Jazz Hot

Chronicles the early days of The Beatles in Hamburg, Germany. The film focuses primarily on the relationship between Stuart Sutcliffe, John Lennon, and Sutcliffe's girlfriend Astrid Kirchherr.

A guitar playing car thief meets an autistic savant piano player, and together they transform a group of reluctant halfway house convicts into The Killer Diller Blues Band.

A struggling band find themselves attached to a fugitive and drawn into a series of old feuds and love affairs, as they try to stay together and find musical success.

The musical traditions of the eastern and western worlds are bridged through the improvisations of Bombay, India-born percussionist/vocalist Trilok Gurtu. Gurtu’s mastery of post-bop jazz has not gone unnoticed. Downbeat magazine named him “best percussionist” in three critic and popularity polls and proclaimed, “musically, the world is his stage”. Jazz magazine, Straight No Chaser took a similar view, writing, “this music has a transcendental quality and removes any obstacles that lie between western and eastern improvised music.” Gurtu’s eclectic approach has enabled him to collaborate with most of the world’s greatest musicians. Tracklist 01. Jhuleal 02. Peace of five elements 03. Africa con India 04. Pasana’s Love 05. Dance with my lover 06. God rhythm

Zawinul is onstage with the WDR Big Band from Germany and a special international rhythm section. The music is a tribute to the pioneering 1970s fusion collective Weather Report, originally with Wayne Shorter on sax, Zawinul on keys, and later Jaco Pastorius on bass (among other personnel). Zawinul and the WDR play "Brown Street" and "Carnavalito." Arranger Vince Mendoza re-imagines this colorful, small-group music for Europe's longest-lived jazz orchestra. And they can play!

Joan Jett and Cherie Currie, two rebellious teenagers from Southern California, become the frontwomen for The Runaways -- the now-legendary group that paved the way for future generations of female rockers. Under the Svengali-like influence of impresario Kim Fowley, the band becomes a huge success.

Twenty years after Claude Nougaro's death, numerous artists came together to participate in a grand tribute concert in Toulouse, the city he sang about so beautifully. Under the direction of Yvan Cujious and Yvan Cassar, conducting the Orchestre National du Capitole de Toulouse, this event brought together Bénabar, Nolwenn Leroy, BigFlo et Oli, Cali, Ben l'oncle Soul, Jean-Pierre Mader, Anne Sila, Natalie Dessay, Cats on Trees, and others, in front of thousands of nostalgic spectators. Recorded on September 8, 2024, at the Place du Capitole in Toulouse, Occitanie.

Danny 'Sweet Touch' Caputo is a young sax player on the verge of crowning his life's dream, to play in the festival that will send him to the top amongst the jazz greats. With just 50 minutes standing between him and his consecration, as he runs over his last simple question more to pass time than anything else. Danny tries to answer, but instead finds himself projected into another world, one populated by the sensual and very real ghosts of his past...

Poet, musician, visual artist, and Afrofuturist Moor Mother roams a hallucinatory Mojave Desert alone. Meanwhile, in Los Angeles, Moor Mother visits the Pan Afrikan Peoples Arkestra HQ and plays with jazz luminaries and elders, including Henry “The Skipper” Franklin, Michael Session, and Maia.

A young man born with Cerebral Palsy battles a paralyzed left hand, bullies and stereotypes about the disabled to defy the odds and make it as a rock and roll guitarist. Ultimately, sharing the stage with the very band that inspired him to start (or to achieve the impossible).

Queen Poppy and Branch make a surprising discovery — there are other Troll worlds beyond their own, and their distinct differences create big clashes between these various tribes. When a mysterious threat puts all of the Trolls across the land in danger, Poppy, Branch, and their band of friends must embark on an epic quest to create harmony among the feuding Trolls to unite them against certain doom.

Taken in by the musical world as a young orphan, Rick Martin grows up with a desire to play pure jazz instead of the commercial gigs he lands, whilst also coping with the problems caused by his tempestuous marriage to an aloof heiress.

Now for the first time, Charo brings here sizzling Las Vegas Show to your home. A cast of over 30 dancers and musicians join Charo in an evening of non-stop entertainment live on stage in the Bally's Grand Room. Charo displays her full range of talent, that has made her not only a Las Vegas headliner, but an international superstar, and according to Guitar Players Magazine, the best flamenco guitar player in the world.

Combining footage unseen since WWI with original scores from the era, this film tells the story of Noble Sissle's incredible journey that spans "The Harlem Hellfighters" of World War I, Broadway Theatre, the Civil Rights movement, and decades of Black cultural development.

Young Benny Goodman is taught clarinet by a music professor. He is advised to play whichever kind of music he likes best, but to make a living, Benny begins by joining the Ben Pollack traveling band.

In 1927, a Kansas City, Missouri cornet player and his band perform nightly at a seedy speakeasy until a racketeer tries to extort them in exchange for protection.

The relationship between an aspiring dancer and a popular songstress provides a retrospective of the great African-American entertainers of the early 1900s.

Stop for Bud is Jørgen Leth's first film and the first in his long collaboration with Ole John. […] they wanted to "blow up cinematic conventions and invent cinematic language from scratch". The jazz pianist Bud Powell moves around Copenhagen -- through King's Garden, along the quay at Kalkbrænderihavnen, across a waste dump. […] Bud is alone, accompanied only by his music. […] Image and sound are two different things -- that's Leth's and John's principle. Dexter Gordon, the narrator, tells stories about Powell's famous left hand. In an obituary for Powell, dated 3 August 1966, Leth wrote: "He quite willingly, or better still, unresistingly, mechanically, let himself be directed. The film attempts to depict his strange duality about his surroundings. His touch on the keys was like he was burning his fingers -- that's what it looked like, and that's how it sounded. But outside his playing, and often right in the middle of it, too, he was simply gone, not there."

Tricot live release from Akasaka, Tokyo

The two musical masters swing out.