The Letter to a Chinese Friend

Behind-the-scenes footage, rare screen tests and insightful interviews highlight this engrossing two-hour look at one of Hollywood's greatest dream factories. Such film luminaries as Tom Hanks, William Friedkin, George Lucas, Oliver Stone and Robert Altman discuss their work at the studio. Clips include scenes from Butch Cassidy and the Sundance Kid, Patton, Young Frankenstein, Star Wars, Alien, Big, Home Alone, Die Hard and dozens more.

Explores Leni Riefenstahl's artistic legacy and her complex ties to the Nazi regime, juxtaposing her self-portrayal with evidence suggesting awareness of the regime's atrocities.

A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.

A sideshow barker uses magic and visual aids to alert the public that proper food management is both a resource and a weapon that could be to America's advantage if conserved properly in winning the then current World War. Preserved by the Academy Film Archive, Academy War Film Collection, in 2008.

Between 1944–1953, courageous resistance movement took place in the Baltic region of Europe, uniting the partisan troops for struggle against the Soviet Union. “The Invisible Front” was a coded name used by the Soviet Interior forces to describe the resistance movement in Lithuania. Film depicts the story of the fighters through the words and experience of the partisan leader, Juozas Luksa, and interviews with eyewitnesses of those events - both the partisans and the Soviet fighters. Tales of horror, torture and courage are told in the rare archival footage that has never been screened before, and interviews with the surviving members of the resistance movement.

The Katyn massacre, carried out by the Soviet NKVD in 1940, was only one of many unspeakable crimes committed by Stalin's ruthless executioners over three decades. The mass murder of thousands of Polish officers was part of a relentless purge, the secrets and details of which have only recently been partially revealed.

Older adults cannot believe the things younger people do, but they probably have forgotten they were the same way when they were younger.

A disturbing collection of 1940s and 1950s United States government-issued propaganda films designed to reassure Americans that the atomic bomb was not a threat to their safety.

Documentary produced by Falange and edited in Berlin, in response to the international success of the Republican production "Spain 1936" (Le Chanois, 1937).

A homogeneous structure of wind and light across tree branches in the South region of Isère

A montage of newscasts tracing the events of the "damned war" and the German invasion of 1940.

Inspired by Patrick Pearse’s poem Mise Éire (“I Am Ireland”), this documentary assembles archival footage from across Europe to trace the rise of Irish nationalism from the 1890s through the 1916 Easter Rising. Directed by George Morrison, the film chronicles key figures and events of the independence movement, with Irish-language narration and a score by Seán Ó Riada.

From 1945 to 1989, after the capitulation of Nazi Germany, two rival ideologies, communism and capitalism, faced each other in a merciless battle. On one side of the Iron Curtain and on the other, throughout the Cold War, the USSR and the United States sought to shape children’s imaginations through their magazines and films. Never in the history of mankind have so many comic books been published and so many cartoons produced for young people. In November 1989, communism collapsed with the Berlin Wall; capitalism was left to decide the future of the world. What if this victory had been prepared for a long time, and our thinking conditioned, from our early childhood, to ensure this absolute triumph?

Borrowing a beloved song from his own 1984 feature Sister Stella L., Mike De Leon made this video in a damning response to the victory election of Ferdinand “Bongbong” Marcos Jr. as president of the Philippines. In a prepared statement at the Cannes premiere of his recently restored Itim, he wrote, “Horror has now acquired a more sinister meaning. It is no longer about a ghost but about the monsters of Philippine politics, monsters that, after a long wait in the subterranean caverns of hell, have returned to ravage and rape my country all over again. The crazy thing is that we invited them back.”

Correspondent Nick Schifrin and producer Zach Fannin take us inside Vladimir Putin's Russia, with an in-depth look at the resurgent national identity, the government's propaganda machine, the risk of being a Kremlin critic and much more.

Between 1933 and 1945 roughly 1200 films were made in Germany, of which 300 were banned by the Allied forces. Today, around 40 films, called "Vorbehaltsfilme", are locked away from the public with an uncertain future. Should they be re-released, destroyed, or continue to be neglected? Verbotene Filme takes a closer look at some of these forbidden films.

Archival film maestro Göran Hugo Olsson has assembled—from a vast catalogue of footage in the vaults of Sweden’s national television service SVT—accounts of the Israeli-Palestinian conflict as witnessed and represented by Swedish journalists. Stories of the beginning of the Israeli state interwoven with the Palestinian struggle for independence. News coverage with Yasser Arafat and interviews with Israeli foreign minister Abba Eban during a visit to Sweden unseen since first broadcast. From the tenth anniversary of Israel’s founding to the First Intifada, perspectives and encounters with statesmen, civilians, revolutionaries, and intellectuals tell the story from myriad angles of an evolving media landscape, revivifying a history of the ongoing conflict.

A study of observation, perceptions and sensations of nature and human interactions from the eye of a digital camera

Comprised of video shot during the Nazi regime, including propaganda, newsreels, broadcasts and even some of Eva Braun's colorized personal home movies, we explore the way in which the Third Reich infiltrated the lives of the German population, from 1933 to 1945.

The newsreel series Jornal Português (1938-1951) was produced for the Secretariat of National Propaganda (SPN/SNI) by the "Portuguese Newsreel Society" (SPAC), under the technical supervision of António Lopes Ribeiro. It was conceived and employed as part of the propaganda machinery of Salazar's regime. Screened in cinema theatres prior to the main feature film, each issue of Jornal had approximately ten minutes in length and covered a variety of official government acts, national political news, major sports events and other assorted social and cultural affairs. Jornal Português is not only an indispensable document for the history of Estado Novo's propaganda, but also an unparalleled audiovisual archive of 1940s Portugal.