Mickey Spillane's hard-hitting '50s private eye, Mike Hammer, returns to television in the guise of Kevin Dobson to track down the killer of his best friend who was driving Hammer's car. Joining in the hunt are the detective's Girl Friday, the ever-hopeful Velda, and his cop friend, Pat Chambers.
One evening, Hammer gives a ride to Christina, an attractive hitchhiker on a lonely country road, who has escaped from the nearby lunatic asylum. Thugs waylay them and force his car to crash. When Hammer returns to semi-consciousness, he hears Christina being tortured until she dies. Hammer, both for vengeance and in hopes that "something big" is behind it all, decides to pursue the case.
Detective Mike Hammer's investigation of a murder puts him in the middle between warring jewel thieves.
After his best friend and war buddy is mysteriously gunned down, Mike Hammer will stop at nothing to settle the score for the man who sacrificed a limb to save his own life during combat. Along the way, Hammer rides a fine line between gumshoe and a one-man jury, staying two-steps ahead of the law—and trying not to get bumped off in the process.
Jack Williams was the best friend of Vietnam veteran and detective Mike Hammer. When Jack is murdered, Mike makes it his business to solve the crime. He is helped by his secretary Velda, and partly helped, partly hindered by the Chief of Police, Pat Chambers. On the trail of the killer, Mike discovers government conspiracies, and plots used by the CIA and the Mafia.
Mickey Spillane plays his own creation, street-thug-turned-PI Mike Hammer, in this 1963 adaptation of his novel. The film opens with Hammer on the downside of a years-long bender, scooped out of the gutter by a bitter cop intent on prying information from a dying man. Inspired to clean up his act by the secrets he hears, Hammer hits the streets on a personal crusade to find the love of his life. Future Bond girl Shirley Earton costars as a glamorous society widow who goes slumming with Hammer.--Sean Axmaker
Mike Hammer is kidnapped and led to believe it is the work of a Las Vegas entertainer, but soon realises somebody else is involved.
After two attempts to kidnap a little girl Mike Hammer is hired to protect her.
Private eye Mike Hammer tries to clear his friend, Captain Chambers, who has been framed for cocaine possession.
Private eye Mike Hammer probes his long-lost love's death while seeking their daughter.
Documentary about the life and work of mystery writer Mickey Spillane.
Bob Watson and Ricky Adams, and the Hughes twins, Skipper and Patricia, cannot register at Opalocka University until they find lodgings in the school's overcrowded quarters. They pretend they are married to get the last two units in the married veteran's housing project, with the girls in one unit and the boys in the other. A noisy kid, Junior Ormsbee, the nephew of the landlords, voices his suspicions and nearly gets them evicted. And a U.S. Senator, investigating veteran's projects, adds new complications.
A wayward youth of a rich father, Jomon is a carefree youngster who doesn’t care about ‘being responsible enough’ for his age. When the family lands in a financial soup out of the blue, a different side of the youngster surprisingly emerges.
Noah's Ark .
Comedy Aid 2016
Some magic effects are so mysterious, they've confounded illusionists for hundreds of years. How can a mechanical man defeat a world chess champion? How can a live bullet be stopped in mid-air? Magic has an ancient history, and one master magician, Steve Cohen, is on a quest to uncover the secrets behind these legendary feats and more.
The shadows of screams climb beyond the hills. It has happened before. But this will be the last time. The last few sense it, withdrawing deep into the forest. They cry out into the black, as the shadows pass away, into the ground.
Annette might be judgmental, critical, and a total perfectionist—but only of the most charming variety. When she suddenly perceives that her relationship with her boyfriend, Elliot, is inferior to all the happy coupledom she sees among her friends, she decides they need to break up. Launched into the LA dating scene, where film industry jobs, old school bars, and elitist consumerism are the norm, Annette begins to realize that maybe meeting some cool new guy isn’t going to lead her to personal fulfillment.