The Letter to a Chinese Friend

Between 1933 and 1945 roughly 1200 films were made in Germany, of which 300 were banned by the Allied forces. Today, around 40 films, called "Vorbehaltsfilme", are locked away from the public with an uncertain future. Should they be re-released, destroyed, or continue to be neglected? Verbotene Filme takes a closer look at some of these forbidden films.

The capture of Naples, the first great European city to be liberated, revealed the magnitude of the tasks involved in re-creating the means of livelihood and the machinery of government in a devastated, starving and disease-ridden city.

Inspired by Patrick Pearse’s poem Mise Éire (“I Am Ireland”), this documentary assembles archival footage from across Europe to trace the rise of Irish nationalism from the 1890s through the 1916 Easter Rising. Directed by George Morrison, the film chronicles key figures and events of the independence movement, with Irish-language narration and a score by Seán Ó Riada.

Behind-the-scenes footage, rare screen tests and insightful interviews highlight this engrossing two-hour look at one of Hollywood's greatest dream factories. Such film luminaries as Tom Hanks, William Friedkin, George Lucas, Oliver Stone and Robert Altman discuss their work at the studio. Clips include scenes from Butch Cassidy and the Sundance Kid, Patton, Young Frankenstein, Star Wars, Alien, Big, Home Alone, Die Hard and dozens more.

Journalist Dermi Azevedo has never stopped fighting for human rights and now, three decades after the end of the military dictatorship in Brazil, he's witnessing the return of those same practices.

A sideshow barker uses magic and visual aids to alert the public that proper food management is both a resource and a weapon that could be to America's advantage if conserved properly in winning the then current World War. Preserved by the Academy Film Archive, Academy War Film Collection, in 2008.

Tabu, propriedade privada

Documentary produced by Falange and edited in Berlin, in response to the international success of the Republican production "Spain 1936" (Le Chanois, 1937).

Chronicles combat action of Hitler's elite bodyguard regiment from 1940 to 1941. From Rotterdam to Greece, German frontline cameramen captured footage of early victorious campaigns. Scenes of camp life and ceremonies convey an impression of the comradeship, pride, and elan of this mighty military formation.

This film records the Japanese military's efforts to capture the Burma Road,one of the major supply lines to China, from the British beginning in December 1941. The film ends with the fall of Mandalay in May 1942.

A documentary film that includes footage of past Olympics held in different countries with an particular emphasis on the activities and successes of Japanese athletes and how they are currently (circa 1963) improving themselves.

A montage of newscasts tracing the events of the "damned war" and the German invasion of 1940.

National Press Club hears a speech from Alfred Hitchcock.

A feature length, lively - montage style - documentary, capturing the essence of what life was like in socialist Hungary - dubbed the "The most cheerful barrack" back then - using contemporary music, interviews, adverts and news footages.

A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.

An abstract and detailed observation of a young life told through a series of observational montages. Part of the 'Technicolour' series of films from Lot 108 Productions.

Penthesilea, the first of six films made by Laura Mulvey and Peter Wollen, traverses thousands of years to look at the image of the Amazonian woman in myth. It asks, among other questions, is the Amazonian woman a rare strong female image or is she a figure derived from male phantasy? The film explores the complexities of such questions, but does not seek any concrete answers.

The Secrets of Life series (1934-50) may not conform to modern expectations of nature filmmaking, inclined as it is towards giving cute fluffy creatures human names and characteristics. But it couldn't be accused of shielding kiddies from the harsher realities of the food chain, as this exercise in ruthless Darwinism demonstrates to unintentionally hilarious effect. A more than usually eccentric narrator introduces us to the newborn bunny quartet of Donald, James, Charles and Clifford, but as the film's title gives away, "the boys" aren't all long for this world as they face an assault course of hungry owls, predatory badgers, shotgun-happy gardeners and aerial bombardment (no harm in a little anti-Nazi detour, this is 1942 after all). (from http://player.bfi.org.uk/film/watch-once-we-were-four-1942/)

A moody combination of edited images from various news sources, essays, lectures, pop culture artifacts, and especially the film Koyaanisqatsi (1983), set against selected songs from Nine Inch Nails' 2013 record Hesitation Marks. Designed to feel like doomscrolling. Riddled with copyright infringements. Made for class.

A US Air Force produced film that follows a group of F-105 pilots as they pass their hundredth mission during the Vietnam War.