beginning (good place for an opening act) is Jay London. One of his favorite club comics going way back to the late 80s when he first started in working in New York.

Comedian Paul Hogan opens the door into his private and public life. It’s been 40 years since he first stepped into the comedy limelight, and now at 73, he is ready to share - warts-and-all – his story with fellow comedian Shane Jacobson (Kenny, The Time of our Lives). This relaxed, candid and hilarious program charts his journey from raising a family in a housing commission home, to the highs of Crocodile Dundee, the Golden Globe Awards and performing stand-up at the Oscars. It also delves into the lows of Hogan’s battle with the Australian Tax Office. And right now Paul Hogan is once again set to do what he does best - entertain.

Opera greats Luciano Pavarotti and Joan Sutherland -- one of the most acclaimed tenors and one of the most beloved sopranos of the 20th century -- take the stage at the Met for a gala evening of opera scenes with special guest Leo Nucci. Filmed in 1987, the memorable program includes scenes from the first and third acts of Donizetti's "Lucia di Lammermoor," the third act of Verdi's "La Traviata" and the third act of Verdi's "Rigoletto."

In the frigid valleys of Japan's Shiga Highlands, a troop of snow monkeys make their way and raise their families in a complex society of rank and privilege where each knows their place. Their leader is still new to the job and something of a solitary grouch. But one little monkey, innocently unaware of his own lowly social rank, reaches out to this lonely leader, forming a bond with him that manages over time to warm his less than sunny disposition. It is a rare and remarkable gesture that alters both their lives. Changing seasons bring new babies to care for, a profusion of insects and blossoms to eat, family disagreements to squabble over and tragedies to overcome. Mating season brings competition for females, as the days grow shorter and colder in a rush toward winter. But with their now confident leader to guide them and their families to shelter and care for them, this troop of snow monkeys is ready to face the world.

There is hardly a better way to approach Ludwig van Beethoven than through his piano concertos. Beethoven’s own instrument was the piano, and in his improvisations – which made him the darling of the Viennese salons – he merged virtuosity and unbridled expression. The piano concertos give a clear idea of these performances. At the same time, they are prime examples of Beethoven’s ability to create large orchestral works with seemingly endless arcs of tension. The complete recording of all five works with Mitsuko Uchida and Sir Simon Rattle was one of the most spectacular projects of the Berliner Philharmoniker during the Rattle era – and at the same time the highlight of the collaboration between the orchestra and the pianist, which began in 1984.

Barbra Streisand's first television special, featuring a medley of her hit songs, such as "People," "Happy Days Are Here Again" and "My Man."

In the 19th century, Romantic composer/pianist Franz Liszt tries to end his hedonistic ways but keeps getting sucked back in by his seductive fellow composer Richard Wagner.

In a marvelously animated version of one of the most beloved of all Dr. Seuss tales, two youngsters find themselves at home with nothing to do on a rainy afternoon. But when the magical, mischievous Cat in the Hat arrives on the scene, they're all cat-apulted into a day of rousing, romping, outlandish antics they - and you - will never forget!

In the 1960s Karl Böhm (1894–1981) had made his mark as interpreter of Mozart with the the Berlin Philharmonic. Yet his recordings with the Vienna Symphony demonstrate a mutual sympathy and deep love for this timeless music. The musicians are razor-sharp in attack, harmony, and release. Böhm's style is minimalist: a firm downbeat, a ruffled hand here and there, a slight sway, no mugging. Occasionally, when quite excited, he gives a little hop but immediately pulls himself on a tight leash.

"Four Ways to Say Farewell" is a personal introduction to Mahler and his Ninth Symphony, during which Leonard Bernstein is seen and heard rehearsing the Vienna Philharmonic Orchestra. Filmed in 1971, this rehearsal was directed by Humphrey Burton,

These recordings, filmed in March and April 1974 for the BBC, occurred at the tail end of the old performance era and the very start of the new. Vladimir Ashkenazy was a graduate of the same Soviet school of piano playing that produced Sviatoslav Richter, Emil Gilels, Lazar Berman and a host of others of that era. There are simularities that unite them, including a broad romanticism, a degree of Lisztian showmanship coupled with periods of introspection, powerful technique that occasionally borders on pounding and an intellectual streak that produces some deeply insightful playing. Ashkenazy was younger than the others, more modern in his playing.