Karajan Brahms Ein Deutsches Requiem

Mozart: Requiem KV 626 – Chor und Symphonieorchester des Bayerischen Rundfunks, Mariss Jansons

Brahms, Ein deutsches Requiem op.45

Live performance of Verdi's Missa da Requiem at the Edinburgh Festival in 1982. An all-star quartet of soloists under the baton of Claudio Abbado, recorded in high definition audio.

Benjamin Britten: Válečné rekviem

Jordi Savall dirige le Requiem de Mozart

Philippe Herreweghe, principal conductor of the Royal Flemish Philharmonic, has devoted himself for over ten years to fresh and invigorating readings of the (pre-) Romantic repertoire. Together with the Collegium Vocale, founded in 1970 by Philippe Herreweghe himself, and superb soloists they perform Dvorak’s Requiem. A modern and stylistically flexible symphony orchestra, the Royal Flemish Philharmonic demonstrates an artistic flair which allows for a variety of styles and occupies a unique position in Flanders. Collegium Vocale Gent were one of the first ensembles to use new ideas about baroque performance practice in vocal music. Their authentic, text-oriented and rhetorical approach gave the ensemble the transparent sound with which it would acquire world fame and perform at the major concert venues and music festivals all over the world.

Mozart’s Requiem – his final and unfinished masterpiece – is an extraordinary work. Discover the piece at the Salzburg Festival in the hands of conductor Teodor Currentzis, the ensemble musicAeterna, Anna Prohaska (soprano), Katharina Magiera (contralto), Mauro Peter (tenor), and Tareq Nazmi (bass). Few musical works are as steeped in legend as Mozart’s Requiem in D minor, K. 626. Commissioned anonymously by the eccentric count Franz von Walsegg, the funereal oeuvre would become Mozart’s last: when he died on December 5, 1791, only the Requiem aeternam and Kyrie movements were fully composed and orchestrated. Completed by other composers (Mozart’s student Franz Xaver Süssmayer in particular) using Mozart’s sketches and notes, the resulting work weaves the emotions we associate with death into a timeless musical exploration of every human being’s destiny, and constitutes a powerful final testament to its creator’s genius.

Herbert von Karajan conducts La Scala Orchestra and Chorus with soloists Leontyne Price, Fiorenza Cossotto, Luciano Pavarotti, and Nicolai Ghiaurov.

A group of chickens get played a requiem as they await their final moment in the coup.

After she lost her husband and her job, Mrs. J is sitting in her living room with a gun in her hand.

Some neighbors come to the old woman's house and they're shocked that she's dead but then they steal her pieces of stuff.

The crew of the new American strategic missile submarine "Archelon" is struck by an unknown virus. The command must decide on removing the submarine from combat duty and sending the crew to quarantine.

Roy returns home to fine a range feud between the cattlemen and the sheepmen. When his friend is killed he finds the rifle had a defective pin. He learns the rifle belongs to a ranch hand named Barker and that a third party has caused the feud. When he captures outlaws trying to blow up a dam, he claims Barker was the killer. But Barker has switched rifles and the outlaws now accuse Roy and Roy finds himself in trouble.

This animated short is a play on motion set against a background of multi-hued sky. Spheres of translucent pearl float weightlessly in the unlimited panorama of the sky, grouping, regrouping or colliding like the stylized burst of some atomic chain reaction. The dance is set to the musical cadences of Bach, played by pianist Glenn Gould.

The Let's Get to It Tour was the third tour by Australian pop singer Kylie Minogue. The tour was a continuation of the previous Rhythm of Love Tour which had already visited Australia and Asia. Together with five dancers, Minogue staged the tour in support of the album Let's Get to It. The show comprised an all-new wardrobe created exclusively by John Galliano and several new additions to the set list, many of which were written by Minogue herself.

“Kill the Roach” is a dance step improvised by a child in front of his father. They find themselves in the heart of old Paris on a square in Montmartre. While the father tries in vain to seduce passers-by with his mime skills, his son, out of compassion, takes his place by dancing with gestures close to break-dancing. The public is won over. Finally, an incident makes them meet a singer who will allow them to perform on stage during an innovative show, mixing mime, singing and break-dancing.

In a dramatization of her life, Linda Eastman, takes a job snapping pictures for Rolling Stone Magazine, despite the objections of her straight-laced father, Lee Eastman. As Linda rubs elbows with music royalty, she bumps into rock star Paul McCartney, and they soon fall in love. Although not only her father but also Paul's band mates disapprove of the romance, Linda and Paul wed while relations between the Beatles begin to disintegrate.

Coluche - Le Luron : Morts de rire

Ça c'est Claude François

Takashi Makino's collaboration with Derek Jarman regular Simon Fisher Turner. Taking its starting point as Jarman's blindness after the completion of BLUE.