The Letter to a Chinese Friend

A feature length, lively - montage style - documentary, capturing the essence of what life was like in socialist Hungary - dubbed the "The most cheerful barrack" back then - using contemporary music, interviews, adverts and news footages.

Why wouldn't you? Is there any reason not to? We've got so much at our disposal, so, why don't you? Won't you tell me? Won't you please tell me? To have you down is simply unacceptable. Just look at this; or this; at all these hallmarks to guide you and convey to you the prime ways to feel lovely. Just follow them and you'll be set. So, I ask you again... Don't you feel lovely today?

Over the past few years, Israel's ongoing military occupation of Palestinian territory and repeated invasions of the Gaza strip have triggered a fierce backlash against Israeli policies virtually everywhere in the world—except the United States. This documentary takes an eye-opening look at this critical exception, zeroing in on pro-Israel public relations efforts within the U.S.

When World War II broke out, John Ford, in his forties, commissioned in the Naval Reserve, was put in charge of the Field Photographic Unit by Bill Donavan, director of the soon-to-be-OSS. During the war, Field Photo made at least 87 documentaries, many with Ford's signature attention to heroism and loss, and many from the point of view of the fighting soldier and sailor. Talking heads discuss Ford's life and personality, the ways that the war gave him fulfillment, and the ways that his war films embodied the same values and conflicts that his Hollywood films did. Among the films profiled are "Battle of Midway," "Torpedo Squadron," "Sexual Hygiene," and "December 7."

A chronicle of the demonstrations and public events held on the occasion of the proclamation of the Second Spanish Republic on April 14, 1931 (Sound newsreel shot by Fox Movietone News discovered in 2009.)

Documentary about WWII propaganda cartoons.

Nazi propaganda film about the Condor Legion, a unit of German "volunteers" who fought in the Spanish Civil War on the side of eventual dictator Francisco Franco against the elected government of Spain.

Vladimir Ilyich Ulyanov, better known as Lenin, is remembered as the instigator of the October Revolution of 1917 and, therefore, as one of the men who changed the shape of the world at that time and forever, but perhaps the actual events happened in a way different from that narrated in the history books…

A fly-on-the-wall display of lives changing and time passing told through an unanswered question.

In 1943, the Imperial Japanese Secret Service made a film called Calling Australia! to show the "exemplary conditions" under which prisoners of war were kept, and to "soften up" the Australian public for the anticipated occupation of their country by Japanese forces. Prisoners of Propaganda tells why the film was made, and how it came to be forgotten.

The end of the Franco-Prussian war (1870-71) saw the birth of the panoramas of war, huge circular paintings depicting scenes of war, cruelty and desolation that were contemplated by thousands of spectators, a kind of inmersive static newsreels, a mass media prior to the era of mass media, a virtual reality on canvas.

The video Analepsis, 2003-04, is composed of a series of excerpts taken from satellite television news reports. The individual 1-4 second clips are used to introduce the viewer to a given location. Through his method of re-editing the material and omission of the sound from the original news programs, Snyder restructures the footage, revealing the potential of a place to mean more than one thing and pointing to the cinematographic quality inherent in television news.

A montage of newscasts tracing the events of the "damned war" and the German invasion of 1940.

Between 1933 and 1945 roughly 1200 films were made in Germany, of which 300 were banned by the Allied forces. Today, around 40 films, called "Vorbehaltsfilme", are locked away from the public with an uncertain future. Should they be re-released, destroyed, or continue to be neglected? Verbotene Filme takes a closer look at some of these forbidden films.

A more experimental aproach to labor protection films. In the line of Săucan's style, the soundtrack is as important as the image, the threatening music, full of shrillness, composed by Ion Dumitrescu potentiating the visual construction that mixes - in a montage reminiscent of the Soviet avant-garde school of the 1920s - all kinds of shooting techniques and frame combinations.

Comprised of video shot during the Nazi regime, including propaganda, newsreels, broadcasts and even some of Eva Braun's colorized personal home movies, we explore the way in which the Third Reich infiltrated the lives of the German population, from 1933 to 1945.

Documentary produced by Falange and edited in Berlin, in response to the international success of the Republican production "Spain 1936" (Le Chanois, 1937).

A close examination of the Whakaari / White Island volcanic eruption of 2019 in which 22 lives were lost, the film viscerally recounts a day when ordinary people were called upon to do extraordinary things, placing this tragic event within the larger context of nature, resilience, and the power of our shared humanity.

A sideshow barker uses magic and visual aids to alert the public that proper food management is both a resource and a weapon that could be to America's advantage if conserved properly in winning the then current World War. Preserved by the Academy Film Archive, Academy War Film Collection, in 2008.

Mise Éire ("I am Ireland") is a 1912 Irish-language poem by the Irish poet and Republican revolutionary leader Patrick Pearse. In the poem, Pearse personifies Ireland as an old woman whose glory is past and who has been sold by her children. The poem inspired this 1959 film of the same name by George Morrison. Here, Morrison painstakingly assembled historical footage of the events surrounding the 1916 Rising from archives across Europe and deals with key figures and events in Irish Nationalism between the 1890s and the 1910s. The narration is by Liam Budhlaeir and Padraig O'Raghallaigh and the musical score is by Seán Ó Riada.