In Old Amsterdam

Bruce Brown's The Endless Summer is one of the first and most influential surf movies of all time. The film documents American surfers Mike Hynson and Robert August as they travel the world during California’s winter (which, back in 1965 was off-season for surfing) in search of the perfect wave and ultimately, an endless summer.

Johan van der Keuken went against the grain in 1980: from Amsterdam (on April 30 with the coronation riots and squatting actions) via Paris, southern France and Italy to Egypt. He made his personal travelogue in three parts for VPRO television. Later, he fused the three parts into one long movie.

Pilot JP Schulze and filmmaker Louis Cole set off to circumnavigate the world in a single-engine, 1974 Cessna T210L airplane named Balloo. They had 90 days to complete the journey, and as they traveled they met people from many different cultures and asked them - is what divides us greater than what brings us together?

1964-1968 Trams in Amsterdam, Rotterdam en Den Haag

A 19-year-old high school graduate travels through Australia as a backpacker and accompanies his adventure with a camera.

The dutchified Hungarian Joszef Katús returns, after a months-long absence, to Amsterdam on 29 April 1966. The arrival of the Provos changed a great deal in the Dutch capital. The film follows Katús, mostly roaming the streets, in a loose documentary style. The events are set against the backdrop of four national occasions - The Queen's Birthday, Labour Day, Liberation Day and Remembrance Day.

Bruce Lee expert John Little tracks down the actual locations of some of Bruce Lee's most iconic action scenes. Many of these sites remain largely unchanged nearly half a century later. At monasteries, ice factories, and on urban streets, Little explores the real life settings of Lee's legendary career. This film builds on Little's earlier film, Pursuit of the Dragon, to present a comprehensive view of Lee's work that will change the way you see the films.

I enjoy religion, I appreciate belief systems and how they offer structure to people's lives. I also appreciate how spirituality manifests itself in Asian cultures as this almost earthbound presence guiding people through every day life and when they need an extra bit of help they need only ask whichever deity holds dominion over their desire. Here is an experimental film I made with videos from my iPhone. Shot across Taiwan and South Korea. An experimental film I made with videos from my iPhone. Shot across Taiwan and Korea. My aim was to explore success in how it pertains to every day life, the satisfaction of small moments, spirituality, superstition, and daily rituals.

In 1899, a photographer at American Mutoscope & Biograph mounted his camera on the front of a trolley traveling over the Brooklyn Bridge. The three 90-foot rolls he created were edited together to complete the journey from Manhattan to Brooklyn, entitled Across the Brooklyn Bridge. As a commission by the Museum of Modern Art for the re-opening of their facility, American avant-garde filmmaker Bill Morrison took this remarkable footage and recombined it with itself to form a new split-screen extrapolation.

A faux travelogue that mixes documentary and mockumentary footage. The camera looks through a one-way glass into the women's dressing room at a lingerie shop, visits a Kyoto massage parlor, goes inside the mailroom at Frederick's of Hollywood, watches an Australian who sticks nails through his skin and eats glass, checks out the art and peace scene in Los Angeles, takes in Easter week with vacationing college students on Balboa Island, observes a German audience enjoying a play about Nazi sadism, and, with the help of powerful military lenses, spies on a Lebanese white-slavery auction.

A “hidden camera” takes the viewer on a worldwide tour of sexual practices and rituals, including Tijuana strippers, Asian sex shows, British prostitutes, New York devil worshipers and a Mexican slave market.

Amateur footage of Delhi and Jaipur, from a military review to an atmospheric torchlit procession - and some armour-plated elephants.

The future Edward VIII enjoys a stately procession and visits the Taj Mahal before meeting senior Indian royalty.

The future Edward VIII visits his Empire, with Indian royalty, elephants, palaces and temples.

The future Edward VIII enjoys stunning mountain scenery on a visit to the Khyber Pass during his royal tour

Bruin has a new mission: to become a superstar, just like his idol Michael Jackson. Although singing is not his greatest talent, he starts - supported by friends and colleagues - to build a music career.

In 1962 Joris Ivens was invited to Chile for teaching and filmmaking. Together with students he made …A Valparaíso, one of his most poetic films. Contrasting the prestigious history of the seaport with the present the film sketches a portrait of the city, built on 42 hills, with its wealth and poverty, its daily life on the streets, the stairs, the rack railways and in the bars. Although the port has lost its importance, the rich past is still present in the impoverished city. The film echoes this ambiguous situation in its dialectical poetic style, interweaving the daily life reality (of 1963) with the history of the city and changing from black and white to colour, finally leaving us with hopeful perspective for the children who are playing on the stairs and hills of this beautiful town.

Hans: Het Leven voor de dood (Hans, Life Before Death) is a documentary feature film about the life of the young composer Hans van Sweeden (1939-1963) and those who knew him intimately. The film is about the harrowing life of the musician, poet and actor Hans van Sweeden (1939-1963), who ended his life at the age of 24. Simultaneously, the film offers a poignant portrait of his contemporaries in the turbulent fifties and sixties and the children of the Nazis. It won the Golden Calf for Best Feature Film in 1983. Award of the Dutch film critics, 1983; the Belgian film critics Award, 1984; Best Dutch Documentary 1980-1990. (Wikipedia)

In 1971, author and film scholar Donald Richie published a poetic travelogue about his explorations of the islands of Japan’s Inland Sea, recording his search for traces of a traditional way of life as well as his own journey of self-discovery. Twenty years later, filmmaker Lucille Carra undertook a parallel trip inspired by Richie’s by-then-classic book, capturing images of hushed beauty and meeting people who still carried on the fading customs that Richie had observed. Interspersed with surprising detours—a visit to a Frank Sinatra-loving monk, a leper colony, an ersatz temple of plywood and plaster—and woven together by Richie’s narration as well as a score by celebrated composer Toru Takemitsu, The Inland Sea is an eye-opening voyage and a profound meditation on what it means to be a foreigner.

A young family leaves their home on Kauai. It is time to return to the itinerant path from which all things in their uncommon lives come; beginning and ending on a remote dot in the Pacific. They nomadically trace continents to places where waves meet their edges, envoys of aloha. It is what they will learn, what they bring others, what they will pass on to their children in the hyper-expanded classroom, the lab of direct being; a legacy passed from a father to his family.