Nobody's Perfect

A boy, obsessed with comparing himself with those less fortunate, experiences a different life at the home of his aunt and uncle in 1959 Sweden.

A splendid doctor arrives in a small village: all the males compete to undergo repeated examinations in order to get to know the beautiful woman better. The mayor of the village, taking advantage of the beautiful "bait", would like to teach a lesson to the playboy Gustavo, who some time ago had caught all the husbands of the village.

Ari can’t satisfy his wife Sara. He crashes his speedboat into a cliff and winds up in Switzerland for rehabilitation in what may or may not have been a suicide attempt. Alex, commissioned to paint Sara’s portrait by Ari, becomes Sara’s house guest and sex partner in Ari’s absence. Teresa, Ari’s secretary and ex-lover, is jealous of Sara’s relationship with Alex and schemes to break them up.

Clara and Felice struggle to raise their three children in 1970s Rome. The eldest, Andrea, is transgender and yearns for another life where he gets to live as the boy he knows himself to be. Clara instinctively strives to protect her son by escaping into their imaginations to defuse family tensions.

Invited by the conductor Premil Petrovic to stage Arnold Schoenberg’s Pierrot Lunaire, a musical theater work from 1912 based on the poems of Albert Giraud, LaBruce transposed a strange and tragic episode of true crime onto the composition. Complementing the original atonal score is a narrative about a trans man who is outed by his girlfriend’s father and forbidden from seeing the young woman again. Crestfallen, the protagonist decides to prove the fact of his manhood by castrating a taxi driver and then revealing his newly transplanted member to the two of them. This story, which for LaBruce “serves as a kind of allegory for all gender radicals and outcasts driven to extremes by the disapproval and hostility of the dominant order,” is rendered in a visual style that nods to the era of Schoenberg’s melodrama. LaBruce cheekily appropriates the formal vocabulary of silent cinema with black-and-white photography, irises, and intertitles like “A cock, a cock, my kingdom for a cock!”

Two drag performers and a transgender woman travel across the desert to perform their unique style of cabaret.

Wealthy Olga Arbant, with the help of her submissive husband Paul, enjoys kinky scenarios to help with the writing of her novels, as well as controlling everything and everyone. Impoverished Patrizia, who is a virgin, has agreed to do whatever Olga demands for one month. After being subjected to various humiliations, Patrizia frustrates Olga by developing a mind of her own.

Procida, a little Island in the gulf of Naples. Last days of summer. The adolescence of Domenico is coming to an end, just like his tormented relationship with Marcello. Domenico looks for hospitality at Antonio's house, his best friend, but soon he finds himself alone with the thirteen-years-old Antonio's brother, Lallo. A journey of discovery starts, between adolescence and maturity. The meeting with Sara, a transsexual woman, will bring to light the desires of the two young boys.

Eduarda (Eddi) wants to become a woman, but what makes a woman? Maybe breasts help? She goes on holiday with her family and meets Lukas. Unfortunately, she is not the only family member who wants to feel attractive. Are we really defined by what others see?

Sympathetic look at the tragic life of cabaret singer Lorna, who was born a man but really just wants to be a woman. She meets a man who loves her but she can't tell him the truth and decides instead to get an operation so she'll be all woman.

In Kentucky, a transgender woman and her best male friend lament the lack of eligible partners and step across old boundaries of love and romance.

At a very camp party in Paris, guests are told about a strange tom-tom played by an Andalusian gipsy, himself a character in a book by a young novelist present at the party. A frantic quest begins for a mysterious love-filter. Tam Tam shows desire and repression through the subversion of archetypes both social (ambassadors, stars, artists) and sexual (homophiles, transvestites, transsexuals), and converting these into a most accurate account of a certain kind of unease: an identity crisis.

River goes to their first appointment at the “Gender Identity Disorder Unit”. There, River has to answer the psychiatrist's test that will decide if they will be able to access the care they need. River knows exactly what they has to say, but one small detail will endanger their plans.

A teacher discovers his calling. Marco relocates to Palermo from Milan and takes a job teaching in a reform school while he waits for a high school position. He tries to understand and motivate his handful of students, reading them colloquial poetry, encouraging them to stand up for their rights, finding out about their histories. Natale, in for murder, enamoured of the Mafia, the King Rat within the group; Mery, a drag queen, arrested for assault when defending himself, in love with Mario and, in daylight, rejected by all; Pietro, illiterate, muscular, believing his destiny is set; the callow Claudio, vulnerable, learning to harden himself. What can Mario learn and do in such a short time?

Elvira Weishaupt, once a burly working-class butcher, has made an enormous sacrifice for love. She has undergone a sex change for a romantic interest who has abandoned her, and she now must struggle to reconcile her past life with her present identity.

When Gerda Wegener asks her husband Einar to fill in as a portrait model, Einar discovers the person she's meant to be and begins living her life as Lili Elbe. Having realized her true self and with Gerda's love and support, Lili embarks on a groundbreaking journey as a transgender pioneer.

A transvestite is bedridden in a colorful room. A customer arrives, then a game of hide-and-seek, of pretense and confusion of feelings begins.

When his mother dies, Zino decides to look for his father, Farid. But twenty-five years ago, Farid became Lola.

A grieving husband struggles to come to terms with his wife's passing. Following a night-time visit to her grave, he picks up a transgender sex worker.

Myron Breckinridge flies to Europe to get a sex-change operation and is transformed into the beautiful Myra. She travels to Hollywood, meets up with her rich Uncle Buck and, claiming to be Myron's widow, demands money. Instead, Buck gives Myra a job in his acting school. There, Myra meets aspiring actor Rusty and his girlfriend, Mary Ann. With Myra as catalyst, the trio begin to outrageously expand their sexual horizons.