Under the Roofs of Montmartre

The story tells of the Army officer Octavio and his consuming love for Giuditta, a passionate spitfire, who leaves him because he refuses to desert the colours for her; their chance meeting several years afterwards comes too late, though they realise how much they have lost.

Perly panny Serafinky

Live television version of the classic musical.

After the Viennese premiere, the Fledermaus (the bat) conquered the world. It is one of the few operettas that are regularly performed at the major opera houses such as the Metropolitan Opera, the Scala Milan, the Vienna State Opera and the Royal Opera House Convent Garden in London. John Cox directed this lavishly equipped production by Julia Trevelyan Oman initially in London in 1977. On New Year's Eve 1990, this staging offered the luxurious ambiance for the farewell to Joan Sutherland from her London audience. The singer had admired them since her first great success at this prestigious opera house in the fifties. The rushing feast in the second act reached its climax with its stormy cheered performance and the commitment of her friends and colleagues Luciano Pavarotti and Marilyn Horne, with whom she often stood together on the stage.

Young Austrian Archduke Paul "Gustl" Gustave is in an arranged engagement but his uncle, the emperor, decides to let Gustl carry on a fling with ballet dancer Lisl Gluck.

A young girl becomes lost in a department store during the Christmas shopping rush. The frightened child is comforted by a department store Santa Claus who tells her a tale of storybook characters brought to life - of Tommy Tucker's love for the lovely Jane Piper and the cold-hearted villainy of evil Silas Barnaby. Through the girl's dreams, the viewer is transported to Toyland. Based on the classic Broadway operetta by Victor Herbert and Glen MacDonough, this was its second live television special production, with some new cast members and some returning.

A musical comedy about Kalle Svensson, a sergeant in the navy, and his loved one Nanette Raquette who works as a gymnastics teacher.

Tabákový kapitán

The story: While her husband is becoming famous in the war, the marshal of Werdenberg's wife consoles herself in the arms of the youngster Octavian and tries to arrange the love affairs of her cousin, the baron Ochs, by presenting him to young Sophie. This baron is taken with her and the Marschallin proposes Octavian to be his "Rosenkavalier" in order to present the traditional silver rose to his fiancée. But youngsters are youngsters and sex hormones hold sway over the whole world so for that reason immediately Octavian and Sophie fall in love with each other…

Hrnčiarsky bál

Out of unlikely circumstances an underground ticket vending girl and a mail pilot fall in love.

Vídeňská krev

A newspaper reporter and the daughter of an immigrant maintenance man help expose political corruption in New York City.

Bluebeard, an opéra bouffe by Jacques Offenbach, premiered in Paris in 1866. Directed by Laurent Pelly, the National Opera in Lyon stages this musical comedy about a man suspected of murdering his wives. Hortense Schneider originally played Boulotka, a village girl who reforms Bluebeard. Yann Beuron and Héloise Mas star, with Christophe Gay as the alchemist Popolani.

This film is the first adaptation of an operetta written by Ukrainian composer Mykola Lysenko. It follows the trials and tribulations of Natalka and Peter (Petro). The sweethearts planned to get married; however, Natalka's father does not approve of the marriage because Petro was not affluent enough to keep Natalka in the manner he thought that she should be kept. Petro goes off to earn the required fortune.

French General Birabeau has been sent to Morocco to root out and destroy the Riffs, a band of Arab rebels, who threaten the safety of the French outpost in the Moroccan desert. Their dashing, daredevil leader is the mysterious "Red Shadow". Margot Bonvalet, a lovely, sassy French girl, is soon to be married at the fort to Birabeau's right-hand man, Captain Fontaine. Birabeau's son Pierre, in reality the Red Shadow, loves Margot, but pretends to be a milksop to preserve his secret identity. Margot tells Pierre that she secretly yearns to be swept into the arms of some bold, dashing sheik, perhaps even the Red Shadow himself. Pierre, as the Red Shadow, kidnaps Margot and declares his love for her.

Country girl Margit sits for the artist Sándor, from Budapest. She is fascinated and charmed by him, and agrees to accompany him to the capital, so he can complete the painting there. Disillusionment sets in, however, when Sándor wins a prize with the finished portrait and loses interest in her. Margit recognizes that her true happiness lies at home, with Pista, her faithful lover.

Lotfi Mansouri's spectacular last production as General Director of The San Francisco Opera with Yvonne Kenny making her debut in the title role, new dialogue specially commissioned from Pulitzer Prize-winning playwright, Wendy Wasserstein and an original ballet to set the scene ‘Chez Maxime’ bringing fresh insight into Lehár's classic operetta. This production also features another world premiere, Njegus's song, ‘Quite Parisian’.

Emmerich Kálmán’s THE LITTLE KING (The Ohio Light Opera, 2014 Summer Festival – DVD) Inspired by the love affair of famed French singer-actress Gaby Deslys and Portugal’s King Manuel II, who at age 20 was forced into exile, the plotline of The Little King concerns a boyish monarch who falls hard for a visiting opera singer, unaware that she is the daughter of a revolutionary and plotting his assassination. During her visit to his palace, she has a bomb planted in a bouquet of roses that she has ordered for the king. Only at the last second, when she can no longer resist his charms, does she discreetly defuse the bomb. Their almost-explosive love affair blossoms.

Eine Nacht in Venedig (A Night in Venice) is an operetta in three acts by Johann Strauss II. Its libretto was by F. Zell and Richard Genée based on Le Château Trompette by Eugène Cormon and Richard Genée. The farcical, romantic story involves several cases of mistaken identity. The piece premiered in 1883 in Berlin and then Vienna. It became one of Strauss's three most famous stage works and has been seen in New York, London and elsewhere, and has been adapted for film.