Njan Marykutty

Wealthy Olga Arbant, with the help of her submissive husband Paul, enjoys kinky scenarios to help with the writing of her novels, as well as controlling everything and everyone. Impoverished Patrizia, who is a virgin, has agreed to do whatever Olga demands for one month. After being subjected to various humiliations, Patrizia frustrates Olga by developing a mind of her own.

Set against the backdrop of 1971 Indo-Pak war, the movie is inspired by real incidents and the protagonists are inspired by Param Vir Chakra recipients. The movie shows what consequences of war are on the lives of soldiers on either side of the border.

Aalroopangal narrates the effects of hartal in the life of common man. Nandu does the lead role as a roadside food vendor.The film plots how an unexpected declaration of hartal changes his life.

The film takes a deeper look at the social status of people who are forcefully converted to a different religious belief, and how they are looked down upon.

Daffadar is the story Ayyappan, a 65 years old honest, sincere, and compassionate security personnel (Daffadar) of the Collector for over 40 years. Evenafter his retirement he dresses as Daffadar and goes to the Collectorate every day

Saira Banu, a post woman and a single mom, is caught unawares when her son Joshua Peter, a law student, gets entangled in a legal hassle. The opponents in the case are a bunch of affluent and powerful names of the society. How would the middle-class woman help her son?

Dr Vijay Nambiar (Suresh Gopi) is a famous neurosurgeon. His wife Dr Nalini Nambiar (Abhirami) is a gynecologist in the same hospital. They lead a contented and busy family life. 'Appothikkiri' plots the intriguing issues that affect their life.

Lekha is an aspiring actress who becomes successful and very popular. One day, she commits suicide! Why?

Inspired by 'The Count of Monte Cristo', Padayottam was the first Indian movie to be shot in 70mm format. Prince Udayan (Nazir) is the successor to the Kolathiri kingdom. He is betrayed by his cousin Devan (Madhu) which forces him to go into exile. Years later Udayan returns to Kolathiri to take his revenge.

Govindan Kutty (Raghu) is a clown who works in the circus. He comes to his village looking for a bride. Sharada (Anjali Naidu) is impressed by his charms and seemingly rich lifestyle and agrees to marry him. When they reach back the circus after getting married, things however change considerably. Govindan is an insignificant figure there and is frequently ignored by everyone else. The frustrated Sharada meets a stuntman Vijayan (Mammootty) and gets close to him much to the discomfort of Govindan.

Saraswathiyamma is the head of a noble family that treats her servant Krishnan as one of her own sons. When her relatives conspire to sell her house, she and Krishnan set out to save it.

Kaiyethum Doorath movie tells a flashback when Sachin (Shanu) is on his way to attend his lover's Sushma (Nikitha) marriage as he tells his past to the co-passengers on a ferryboat who gets hooked on to his love story. What happens at the marriage forms the interesting twist in this love story.

When Jathavedan is invited to a princely state, he comes to know that the king of the region has acquired the throne through evil means. He decides to raise an army and fight against him.

The story of the film goes through the time of H. Mehboob, who tell us the story of the slavers and Jews, who worked for the Dutch and Britishers who ruled over India. It tells us the songs of Cochin that go beyond caste, creed and nation.

Comrade Krishna Kumar wants to make it big in politics but lacks the ideals a sakhavu should possess. He is ruthless enough to even get rid of friends who might be possible hurdles on his way up. His paths cross with that of a veteran comrade, sakhavu Krishnan and the film depicts how his life influences Krishna Kumar.

The lives of a vedic scholar Pattabhiramagiri and his family come under threat after a godman and his goons try to displace him from his centuries-old ancestral home as part of building an ashram. The “curse” that befalls Pattabhiraman in the face of opposition leaves him broken, till a mysterious ally lends him his support. Their fight against the evil forces forms the rest of the plot.

Kavalam Jimmy and Vattathil Bosco are rivals from their school days and Minnal Simon always tries to benefit from this situation.Three of them have their own intentions and they back stab each other to attain their own aims.

Invited by the conductor Premil Petrovic to stage Arnold Schoenberg’s Pierrot Lunaire, a musical theater work from 1912 based on the poems of Albert Giraud, LaBruce transposed a strange and tragic episode of true crime onto the composition. Complementing the original atonal score is a narrative about a trans man who is outed by his girlfriend’s father and forbidden from seeing the young woman again. Crestfallen, the protagonist decides to prove the fact of his manhood by castrating a taxi driver and then revealing his newly transplanted member to the two of them. This story, which for LaBruce “serves as a kind of allegory for all gender radicals and outcasts driven to extremes by the disapproval and hostility of the dominant order,” is rendered in a visual style that nods to the era of Schoenberg’s melodrama. LaBruce cheekily appropriates the formal vocabulary of silent cinema with black-and-white photography, irises, and intertitles like “A cock, a cock, my kingdom for a cock!”

An emotionally childish man who never outgrows his childish fascination for flying, dreams of making his own aircraft which is considered foolish by his family and friends.

At a very camp party in Paris, guests are told about a strange tom-tom played by an Andalusian gipsy, himself a character in a book by a young novelist present at the party. A frantic quest begins for a mysterious love-filter. Tam Tam shows desire and repression through the subversion of archetypes both social (ambassadors, stars, artists) and sexual (homophiles, transvestites, transsexuals), and converting these into a most accurate account of a certain kind of unease: an identity crisis.