Crazy Day

Master baker, owner of Duffryn Bakery, Onllwyn, turns his hand to film-making and captures community events in glorious colour.

Harrow’s extraordinary and opulent pageant, and seaside holidays on the south coast.

Druids, Romans and Norman knights return to Richmond for the 600th anniversary of the Yorkshire town's charter.

Drama in the Desert: The Sights and Sounds of Burning Man is a full-color book (which includes a DVD) based on the captivating images of Holly Kreuter, with contributions from an additional 90 Burning Man participants, offering the reader a taste of the Burning Man experience. The DVD includes an original Score by Sean Abreu, seven slideshows featuring 560 Kreuter photographs and video interviews with 8 artists including Larry Harvey.

The experience shared by four first-timers demonstrates how Burning Man dissolves the barriers between races, nationalities and economic classes. A beautiful piece of film-making which inspires and entertains as it provides some understanding about why people return year after year.

AquaBurn is an award-winning documentary film by director Bill Breithaupt showcasing "The Floating World" theme of the 2002 Burning Man Festival. AquaBurn features many of the incredible Burning Man art installations, the imagination and originality that went into their creation, and the artists who conceived them. Unlike conventional documentaries on the Burning Man Festival, AquaBurn captures the true feeling and excitement of the event itself, transporting the viewer to a hot, dusty wonderland without ever leaving home.

A beautifully done video of Burning Man 2001, 2002 & 2003. Lots of people interviews, Center Cafe activity and extensive coverage of artist David Best and the Temple construction and burn. This documentary captures the swirling columns of dust that were created during the intense heat of the 2002 Temple burn.

With a lifelong mission to put soca music on the international map, Machel Montano has pioneered the evolution of the genre throughout his 34-year career.

Documentary about the kolla people living in North Western Argentina.

The last days of summer captured on 16mm.

Festive Land examines one of the largest and most extraordinary popular celebrations in the world, the week-long Carnival that brings more than two million people to the streets of Salvador, the capital of Bahia, in northeastern Brazil. Carnival is the most expressive showcase of the unique cultural richness of Bahia, where African culture has survived, prospered, and evolved, mixing with other Brazilian influences to create forms found nowhere else in the world. The film captures this unique cultural energy through extraordinary footage of musical performances, dances, religious manifestations, and street celebrations. At the same time, Carnival reflects the racial and social tensions of Brazil's heterogeneous society. At first glance there appear to be two million people chaotically mixed on the streets, but a more detailed look reveals how patterns of segregation driven by racial, social and economic differences continue in Carnival.

Chevrolet presents this tribute to the American woman and her thrifty ways with money. The film also salutes the individuality of the Amerian citizen and the variety of choices we have in the marketplace.

Farewell Ferris Wheel explores how the U.S. Carnival industry fights to keep itself alive by legally employing Mexican migrant workers with the controversial H-2B guestworker visa.

1950s Soho beats with far more energy than its 21st century counterpart in this vivid time capsule.

When radio host Milla (Katrin Bauerfeind) tells Sharronda, a listener to her new Break-up Show, live that her boyfriend Mufti doesn't want anything more to do with her, Sharronda (Alina Levshin) runs amok, raids the flower shop she used to work in, takes her ex-boss hostage and threatens to kill herself. To calm the situation, psychologist Lisa (Barbara Auer) disguises herself as a chemist and goes to the flower shop with the ransom money, only to learn from Sharronda that her brothers are right-wing radicals. Might they have forced her boyfriend to split up with her? A brand-new episode of Lars Becker's hit series.

The Other Side of Carnival (2010) is a 45-minute award-winning documentary that explores Carnival's social and economic impact on Trinidad & Tobago. With more than 60 interviews from professors, medical staff, police officers, government officials, students, tourists, every day locals and more, The Other Side of Carnival is able to highlight that while Carnival is an exciting occasion, it is a festival that creates turmoil, which is not widely visible...or is it just simply ignored? Known as "The Greatest Show on Earth", this documentary captures the roots of Carnival and how far some go to keep the original idea alive, and how others attempt to integrate change. Consummating over two years of research and interviews and with the coordination of a multi-national crew (Trinidad & Tobago, US and UK), The Other Side of Carnival does not pass judgment on Carnival in Trinidad & Tobago, but aims to bring an awareness of the type of influence that Carnival has on the population.

Slavery may have been the catalyst, but culture and passion formed this sound in Trinidad & Tobago. The steelpan can take the claim of being the only acoustic instrument invented in the 20th century. However, this sound not only moves people today, but it paralleled the island’s history of colonization and the demand for independence. The first section of this two-part film highlights the precursors of the steelpan and the creation of the instrument until it gained international recognition in Britain in 1951. Interviews from steelpan legends, such as Ellie Mannette, Sterling Betancourt, Cliff Alexis and Ray Holman, are included.

Conjoined twins Daisy and Violet Hilton were once the cream of the sideshow crop. Taught to sing and dance at an early age, the winsome duo ascended through the early 20th-century vaudeville circuit as a side attraction (working alongside Bob Hope and Charlie Chaplin as well as a memorable turn in the Tod Browning classic "Freaks") before a cascade of unscrupulous management and harsh mistreatment brought their careers (and lives) tumbling down. This engrossing glimpse into a bygone era is filled with fascinating interviews and rare archival footage.

A 2008 short made in accompaniment with Our Beloved Month of August, documenting Gomes's and his crew's hapless search, during 2007's carnival, for one of Arganil's most storied and elusive characters (who does, in fact, ultimately appear as an interviewee/player in the finished film). Paulo "Miller" is known for taking a dangerous jump into the Alva from a bridge each year during carnival, but what this film is about is, in keeping with the free-roving feature, much less the subject himself than Gomes and co.'s inability to pin him down; not only does he not do his famous jump during this year's carnival, but an ostensible technical/audio failure (as with the feature, it's very difficult to say how much of this film is "fact," how much invented) during Gomes's initial on-camera meeting with Paulo "Miller" leads to five minutes of lip-readers attempting to decipher their conversation.

Although it was actually an impersonal commissioned film, the director's style is clearly recognizable. Once again he manages to make something that is normal very strange: the dancing people in costumes are filmed in such a way that they look bizarre and absurd. Jan de Bont's camerawork shows a series of color images of dancing people, edited to the rhythm of the music. Halfway through the film, a lonely clown can be seen among the dancing crowd, accompanied by sad music. This clown is played by Ditvoorst himself.