boire fumer ou conduire vite

New York, 1937. A teenager hired to star in Orson Welles' production of Julius Caesar becomes attracted to a career-driven production assistant.

New York, 1971. There’s a party on the stage of the Weismann Theatre. Tomorrow the iconic building will be demolished. Thirty years after their final performance, the Follies girls gather to have a few drinks, sing a few songs and lie about themselves.

Le ruban

Der Komödienstadel - Die drei Dorfheiligen

Der Komödienstadel - Die Tochter des Bombardon

Es muß ja nicht der erste sein

Zwiebeln und Butterplätzchen

A blonde who prefers homos, two homos who love each other, a homo who would like to be loved, and a straight guy who prefers the blonde ... who prefers homos! Through a modern marivaudage, the authors highlight the upheavals of sexual identity and couple relationships. Because in the end, there is no question here of being straight or being gay, but of loving and being loved! Misunderstandings, ambiguous reports, revelations and twists follow one another in this very current comedy of manners with a frantic pace!

Mother Wolffen, a washerwoman, is a woman of principle: A poor man must do what he must to get through life, only he mustn't get caught doing it. All sorts of crooked deals contribute to the improvement of the daily menu and the increase of household funds. When everyone is searching for pensioner Krueger's missing beaverskin coat, Mother Wolffen and her family are calmly enjoying fresh roast venison.

At sixty, Bernard Hubert has finally settled down and lives perfect love with Juliette, who is more than twenty years younger than him when they see landed, Thomas, an attractive thirty-something who claims, DNA test in support that he is Bernard's son. Problem: Bernard Hubert claims that he is sterile! Another problem: Juliette doesn't seem insensitive to the boy's charm. Would Bernard have opened the door to his son or his rival?

Isabella Eklöf is an unemployed actress in her early thirties. Her friends all enjoy stable relationships, children and successful careers. In order to jump-start her life she decides to lie a bit on her next job application with unexpected consequences.

Der Komödienstadel - Graf Schorschi

A bold anthology feature film made by an all-female creative team and cast. Based on the popular play of the same name the 80-minute movie follows 10 women scorned as they directly address their exes' new wives and lovers at an open mic night in Los Angeles. Created by a dynamic group of emerging filmmakers at a time when audiences are demanding films made both by and for women, the project taps into a social and political climate that's left women poised to take back their voices and be heard.

C'est pas du tout ce que tu crois

A mockumentary following the troubled production of Clockmen: The Musical, focusing on a cosplayer-turned-actress who reacts to the stress of the production in a rather unusual way.

Millowitsch Theater - Die vertagte Hochzeitsnacht

Pour avoir Adrienne

Représailles

Miam-miam ou le Dîner d'affaires

When Lambodar Bhatt is given the opportunity to have his soul transported into King Nand’s body, he thinks of it as a way to make things right and become rich. However, once Lambodar becomes the King, he finds himself turning into the same exploitative and frivolous king that Nand was.