The Art of Tripping

The wicked Blue Meanies take over Pepperland, eliminating all color and music. As the only survivor, the Lord Admiral escapes in the yellow submarine and journeys to Liverpool to enlist the help of the Beatles.

The film features the wonderful poet of the early 20th century, Count Vasily Komarovsky. The poets Nikolai Gumilyov, Anna Akhmatova and Osip Mandelstam, among other celebrities, were not only his acquaintances but he had a considerable influence on their work. The poet’s extraordinary life gave birth to legends, whose plausibility will also be dwelt upon. Komarovsky’s niece will share her recollections with the viewer. The film is based on unique documents previously unknown to Russian and foreign scholars.

Forty-year-old Andreas arrives in a strange city with no memory of how he got there. He is presented with a job, an apartment - even a wife. But before long, Andreas notices that something is wrong. Andreas makes an attempt to escape the city, but he discovers there's no way out. Andreas meets Hugo, who has found a crack in a wall in his cellar. Beautiful music streams out from the crack. Maybe it leads to "the other side"? A new plan for escape is hatched.

Rebels on the surface, retrogrades in essence. “The Ridiculists”, a duo composed of the eccentric and explosive, “The Ridiculer”, and his faithful squirer, “The Talker”, roam through the Brazilian capital breaking into homes, committing murders, as they create a legion of blind supporters along the way.

Sono Guido e non Guido

An event organised by CND pits the bomb against poetry. Hear artists who hoped that words and rhymes could put an end to destructive times.

Se dice poeta

This American Experience tells Whitman's life story, from his working-class childhood in Long Island, to his years as a newspaper reporter in Brooklyn when he struggled to support his impoverished family, then to his reckless pursuit of the attention and affection he craved for his work, to his death in 1892.

Le verbe incendié

A Swedish woman prowls through her childhood memories after a Chinese plane crash.

A dramatic recreation of Dylan Thomas' last tour of America, starring actor Bob Kingdom as the Welsh poet. Originally a successful stage production, the show was adapted for this recorded version by renowned actor Anthony Hopkins (in his directorial debut). Dylan Thomas was one of the twentieth century's greatest poets. He was born in the Uplands district of Swansea in 1914 and died in New York in 1953 at the age of 39. Towards the end of his life, Dylan Thomas toured America, performing his works before sell out audiences across the country. The film features the poems "Fern Hill"; "Do Not Go Gently into that Good Night"; "A Poem in October"; "And Death Shall Have No Dominion"; "A Story (The Outing)" and "Return Journey" .

A peculiar portrait of the Argentinean writer Jorge Luis Borges (1899-1986) drawn by the extravagant and original look of the Spanish writer Fernando Arrabal, who establishes a bold parallelism between Borges' work and opinions and his own creations, both literary and cinematographic.

Fog surrounds the peak of a mountain as summer wildflowers bloom.

On the 10th anniversary of his band Rall Tide’s debut album, artist Peter Kotas takes you on a flowering multimedia tour of Detroit musicians trying to survive in a world where you can’t even enjoy a baseball game without supporting The Bay of Pigs. Along the way he shows you how the band’s abrupt break-up led to his career as a political journalist peeking behind the curtains of Kansas to find diplomatic wizard Mike Pompeo, Trump’s CIA Director and Secretary of State, wears no clothes. Iowa Writer’s Workshop hero Kurt Vonnegut (or some entity that knows all about his life) hosts this documentary as the ideal human from his 1985 novel Galapagos: a penguin with flippers unable to pull triggers or press buttons to bomb and kill people.

Orson Welles reads the poem especially for this film by Larry Jordan, which is dedicated to the late Wallace Berman, and is made possible by a grant from The National Endowment Of The Arts.

Desperate to escape his mind-numbing routine, uptown Manhattan office worker Paul Hackett ventures downtown for a hookup with a mystery woman.

As queer trans and gender non-conforming children of the Vietnamese diaspora, we are fragmented at the crossroads of being displaced from not only a sense of belonging to our ancestral land, but also our own bodies which are conditioned by society to stray away from our most authentic existence. Yet these bodies of ours are the vessels we sail to embark on a lifetime voyage of return to our original selves. It is our bodies that navigate the treacherous tides of normative systems that impose themselves on our very being. And it is our bodies that act as community lighthouses for collective liberation. Ultimately, the landscape of our bodies is our blueprint to remembering, to healing, to blooming.

The experimental animated film Song of the Flies (El Canto de las Moscas), translates the desolation caused by the violence of the Colombian armed conflict through the poetic voice of Maria Mercedes Carranza (1945–2003) and the audiovisual dialogue between 9 Colombian women. In 24 places, as a transit over the course of a day (Morning, Day, Night) a map of terror is drawn where massacres took place in Colombia in the 1990s. Archival images, the artists’ personal memories and the use of loops and analogue materials bring to life the landscapes ravaged by violence and build a polyphony of memory and mourning, a universal song of pain.

"Three tales of sex and violence presented by TORO LOCO, a blood thirsty, perverted killer cowboy seeking and killing people that starred in some exploitation movie. He is showing his victims the movies before torturing and killing them with a cow skull. The first story deals with two inspectors hunting a cannibal serial killer called "The Tiger". The second is about a 'not-so-devoted' husband interested in having a night of perverted sex with a prostitute in a motel room. The third is a tragical love story between a poor, little man oppressed by his wife and an handsome boy with self-destruction tendencies.

A young woman's day is interrupted by the arrival of a film crew in her home, hellbent on making her the star of their film.