Mohavalayam

While shooting a documentary on the suspicious disappearances within the homeless community, a filmmaker and his crew go missing while uncovering a terrifying and vicious secret below the city's surface.

The story of "Pallikkoodam" travels through the realities and imagination of a 12 year old boy named Althaf , hailing from a lower middle class family.

Newspaper Boy is a Malayalam–language Indian film released in 1955. It is the first neo realistic movie in the language. The film, a drama of stark realism, narrates the life of the common man on the street. The film is noteworthy in that the entire production programme from script-writing to direction was controlled and executed by students.

Soman is brought up by his elder brother Raju and his shrewish wife Janu. Soman is in love with Lakshmi, the daughter of a poor village performer Kaniyan who belongs to a lower caste. Raju, employed by the zamindar and Janu resent the inter-caste marriage between Soman and Lakshmi.

A young Polish filmmaker sets out to find out what happened to Mateusz Birkut, a bricklayer who became a propaganda hero in the 1950s but later fell out of favor and disappeared.

Romanov

An immensely rich farmer lives peacefully with his family in Pala and has no idea about the hectic metro life. He gets introduced to it when he hides a love-stricken couple in his house.

Purushan, a student on his way to Delhi, becomes obsessed with the tragic suicide of a young drummer. He collects many people to go with him to tell the boy’s mother.

Karutthamma, the daughter of a Hindu fisherman, falls in love with a Muslim fish trader. However, social prejudices seem to ruin their love life and invite the wrath of their communities.

An emotionally childish man who never outgrows his childish fascination for flying, dreams of making his own aircraft which is considered foolish by his family and friends.

The student politics in a government college has for long revolved around the students' organisation KSQ. Subhash and Paul attempts to change the political scenario by launching a new movement called SFY based on their ideologies.

It is a hundred years since Charlie Chaplin,artist nonpareil,appeared on the silver screen mesmerizing audiences across the globe.His signature mustache and derby hat have left their indelible imprint on the annals of film history.Buddha and Chaplin smile is a film that pays homage to Chaplin at the centennial commemoration of his acting career.The film portrays an Indian comedian Indraguptan,who idolized Chaplin.He believes his life resembles Chaplin and nurtures the desire to depict his hero on the big screen.However,he rules out a blind imitation of the late legend.The narrative revolves around his comic wisdom and quest for true love.The dilemma that ensues is the crux of the story.

Salaam Kashmir revolves around two men - Tomy Eeppan Devassy and Sreekumar. Jayaram plays Sreekumar, a character who does all the domestic work expected from a wife in normal course. Into this peaceful world enters Tomy (Suresh Gopi) disrupting the domestic bliss and bringing out an unexpected twist.

Abraham, the planter comes from Jaffna to his ancestral home in central Kerala unaware of the unpleasant things waiting for him. On the night of his arrival, he dies under mysterious circumstances and the cloud of suspicion falls on everyone.

George Vadakkan is the quintessential prodigal son of a priest, who wished he followed the father’s path. His friends and George generally hang out at Mathayi Parambu, a public playground cum hangout space of the area. How the park plays a part in setting his life straight is the core of the pooram.

While attending a retrospect of his work, a filmmaker recalls his life and his loves: the inspirations for his films.

A retired forest officer's sons Abhijith, Abhilash aka Appu along with their mother Padma live happily. One day, they find that their family friend poet Sidharthan has bequeathed his properties to Abhijith aka Allu, the younger boy in the family, in his osyath (will). Suspicion raises in the mind of Appu, who thinks that Allu is the son of the late poet. His doubts create problems in the family and he has to leave the house for certain reasons.

A married woman, who has set aside her dreams for the sake of her husband and daughter, rediscovers her true self and becomes an achiever.

The story of the film goes through the time of H. Mehboob, who tell us the story of the slavers and Jews, who worked for the Dutch and Britishers who ruled over India. It tells us the songs of Cochin that go beyond caste, creed and nation.

Three young people—Haris, a gay painter; Vishnu, a rural kabaddi player and their friend Sia, an activist who refuses to conform to dominant norms of femininity—struggle to find space and happiness in a conservative Indian city.