Mike Hammer's Mickey Spillane

In this revealing study of Norval Morrisseau, filmed as he works among the lakes and woodlands of his ancestors, we see a remarkable Indigenous artist who emerged from a life of obscurity in the North American bush to become one of Canada's most renowned painters. Morrisseau the man is much like his paintings: vital and passionate, torn between his Ojibway heritage and the influences of the white man's world.

In recent decades, humans have lost 25 to 40 percent of the world's corals due to seawater temperature rise and ocean acidification. Dr David Vaughan has been studying corals his whole life, but until eight years ago, could only watch the crisis unfold. After an accident one day in the lab, Vaughan discovered a secret of coral reproduction, and is now working to replant dwindling coral reefs at an astonishing rate. The Atlantic visited Dr Vaughan in the Florida Keys to uncover how the process works and understand how much hope there is to revitalize our reefs.

She now lives many miles away from her mother, who is waiting to hear from her. It is a bittersweet, restless, nostalgic moment, and she remembers those vanished years.

The music producer Molécule stayed in a village in Greeland, where he recorded the sounds of the Artic to compose music. The viewer follows Molécule in his adventure in the extreme North, in a sensorial and musical immersion.

Follows the journeys of four members at Headway East London’s Day Centre: Yoki, who began as a Headway member, now works with the charity, providing emotional support and advocacy to other brain injury survivors. Dave, a former chauffeur to the rich and famous, has embraced cooking and is developing his artistic talents. Margie, life and soul of the community, who spreads joy through her love for food and music, and Marie-Claire who has rebuilt her life after an aneurysm left her in a coma at forty.

A strange and mischievous documentary on an archeological site in the Qaytarieh hills in Tehran. This short narrates the story of the dead people who wished never to be found.

Filmed during the production of the Columbia Pictures western "Mackenna’s Gold," this short work presents a non-narrative visual study of the Arizona desert. Rather than documenting the film set itself, "6-18-67" assembles landscape images, time-lapse photography, and ambient sound into an abstract record of place and duration.

A miniature parable about a young boy who misunderstands the function of a bird feeder.

Két arckép

Pictures taken between France and Mexico running at 8 frames per second.

In October, during the tense days of the Nagorno-Karabakh war, the director takes his camera to the village of Ashagi Nuvedi in Lankaran. The film follows the daily lives of fishermen — Sakhavat, Ramesh, Rza and Tehran — living in the shadow of the war. They go out to sea every morning amid news from the front, fearing empty nets, and hoping for a miracle — a goldfish in difficult days.

For First Nations communities, the headdress bears significant meaning. It's a powerful symbol of hard-earned leadership and responsibility. As filmmaker JJ Neepin prepares to wear her grandfather's headdress for a photo shoot she reflects on lessons learned and the thoughtless ways in which the tradition has been misappropriated.

Battered Warsaw is getting back to life after the WW2 destruction. The ruins of the Old Town become homes once again.

Short documentary on Poland's first steam locomotive.

A silent documentary film about the history and the architecture of the town of Erlangen in the Middle Franconia region in Bavaria, Germany.

The camera slowly pans through a room as Smolders offers various observations and memories.

A film in three parts after Oskar Schlemmer's Triadische Ballett (Triadic Ballet).

As one of Belgrade’s last DIY anti-nationalist spaces faces closure, its community gathers for a final night — a farewell that becomes a quiet act of resistance.

A heavily edited look at a routine dog walk with 3 small pups.

Sarajevo in the twentieth month of its besiegement. The situation is critical, but the city chooses to organise an international film festival. Dutch filmmakers Johan van der Keuken and Frank Vellenga present Van der Keuken's documentaries Face Value and Brass Unbound there, and one of the festival organisers asks a festival visitor: "What is the significance of film in war?" In Sarajevo Film Festival Film, a reflection on film, war and daily life, fictional images are juxtaposed in a disconcerting way with the gruesome reality of the life of a festival visitor.