Carny

Kieslowski’s later film Dworzec (Station, 1980) portrays the atmosphere at Central Station in Warsaw after the rush hour.

Filmed in the Inner Mongolian portion of the Gobi Desert, this film follows a group of oil field workers as they go about their daily routine.

In suburban Buenos Aires, thirty unemployed ceramics workers walk into their idle factory, roll out sleeping mats and refuse to leave. All they want is to re-start the silent machines. But this simple act - the take - has the power to turn the globalization debate on its head. Armed only with slingshots and an abiding faith in shop-floor democracy, the workers face off against the bosses, bankers and a whole system that sees their beloved factories as nothing more than scrap metal for sale.

A beautifully done video of Burning Man 2001, 2002 & 2003. Lots of people interviews, Center Cafe activity and extensive coverage of artist David Best and the Temple construction and burn. This documentary captures the swirling columns of dust that were created during the intense heat of the 2002 Temple burn.

Documentary about the kolla people living in North Western Argentina.

When radio host Milla (Katrin Bauerfeind) tells Sharronda, a listener to her new Break-up Show, live that her boyfriend Mufti doesn't want anything more to do with her, Sharronda (Alina Levshin) runs amok, raids the flower shop she used to work in, takes her ex-boss hostage and threatens to kill herself. To calm the situation, psychologist Lisa (Barbara Auer) disguises herself as a chemist and goes to the flower shop with the ransom money, only to learn from Sharronda that her brothers are right-wing radicals. Might they have forced her boyfriend to split up with her? A brand-new episode of Lars Becker's hit series.

Farewell Ferris Wheel explores how the U.S. Carnival industry fights to keep itself alive by legally employing Mexican migrant workers with the controversial H-2B guestworker visa.

The drastic economic development in South Korea once surprised the rest of the world. However, behind of it was an oppression the marginalized female laborers had to endure. The film invites us to the lives of the working class women engaged in the textile industry of the 1960s, all the way through the stories of flight attendants, cashiers, and non-regular workers of today. As we encounter the vista of female factory workers in Cambodia that poignantly resembles the labor history of Korea, the form of labor changes its appearance but the essence of the bread-and-butter question remains still.

In China’s popular live-streaming showrooms, three millennials – a karaoke singer, a migrant worker and a rags-to-riches comedian – seek fame, fortune and human connection, ultimately finding the same promises and perils online as in their real lives.

A documentary film about the Brazilian town of Toritama, the self-proclaimed capital of jeans. The workers of the city’s self-managed small businesses only get one real break from their self-exploiting lives in the textile business: the annual Carnival.

Druids, Romans and Norman knights return to Richmond for the 600th anniversary of the Yorkshire town's charter.

Conjoined twins Daisy and Violet Hilton were once the cream of the sideshow crop. Taught to sing and dance at an early age, the winsome duo ascended through the early 20th-century vaudeville circuit as a side attraction (working alongside Bob Hope and Charlie Chaplin as well as a memorable turn in the Tod Browning classic "Freaks") before a cascade of unscrupulous management and harsh mistreatment brought their careers (and lives) tumbling down. This engrossing glimpse into a bygone era is filled with fascinating interviews and rare archival footage.

Slavery may have been the catalyst, but culture and passion formed this sound in Trinidad & Tobago. The steelpan can take the claim of being the only acoustic instrument invented in the 20th century. However, this sound not only moves people today, but it paralleled the island’s history of colonization and the demand for independence. The first section of this two-part film highlights the precursors of the steelpan and the creation of the instrument until it gained international recognition in Britain in 1951. Interviews from steelpan legends, such as Ellie Mannette, Sterling Betancourt, Cliff Alexis and Ray Holman, are included.

In the late 1960s and early 1970s, girls aged 12 to 16 began working at Pyeonghwa Market. Running sewing machines, they also study the Labor Standards Act under the tutelage of Jeon Taeil. On September 9, 1977, they were imprisoned fighting against the government that closed labor classes, shouting, “The next Jeon Taeil will be a woman!” Now the middle-aged girls recall the memories of the life of female workers, social contempt, and stigma. Watching the sunrise in the East Sea, they admire, ‘How fair it is because everybody can see it.’ Sewing Sisters rewrites the history of maledominated Korean labor struggles in the 1970s with news interviews of female workers belonging to the Cheonggye Clothes Union.

The Other Side of Carnival (2010) is a 45-minute award-winning documentary that explores Carnival's social and economic impact on Trinidad & Tobago. With more than 60 interviews from professors, medical staff, police officers, government officials, students, tourists, every day locals and more, The Other Side of Carnival is able to highlight that while Carnival is an exciting occasion, it is a festival that creates turmoil, which is not widely visible...or is it just simply ignored? Known as "The Greatest Show on Earth", this documentary captures the roots of Carnival and how far some go to keep the original idea alive, and how others attempt to integrate change. Consummating over two years of research and interviews and with the coordination of a multi-national crew (Trinidad & Tobago, US and UK), The Other Side of Carnival does not pass judgment on Carnival in Trinidad & Tobago, but aims to bring an awareness of the type of influence that Carnival has on the population.

Get to know a little bit about Paulo Moreira, sign painter from the metropolitan region of Belo Horizonte - MG, his hand painting techniques and the challenges that his profession presents in the daily lives of big cities.

Three women share their experience of navigating the app-world in the metro city. The sharings reveal gendered battles as platform workers and the tiresome reality of gig-workers' identities against the absent bosses, masked behind their apps. Filmed in the streets of New Delhi, the protagonists share about their door-to-door gigs, the surveillance at their workplaces and the absence of accountability in the urban landscape.

Nous, ouvriers : «Nos cœurs battent encore » (1983 à nos jours)

A highly choreographed review of the Industrial Age as we know it today – an intense and playful roller coaster ride that demands the viewer confronts how “work works.” Culled entirely from archival footage, the film unfolds in the filmmakers’ trademark, and humorously critical, cinematic voices.

A documentary portrait of sideshow impresario Wally Shufflebottom, Jr.