Death of a Prisoner

The love between the American burlesque stripper Teri Lee Geary (aka Kitten DeVille) and her punk rock singer husband Shawn Geary is strong but rather complicated. They live in their own time bubble, hers from the 1950's and his from the 1980's. It applies to their looks, their home and their lifestyle. Teri looks like Marilyn Monroe and Shawn looks like Joe Strummer from The Clash. All of a sudden their 25-year-long relationship and their lifestyle have a down side. But how do they move on?

Around the world, multinationals are taking advantage of carbon credits to allow them to burn their waste. Beneath the system’s environment-friendly veneer, entire ecosystems are under siege, human populations are in economic crisis, and greenhouse gases keep spewing into the atmosphere. Three years after making MYTHS FOR PROFIT, activist filmmaker Amy Miller follows up with this ambitious documentary (filmed on four continents) – a bold, highly intelligent work on the dark underbelly of green business. Even while working on a grand scale, she creates intimate portraits of numerous communities, never forgetting that global issues always affect individual lives. An essential appeal to conscience.

Surfers, metal heads, and guerilla filmmakers explore their identities and culture in Sierra Leone, Botswana, and Nigeria.

A minor disagreement between neighbors in Florida takes a lethal turn, with police body camera footage and interviews probing the aftermath of the state's controversial "stand your ground" laws.

When one’s sole focus is to provide for their children, the stakes are extremely high. The need for multiple jobs to make ends meet has become a common reality for many families in this country, which leads to a very important question: who looks after the children while their parents work? Through the Night examines the economic and emotional toll affecting some American families, told through the lens of a 24-hour daycare center in Westchester, New York. At the center of it all is Nunu, the primary caregiver and a hero to many families in need of a safe space to bring their children.

Since 1945, only a select few in the US government have known the truth about UFOs. In 2020, one of them is finally speaking out. Join Dr. Laura Gale PhD on a guided tour through over half a century of disinformation, counterespionage—and mankind's attempts to make first contact.

Tuna are among the top predators in the oceans. But the hunter is also the hunted: many species are overfished. Can we use the riches of the oceans without destroying them?

The Amazon plays a vital part in regulating the planet's temperature. Yet, last year, forest destruction in the Brazilian Amazon soared by 85 per cent. Illegal logging and slash-and-burn agriculture are decimating the land. With huge profits to be made, the Amazon is a dangerous place to ask questions. Despite the threat, the Amazonian tribes want the world to hear their message.

An effervescent facilitator and mother figure, Multicultural Liaison Officer Rosemary is undoubtedly a force of nature. Isolation in Auburn’s migrant community is a huge obstacle, and cultural norms mean that women are often tied to the house or a limited locale. Rosemary, with her larger-than-life spirit and generosity, works tirelessly to draw the women out of their homes and into society. She hosts a lively African Women’s Dinner Dance and takes them on a trip to the Blue Mountains and the NSW South Coast – introducing them to an Australia they’ve never seen before.

This documentary follows two Mohawk girls on their journey to become Mohawk women. Friends since childhood, Kaienkwinehtha and Kasennakohe are members of the traditional community of Akwesasne on the U.S./Canada border. Together, they undertake a four-year rite of passage for adolescents, called Oheró:kon, or "under the husk." The ceremony had been nearly extinct, a casualty of colonialism and intergenerational trauma; revived in the past decade by two traditional leaders, it has since flourished. Filmmaker Katsitsionni Fox has served as a mentor, or "auntie," to many youth going through the passage rites.

A tribute to legendary black lesbian feminist poet Audre Lorde, one of the most celebrated icons of feminism's second wave.

Tales of Two Who Dreamt is set in a housing block in Toronto and pivots on representation and self-representation. Here, a Roma family rehearses the stories of their past for the upcoming hearing on their residency status.

As French kindergarteners pour forth for recess, play takes on epic proportions. In every corner, some miniature drama is unfolding. Violence, love, jealousy, treachery are all here! This is human society in the making.

Chantal Akerman meets with elderly Jewish women in Paris, all of them survivors of the Shoah, and listens to their family stories. Between interviews, Akerman's mother Natalia speaks of her own family. Made for a French miniseries on grandmothers.

When Majid Shokor escaped from Iraq he discovered that the songs he loved as a child in Baghdad have a hidden history. To find out more, Majid makes a bold journey from Australia to Israel, Europe and Iraq to meet Iraqi musicians, hear their music and stories, and unite them in a concert for peace and reconciliation.

Six life stories of German, Austrian and Russian Jews which intersect in exile in Shanghai. Out of narratives, photographs, documents and new images of the biggest and most contradictory metropolis of the Far East an entity develops in which the historic exile takes and turns on a completely current power and appeal.

Every year they gather from tiny subsistence villages on Alaska’s Bering Sea Coast, traveling hundreds of miles on bush planes to compete on the biggest stage they will ever know — the All-Native District Basketball Tournament. The hope of Toksook Bay is Byron Nicholai, a 16-year-old Yup’ik eskimo who is determined to lead his village to the championship. Byron’s father abandoned him when he was 14 and never taught him how to hunt in the traditional Yupik way. For Byron, this tournament isn’t just about basketball—it’s a way to bring pride to his family and community.

When President Abdoulaye Wade wanted to run for office yet again in 2011, a resistance movement formed on the streets. Shortly afterwards, a group of school friends, including rappers Thiat and Kilifeu, set up "Y'en a marre" ("We Are Fed Up"), with filmmaker Rama Thiaw soon coming on board to start documenting events – meetings, campaigns, arrests, concerts, states of exhaustion, trips – from an "insider" perspective. Over several years, a stirring portrait emerged of a youth protest movement to whom independent observers were not the only ones to ascribe the role of "kingmaker" in the last elections. Rama Thiaw shows the rappers and their environment with an intimacy whose cinematographic finesse provides space and context for the thorny conflicts between music and politics, street and state.

The panoramic shots are breathtaking: a majestic mountain landscape in winter, flat-roofed tin shacks cowering next to one other, women perched on steep slopes using primitive tools to break through pieces of rock. La Rinconada is situated over 5,000 meters high in the Peruvian Andes, on the edge of a gold mine. This 21st century El Dorado is an inhospitable place, where untold numbers of people live and work in the most precarious of conditions, hoping both for gold and a better life. Salomé Lamas has constructed a cinematic diptych to convey the extremity of this situation and the dimensions of its misery without having to resort to graphic images.

Show Girls celebrates Montreal's swinging Black jazz scene from the 1920s to the 1960s, when the city was wide open. Three women who danced in the legendary Black clubs of the day - Rockhead's Paradise, The Terminal, Café St. Michel - share their unforgettable memories of life at the centre of one of the world's hottest jazz spots. From the Roaring Twenties, through the Second World War and on into the golden era of clubs in the fifties and sixities, Show Girls chronicles the lives of Bernice, Tina and Olga - mixing their memories with rarely seen footage of the era.