Prelude 3

Two young men and two girls on a moonlit night confess to each other in their strange fantasies and loves that go beyond the usual standards.. The impetus to making the film was the book of the same name by the Russian religious philosopher Vasily Rozanov, who died 100 years ago. His treatise was devoted to the study of sexuality and its denial in Christianity. The film was made in the style of experimental films of the 1920s with a non-linear narration full of strange surrealistic images. He is black and white and devoid of dialogue. Filmed on film 16 mm of firm "Svema", released in the USSR. This added to his exoticism. The image was put to the music of Alexander Scriabin “The Poem of Ecstasy” (1907).

Visionary artist Matthew Barney returns to cinema with this 3-part epic, a radical reinvention of Norman Mailer’s novel Ancient Evenings. In collaboration with composer Jonathan Bepler, Barney combines traditional modes of narrative cinema with filmed elements of performance, sculpture, and opera, reconstructing Mailer’s hypersexual story of Egyptian gods and the seven stages of reincarnation, alongside the rise and fall of the American car industry.

In a Paris hotel room, Jack Whitman lies on a bed. His phone rings; it's a woman on her way to see him, a surprise. She arrives and the complications of their relationship emerge in bits and pieces. Will they make love? Is their relationship over? (A prequel to The Darjeeling Limited, 2007.)

A newly arrived guest of a Hollywood hotel charms and amazes the regulars, and they decide to invite him to their Christmas dinner.

A very old woman wants to have dinner with her friends. As they are all dead, the butler has to play the role of every guest.

SONG 1: Portrait of a lady (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).

SONGS 2 & 3: Fire and a mind’s movement in remembering (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).

SONGS 2 & 3: Fire and a mind’s movement in remembering (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).

A coast guard captain on a small Greek island is suddenly charged with saving thousands of refugees from drowning at sea.

Two polar bears are driven into exile due to global warming. They will encounter brown bears along their journey, with whom they will try to cohabitate.

Step back into the imaginative and frankly terrifying world of Becky & Joe with Don’t Hug Me I’m Scared. In this episode: Some things change over Time.

A young girl who lives in a remote wrecking yard takes on the local bullies when they travel out to torment her father.

Rebecca Sugar's thesis film from New York’s School of Visual Arts.

Jesse is a chat-addict teen. One day, an unknown gay friend proposes him a blind date on a public spot, but Jesse, unaware of how his friend physically looks, demands the use of a ‘red’ t-shirt in order to recognize him. What Jesse never thought was that, that day, one of his biggest fears would come true.

Mary was a good girl until she decides to kill all the "sexist pigs". She of course encounters many of which, and enjoys killing them.

A contemplative, seemingly timeless record of the years Hutton spent in Southeast Asia while working as a merchant seaman. Jon Jost writes, "The film is rich with truly wonderful visions: a thick, white porcelain cup perched on a ship's rail, the tea within swaying gently in sync with the ship while the sea rushes by beyond…the faces of crewmen posing awkwardly but also movingly for the camera; a cockfight on ship; scenes from a bucolic pre–Pol Pot Phnom Penh. Images has the haunting elegiac resonance of Eugène Atget's Paris, the echo of a time and place that was." - MoMA

"…elegant yet rustic in its simplicity of execution; tugged gently toward different sides of the set by hints of color and motion interactions, positive and negative spaces, etc., and the unyielding delivery on one of the great apotheoses of poetic cinema at fade-out time." – Tony Conrad

A struggling father uses a bedtime story to impart an important life lesson to his son.

When members of Tiger Mafia attack a music festival and against orders begin to shoot civilians the protector spirit of Nyege Nyege Island is summoned to help.

In search of his lost soul mate, an unpainted Vinylmation finds himself on a quest that alters the destiny of his entire world.