A husband sneezes inconsiderately all over the place, until his wife has had enough and leaves him.
Mad God is a fully practical stop-motion film set in a Miltonesque world of monsters, mad scientists, and war pigs.
Глаша и кикимора
The youngest witch is preparing for the magical exam.
Animation film about boy Ivashka's adventures in the country of fairy tales.
Bambi is nibbling the grass, unaware of the upcoming encounter with Godzilla. Who will win when they finally meet? Preserved by the Academy Film Archive in 2009.
Len Lye scraped together enough funding and borrowed equipment to produce a two-minute short featuring his self-made monkey, singing and dancing to 'Peanut Vendor', a 1931 jazz hit for Red Nichols. The two foot high monkey had bolted, moveable joints and some 50 interchangeable mouths to convey the singing. To get the movements right, Lye filmed his new wife, Jane, a prize-winning rumba dancer.
When the clock strikes twelve in a toy store a bunch of paint tubes come to life.
A deliciously scary story about a boy who outsmarts an old witch-woman before she can have him and his brothers for dinner.
The boozy mercenary of the title, based on the actual historical figure of Naoyuki Ban (1567-1615), attempts to rid a haunted castle of spooks.
A pawnbroker's assistant deals with his grumpy boss, his annoying co-worker and some eccentric customers as he flirts with the pawnbroker's daughter, until a perfidious crook with bad intentions arrives at the pawnshop.
A tailor's apprentice burns Count Broko's clothes while ironing them and the tailor fires him. Later, the tailor discovers a note explaining that the count cannot attend a dance party, so he dresses as such to take his place; but the apprentice has also gone to the mansion where the party is celebrated and bumps into the tailor in disguise…
По дороге с облаками
Chatterbox
The photographer sends miss Ophelia a dozen photographs of her in different poses. Selecting the best one, she presents it to her favorite boarder, Billy, who does not think much of it and who gets very indignant when it is compared with the photo of his sweetheart. Miss Ophelia goes up to her room in tears and tells her faithful maid, Belinda, that her heart is broken. Belinda goes down and forcibly tells Billy what she thinks of him. Miss Ophelia resolves on suicide, because no one seems to love her. Belinda gets back in time to prevent this and, to divert her mistress, she suggests that they go together to a beauty specialist. Arriving there, both receive attention. Miss Ophelia gets a new complexion, while Belinda gets new teeth. Both invest in new gowns and dresses and the transformation is complete. At supper time, the boarders are all astounded.
In this sophisticated romantic comedy, healing waters are the cover for an extramarital affair that “cures” the infertility problems of a childless couple.
A couple’s fight over dinner leads to spiralling domestic abuse that spreads all over town. (MoMA)
Hell hath no fury like Léontine with a piece of string! Our favorite mutinous miscreant returns with her weapon of choice, “pulling the strings” as she baits greedy bystanders to snatch at the tempting objects that ever elude their grasps. Léontine is an evil puppet-master who preys on consumer capitalism’s vicious loop between wanting and having. Her angry victims form a vengeful mob and chase after her, but she trips them with string and then rides off into the woods. Real violence is averted by a clever substitution trick and Léontine celebrates with her iconic victory dance.
Based on Eugene Ionesco’s play, this is an animated film warning that by conforming to patterns and living en masse, people will become rhinoceroses.
Sergeant Jeong Cheol-min's squad are in a renovated stock room with no window. The squad members are well known to be a hardworking group until Councellor Hong Yeong-soo comes in and starts causing trouble. Hong Yeong-soo seems to have difficulties adjusting to this environment. Things in the army changes rapidly, Jeong Cheol-min and his crew find themselves under attack perceived as the aggressors.