Good Morning, Kuwait

Everyman is successful, popular and riding high when Death comes calling. He is forced to abandon the life he has built and embark on a last, frantic search to recruit a friend, anyone, to speak in his defence. But Death is close behind, and time is running out. One of the great primal, spiritual myths, Everyman asks whether it is only in death that we can understand our lives. A cornerstone of English drama since the 15th century, it now explodes onto the stage in a startling production with words by Carol Ann Duffy, Poet Laureate, and movement by Javier De Frutos.

A social comedy play that shows what some young people do when traveling to some countries, where Saleh traveled with his owner - Bo Obaid to Bangkok, lying to his father Bousaleh on the pretext of searching for his son, but the son comes from London as soon as the father goes to the airport Bou Saleh and his grandson travel with the family of Sahib Saleh - Bou Obeid. Upon their arrival, the police in Bangkok arrest the grandson of Abu Saleh, why did the Bangkok police arrest the grandson of Bou Saleh? Is what Saleh said is true?

The play deals in a social comic framework, the period of the Iraqi invasion of Kuwait in 1990, and what was experienced by Kuwaitis and Iraqis alike during the aggression period, through the social changes that occurred in both societies in that period.

A Kuwaiti comedic romance drama following the story of an accountant that fell in love with the daughter of his employer.

In rural 1840's Scotland, Gavin Dishart arrives to become the new "little minister" of Thrums's Auld Licht church. He meets a mysterious young gypsy girl in the dens and to his horror Babbie draws him into her escape from the soldiers after she incites a Luddite riot. But unknown to Gavin, Babbie is more than she seems. And they must overcome her secret, the villagers' fears of her, and worst of all, Gavin's devotion to his mother's sensibilities, before they can openly declare their love.

Harry is a shy hardware store employee. But whenever he takes a part in a local amateur theater production, he becomes the part completely--while on stage. Helene is new in town, a lonely itinerant telephone company employee. On a whim, she auditions for and gets the part of Stella to Harry's Stanley when the theater group performs A Streetcar Named Desire. Before anyone realizes the growing affection between Helene and Stanley, she falls deeply in love with the sexy brute, not knowing what the real man is like.

The solo actor in Shimmer tells the story by becoming each character in turn. The play takes place in 1956, in a harsh Midwestern juvenile detention center, where two boys befriend each other.

When Madea gets sick, her family comes to her aid. What they don't realize is that they're the ones who need her help. As always, Madea's cockeyed outlook on life saves the day and guarantees side-splitting laughs along the way.

Monsieur Feydeau has writer's block and he needs a new play, so he takes an opportunity to observe his upper class neighbors of 1900 Paris. There is Monsieur Boniface with hard domineering wife Angelique; also, Monsieur Cotte with beautiful but neglected wife Marcelle. Henri Cotte traces architectural anomalies (mostly "ghost" sounds in the drain pipes) and plans a night at the Hotel Paradiso, which happens to be the chosen romantic rendezvous spot of Marcelle and Monsieur Boniface. One wife, two husbands, a nephew, and the perky Boniface maid, all at this 'by the hour' hotel and consummation of the affair is, to say the least, severely compromised (not the least by a police raid). All of this is under Feydeau's eye, and his play is the 'success fou' of the next season.

There are five survivors in a futuristic library. Bam is their supreme dictator, and has the others interrogated and tortured, believing them to have said where. What Bam means is unclear, but he distrusts all.

An artist struggles to finish his work while a storyline about a cult plays in his head. As the cult spirals towards a fundamentalism that will destroy the world, the artist decides to destroy his muse to redeem the world.

Academy Award® nominee Ralph Fiennes (The English Patient, Schindler’s List, Oedipus at the National Theatre) plays Jack Tanner in this exhilarating reinvention of Shaw’s witty, provocative classic. Jack Tanner, celebrated radical thinker and rich bachelor, seems an unlikely choice as guardian to the alluring heiress, Ann. But she takes it in her assured stride and, despite the love of a poet, she decides to marry and tame this dazzling revolutionary. Tanner, appalled by the whiff of domesticity, is tipped off by his chauffeur and flees to Spain, where he is captured by bandits and meets The Devil. An extraordinary dream-debate, heaven versus hell, ensues. Following in hot pursuit, Ann is there when Tanner awakes, as fierce in her certainty as he is in his. A romantic comedy, an epic fairytale, a fiery philosophical debate, Man and Superman asks fundamental questions about how we live.

While rehearsing the annual play, a clerk tries to regain the attention of his beloved, in a comedy of equivoques.

Seeking quite in the park, a young songwriter runs into three familiar strangers with some bad news.

An egyptian couple living in kuwait loses their money and decides to go back to egypt.

A married man and his young mistress suffer sadistic torture when Tom, Dick and Harry invade their penthouse.

The popular Arnold Wesker play filmed at the Bristol Old Vic.

The Kuwaiti short film العاصفة (The Storm) explores Kuwait's social and economic shifts before and after the discovery of oil. Through the perspectives of an older father and his modernized son, it delves into the challenges of tradition versus rapid modernization.

A hundred and fourteen famous Iranian theater and cinema actresses and a French star: mute spectators at a theatrical representation of Khosrow and Shirin, a Persian poem from the twelfth century, put on stage by Kiarostami. The development of the text -- long a favorite in Persia and the Middle East -- remains invisible to the viewer of the film, the whole story is told by the faces of the women watching the show.

A story of survival about a woman's first night in a Soviet prison camp. After committing a crime to protect her son, Anastasia is sentenced to 12 years in a Soviet prison camp. Her arrival upsets the balance between the inmates. In a night of backstabbing and shifting alliances, she must find a way to escape and discover the hidden truth of her survival.