The Little Mermaid

A child is born. We see underwater swimmers representing this. He is young, in a jungle setting, with two fanciful "instincts" guiding him as swooping bird-like acrobats initially menace, then delight. As an adolescent, he enters a desert, where a man spins a large cube of metal tubing. He leaves his instinct-guides behind, and enters a garden where two statues dance in a pond. As he watches their sensual acrobatics of love, he becomes a man. He is offered wealth (represented by a golden hat) by a devil figure. In a richly decorated room, a scruffy troupe of a dozen acrobats and a little girl reawaken the old man's youthful nature and love.

The Nutcracker is Mikhail Baryshnikov's breathtaking and critcally acclaimed Emmy nominated production. The thisspectacular performance is danced by the magnificent team of Baryshnikov, one of the greatest classical dancers of the century, and Gelsey Kirkland, both chowcased at the peak of the their careers, with members of the American Ballet Theatre.

Life. Before and after your morning cup of coffee.

A young Caribbean immigrant mother struggling to make ends meet at her dye factory job finds a release through her abandoned dream of dance.

At the Factory, laughter is produced, canned and shipped into the world in precisely measured, temperate doses. It lacks something, though: freedom and authenticity. One woman is unable to laugh according to the norms. She accidentally releases a reckless laughter breaking all the Factory rules. Soon realizes she is leading a revolution for freedom and joy, against pomposity.

Olympic gold medalist Peggy Fleming and six-time U.S. national champion Todd Eldredge star in this performance of the Tchaikovsky Christmas classic.

Five friends take a getaway trip and stay at Wonder Villa. But, the haunted villa's supernatural powers suck them in and their only chance to survive is by dancing.

An American ballerina arrives in Hungary to enroll in a ballet school and it soon becomes apparent that things are not what they seem.

The Royal Ballet's 1980 production of Tchaikovsky's classic ballet.

Cinderella is helped to the ball by her fairy godmother in The Royal Ballet's version of the classic fairy tale, using Sergei Prokofiev's music and Frederick Ashton's choreography in a comic ballet.

On Christmas Eve, a young girl has a dream... Emotional awakening, physical transformation, childhood that slowly merges into adulthood... behind what seems to be a tale for children slowly emerges a danced initiatory journey. And while children revel in Drosselmeyer's magic tricks and enjoy a good scare with the apparition of the Mouse King, the adults notice all the finesse that pervades this narrative and admire the virtuosity of the choreography.

In the magical world of dancing fireflies, we follow the story of the main character - naughty Svätojanek, which takes place against the backdrop of the changing seasons. Little episodes from the life of the industrious little bugs, set in the endless cycle of nature, are arranged in dancing images that carry a strong ethical message.

Throughout a night out in downtown Tijuana, Laura waits for her destiny to arrive.

A one-hour version of Tchaikovsky's classic ballet, with a somewhat revised storyline reminiscent of "The Wizard of Oz".

This unusual and intriguing interpretation of the ballet Cinderella with choreography and staging by the renowned choreographer, Maguy Marin, is set in a doll’s house with costumes to suit. This avant-garde, breakthrough version of the tale of Cinderella, described as a brilliant theatrical triumph, has toured the world since its premiere in 1985 and is acclaimed for its amazing manipulation of mood, its intriguing narrative and innovative staging. The production is regarded by some critics as a stepping stone from classical ballet to something radically new.

During an interview, Tadashi, a young Spanish-Japanese actor who plays female characters in a theatrical practice similar to kabuki, will return to the past to relive his most intimate memories.

A spirit emerges from icy cold water to explore the beautiful snow covered garden she finds herself trapped within.

The wicked fairy Carabosse is furious she wasn’t invited to Princess Aurora’s christening. She gives the baby a spindle, saying that one day the Princess will prick her finger on it and die. The Lilac Fairy makes her own christening gift a softening of Carabosse’s curse: Aurora will not die, but will fall into a deep sleep, which only a prince’s kiss will break. The masterful 19th-century choreography of Marius Petipa is combined with sections created for The Royal Ballet by Frederick Ashton, Anthony Dowell and Christopher Wheeldon. Recorded live as part of the Royal Opera House Live Cinema Season 2019/20 with encore screenings broadcast online during the #OurHousetoYourHouse programme.

The Sleeping Beauty holds a special place in The Royal Ballet’s repertory. It was the ballet with which the Company reopened the Royal Opera House in 1946 after World War II, its first production at its new home in Covent Garden. Margot Fonteyn danced the role of the beautiful Princess Aurora in the first performance, with Robert Helpmann as Prince Florimund. Sixty years later, in 2006, the original 1946 staging was revived by then Director of The Royal Ballet Monica Mason and Christopher Newton, returning Oliver Messel’s wonderful designs and glittering costumes to the stage.

Part of the larger filmic Four Journeys Into Mystic Time, in this work director Shirley Clarke makes use of a dancer’s body not only as the primary performer, but also as a canvas on which to paint projected images. Further enhanced by editing and effective use of shadows, the film is a transformative experience.