For 'Et les chiens se taisaient' Maldoror adapted a piece of theatre by the poet and politician Aimé Césaire (1913–2008), about a rebel who becomes profoundly aware of his otherness when condemned to death. His existential dialogue with his mother reverberates around the African sculptures on display at the Musée de l'Homme, a Parisian museum full of colonial plunder whose director was the Surrealist anthropologist Michel Leiris.
Set in colonial French Indochina during the 1930s to 1950s, this is the story of Éliane Devries, a French plantation owner, and of her adopted Vietnamese daughter, Camille, set against the backdrop of the rising Vietnamese nationalist movement.
A Kapampangan youth who doesn't know how to speak in Kapampangan--and doesn't want to--until he runs into a compelling but weird character known as the king of Kapampangan poets.
The ill-fated clash between the Philippine National Police-Special Action Force (PNP-SAF) police commandos and Moro rebels.
In the traffic-laden streets of Metro Manila, two brothers use the chaos of the city roads as a smokescreen for their shady occupation tandem robbers on motorbike. But when a robbery goes sour, the brothers are forced to graduate from low level thieves to high profile hit men in an act that tests both their resolve and their relationship.
When a young Filipino room service attendant's schemes to attain a U.S. visa put the lives of his loved ones in danger, he is forced to question the extremity of his actions and re-evaluate the cost of fulfilling his dreams.
An inspiring and beautiful drama film which tackles issues about illiteracy.
There is a wrecked car in the Algerian desert. The girl gets in and drives. Apart from sand, there is nothing to see for miles. Searching for a change of scenery, she visits the elderly in her village and the nearby oasis. However, whether shepherd, merchant or blacksmith, nobody can see what she sees.
LV and her family make their living by operating an illegal off track betting outlet. But things haven't been going well for them lately, and the future is uncertain with Sta. Ana Park closing down.
On a particularly nondescript weekend afternoon, Edison must deal with his exasperated mother, who is bearing down on him like a force of nature; the looming deadline of a paper on the philosophical writings of Immanuel Kant; and a persistent, insidious force that aims to destroy the tranquility of his existence.
Three stories of love starring Sharon Cuneta. The first, "I Love You, Moo-Moo" (directed by Leroy Salvador), is about a young bride who died on her honeymoon; the second, "Ang Silid" (directed by Lino Brocka) is about an interior decorator who investigates a forbidden room owned by a mysterious woman whose sister was murdered; and the third, "Katumbas ng Kahapon" (directed by Emmanuel Borlaza) follows a young woman torn between her abusive husband and her former lover who returned from the US.
The film splits itself between two timelines. In 2006, Ada is basing her thesis on a massacre that occurred twenty years prior in a village called Acacia. Her mother Cecilia was part of a fact-finding mission into a massacre, and Ada’s inquiries bring up her history as a member of the NPA. The other timeline traces the relationship of Ka Felix and Ka Jimmy, two rebels who fall in love, despite the movement’s laws against such a pairing.
Mabuti accidentally finds a stash of money that could bring an end to her family’s financial problems: is the solution that simple or is it loaded with complications?
In a quiet, rural Filipino village, sibling rivalry continues through adulthood for two sisters and finally tears their family apart.
A 12-year old Anita falls in love with the new woman in town; years later, a girlhood crush blossoms during the Fiesta of Santa Clara in Obando, Bulacan.
Gerry and Rochelle are childhood sweethearts. Although Rochelle wants to settle down, Gerry wants his ambitions fulfilled first. The couple's relationship is threatened by the arrival of their childhood friend Tonette. Tonette seduces Gerry away from Rochelle by giving him a job, an apartment and herself. She agrees to share him with Rochelle at the same time hiring Rochelle as a maid. Things soon come to a head when Rochelle decides to leave Tonette's household after repeated attempts by Tonette's father, Don Teofilo, to defile her.
A young British officer resigns his post when he learns of his regiment's plan to ship out to the Sudan for the conflict with the Mahdi. His friends and fiancée send him four white feathers as symbols of what they view as his cowardice. To redeem his honor, he disguises himself as an Arab and secretly saves their lives.
It picks up where the series left off in its final episode as the relationship of Joee and Joey moves on to the next level. Joee is about to give birth while Joey remains in love with her and tries to become a responsible foster father.
Orphan Carding befriends Army Captain Samuel Corazon, who’s stationed in his town to root out the remaining Huk guerrillas. At the dance hall, Corazon woos dancer Lauriana, and they soon move in together. The two become sort of surrogate parents for the orphan Carding, with Corazon teaching him the ways of men. But the soldier has a dark side, and Carding becomes witness to the violence occurring in their home, and a heinous act committed by the soldier on his common-law wife.
A neglected and unloved orphan raised by poor relatives in the slums of Manila is wrongfully convicted of murder that resulted from a heist he was compelled to join. Unable to prove his innocence and his minor age, he is thrown into the cruel, perilous and horrifying world of death row where he is introduced to other inmates all awaiting their execution by lethal injection. One of them is a 70-year-old man who detests the jungle of jail and is feared by all the convicts. He would serve as the boy’s protector and savior and in the process touch and shape enormously the violated youth’s life in prison and beyond.