Blåjackor

Witty, fun, intoxicating film of Johann Strauss II's popular operetta, based on a stage production from Vienna State Opera; this is a showcase for the entire cast, but most especially Eberhard Wächter as the insufferably boorish Gabriel Eisenstein, and Gundula Janowitz as his long-suffering wife. Open the champagne, have yourself some torte, and enjoy this delectable comedy from Vienna.

Lotfi Mansouri's spectacular last production as General Director of The San Francisco Opera with Yvonne Kenny making her debut in the title role, new dialogue specially commissioned from Pulitzer Prize-winning playwright, Wendy Wasserstein and an original ballet to set the scene ‘Chez Maxime’ bringing fresh insight into Lehár's classic operetta. This production also features another world premiere, Njegus's song, ‘Quite Parisian’.

This film is the first adaptation of an operetta written by Ukrainian composer Mykola Lysenko. It follows the trials and tribulations of Natalka and Peter (Petro). The sweethearts planned to get married; however, Natalka's father does not approve of the marriage because Petro was not affluent enough to keep Natalka in the manner he thought that she should be kept. Petro goes off to earn the required fortune.

Der Vetter aus Dingsda

Country girl Margit sits for the artist Sándor, from Budapest. She is fascinated and charmed by him, and agrees to accompany him to the capital, so he can complete the painting there. Disillusionment sets in, however, when Sándor wins a prize with the finished portrait and loses interest in her. Margit recognizes that her true happiness lies at home, with Pista, her faithful lover.

Viral Fringe sell-out parody, a music-packed celebration of forbidden love, unexpected drama, baseball, glitter, and teen angst.

French General Birabeau has been sent to Morocco to root out and destroy the Riffs, a band of Arab rebels, who threaten the safety of the French outpost in the Moroccan desert. Their dashing, daredevil leader is the mysterious "Red Shadow". Margot Bonvalet, a lovely, sassy French girl, is soon to be married at the fort to Birabeau's right-hand man, Captain Fontaine. Birabeau's son Pierre, in reality the Red Shadow, loves Margot, but pretends to be a milksop to preserve his secret identity. Margot tells Pierre that she secretly yearns to be swept into the arms of some bold, dashing sheik, perhaps even the Red Shadow himself. Pierre, as the Red Shadow, kidnaps Margot and declares his love for her.

Cargas D’Água” is an authorial and regional Brazilian musical written and directed by Vitor Rocha (author of Casusbelli) which, because it does not need great resources and has a short duration, is nicknamed “a pocket musical”. It's a story that begins right in the middle of Brazil: in the hinterland of Minas Gerais. A boy loses his revered mother and ends up forgetting his own name, because his stepfather, now the only member of the family, only calls him “kid”. But everything changes when he makes a friend, nothing ordinary, a fish, and starts to see his whole story with different eyes. Now he has a mission: to take his friend to see the sea.

A Hungarian countess, wanting to dissuade unwanted suitors, announces her engagement to a fictional count Zsupán. Things go awry when a count Zsupán shows up, having heard of his engagement in the papers.

Franklin Shepard is a talented Broadway composer who abandons his theater career and all his friends in New York in order to produce films in Los Angeles. The story begins at the height of his Hollywood fame and moves backwards in time, showing snapshots of the most important moments in Frank’s life that shaped the man he is today.

Ten lost souls slip in and out of one another's arms in a daisy-chained musical exploration of love's bittersweet embrace. A film adaptation of Michael John LaChiusa's celebrated musical, originally based on Arthur Schnitzler's play, La Ronde.

Modrá ruža

In the not-so-distant future, a terrible water shortage and 20-year drought has led to a government ban on private toilets and a proliferation of paid public toilets, owned and operated by a single megalomaniac company: the Urine Good Company. If the poor don’t obey the strict laws prohibiting free urination, they’ll be sent to the dreaded and mysterious “Urinetown.” After too long under the heel of the malevolent Caldwell B. Cladwell, the poor stage a revolt, led by a brave young hero, fighting tooth and nail for the freedom to pee “wherever you like, whenever you like, for as long as you like, and with whomever you like.”

As they are leaving the church following their wedding, Count Adrian Beltrami and Countess Anna-Marie are told that the Austrians are marching on the town to quell an Italian uprising. The bride and relatives induce the count to flee to his castle, but Tangy, a silhouette cutter, brings word from the revolutionary committee asking him to return; the count goes, asking Tangy to pose as the count and protect Anna-Marie.

Captain Stanton, who because of a misunderstanding over a woman with Major Davolo, has been cited for a court martial. As a scout, he is sent to escort a wagon train which is under military escort. It turns out that this escort is his own former regiment. When he meet Davolo, there is another fight and between Stanton and Davolo in which Davolo is killed.

Mam’zelle Nitouche

Opening with the first day of rehearsals of the London production of "Sweeney Todd", this ninety-minute documentary focuses on the rehearsal process with the musical's director, composer and actors.

When their high school drama department falls victim to budget cuts, two teachers from the Bronx find an unlikely solution to their money problems: yaniv, a little-known card game with a thriving underground gambling scene in the Hasidic Jewish community.

13-year-old Nate Foster has big Broadway dreams but there’s only one problem — he can’t even land a part in the school play. When his parents leave town, Nate and his best friend Libby sneak off to the Big Apple for a once-in-a-lifetime opportunity to prove everyone wrong. A chance encounter with Nate’s long-lost Aunt Heidi turns his journey upside-down, and together they must learn that life’s greatest adventures are only as big as your dreams.

New York, 1971. There’s a party on the stage of the Weismann Theatre. Tomorrow the iconic building will be demolished. Thirty years after their final performance, the Follies girls gather to have a few drinks, sing a few songs and lie about themselves.