Glauber Rocha em Defesa do Cinema Brasileiro

A deep investigation, in the way of a poetic essay, on one of the main Latin American movements in cinema, analyzed via the thoughts of its main authors, who invented, in the early 1960s, a new way of making movies in Brazil, with a political attitude, always near to people's problems, that combined art and revolution.

Feature documentary about ex-maverick filmmaker António de Macedo.

Experimental short-film made by brazilian students about the trópicalia and cinema novo movement. The narrative revolves around the song Géleia Geral from the album Tropicália ou Panis Et Circensis and also around the political, artistical and social time from that period.

A retrospective on the life and work of Portuguese director António-Pedro Vasconcelos.

Sérgio Ricardo: Uma Outra História do Cinema Novo

Gabriel decides to go back to his home town. In the way, he meets "El Signo del Caos".

In vivid images, the documentary-like story of a drover and his family in the northern badlands of Brazil during the drought. A family in the search of new hope and destiny.

Somewhere in Rio Grande do Norte's countryside, Brazil, the wealthy farmer Elói Dantas (Álvaro Guimarães) decides to increase his patrimony even further by exploiting ores. To do this, he tries to appropriate the small site of Antônio Vaqueiro (José Marinho). Desperate, Antônio rushes to the aid of the gypsy healer Maria dos Remédios (Luiza Maranhão) and the poet and dreamer Tião Poeta (Lenicio Queirogo) to face the greed of Elói.

Lamento

Born a fully grown black man in a village in the Brazilian jungle, Macunaíma later magically transforms into a white man before making an adventure-filled trip to the city of São Paulo. Once there, he becomes something of a dandy, falling in love with Ci, a revolutionary who dies in an accidental bombing. After robbing a ruthless industrialist, Macunaima returns to his village where he finds his newly acquired knowledge and possessions of little use.

Wanted for killing his boss, Manuel flees with his wife Rosa to the sertão, the barren landscape of Northern Brazil. Thrust into a primordial violent region, Manuel and Rosa come under the influence and control of a series of frightening figures.

Men work in a quarry on the edge of a hill where a slum is located, of which they are residents. The slope is blown up, advancing to the land near the shacks. Slum dwellers are warned that new explosions can cause damage. The community decides to place itself on the slope, preventing another explosion; without attitude, the foreman gives up on blowing up the hill.

Eldorado, a fictitious country in America, is sparkling with the internal struggle for political power. In the eye of this social convulsion, the jaded journalist Paulo Martins opposes two equally corrupt political candidates: a pseudopopulist and a conservative. In this context, Paulo is torn between the madness of the elite and the blind submission of the masses. But, in this complex tropical reality, nothing really is what it seems to be.

A new incarnation of Cangaceiro bandits, led by Coirana, has risen in the badlands. A blind landowner hires Antônio to wipe out his old nemesis. Yet after besting Coirana and accompanying the dying man to his mountain hideout, Antônio is moved by the plight of the Cangaceiro’s followers. The troubled hitman turns revolutionary, his gun and machete aimed towards his former masters.

Brazil, 1594. The Tupinambás natives are friends of the French and their enemies are the Tupiniquins, friends of the Portuguese. A Frenchman is captured by the Tupinambás, and in spite of his trial to convince them that he is French, they believe he is Portuguese. The Frenchman becomes their slave, and maritally lives with Seboipepe.

A group of armed soldiers is sent to the Northeast of Brazil in an attempt to stop a famine-struck population from invading and stealing a food deposit in the dry backlands. While the alienation and insanity of people driven to hallucination by their latent hunger is conducted by the predictions of a religious figure, a truck driver observes the situation and remains torn between his friendship with the soldiers and his revolt against the lack of government action in fighting the misery that lingers over the region.

The drama documentary tells the real life story of Samurai woman Takeko Nakano who in 1868 fights for her clans' independence in a final battle that marks the end of the Samurai era.

He's the deadliest weapon on the battlefield, but his next shot could be his last. Outnumbered - Outgunned - Behind enemy lines - What happens when the tables are turned and the hunter becomes the hunted? This is SNIPER: DEADLIEST MISSIONS. From the treacherous jungles of Vietnam and the bloody war zones of Iraq, to danger high in the skies of the Alaskan wilderness, this two-hour special puts you behind the scope with the men who pulled the trigger on some of the deadliest missions in military and law enforcement history. Gripping firsthand accounts, 3-D graphics and jaw-dropping shooting demonstrations take you inside the shadowy world of top snipers and the missions that made them living legends. Outmanned and out-gunned - will the next shot be their last?

Successful but costly invasions of the Japanese-held islands of Guam, Tinian, and Saipan, in the Mariannas chain.

El Meu Nom és Druillet