Kaaliyan

With the arrival of electricity in the region under the British rule, the Odiyan clan that possesses the supernatural powers to assume animal form find it difficult to survive as they are ruthlessly captured and killed by the British. How the last Odiyan tries to save his clan with his stealth attacks, forms the crux.

Swapaanam (Malayalam: സ്വപാനം) (English translation: The Voiding Soul) is a Malayalam film directed by Shaji N. Karun and produced by M. Rajan for Horizon Entertainments. The film features Jayaram and Kadambari in the lead roles,[1] alongside Siddique, Vineeth, Lakshmi Gopalaswamy in supporting roles. The cinematography was held by Saji Nair and music was composed by Sreevalsan J Menon, while the script was written by Harikrishnan and Sajeev Pazhoor, based on Shaji’s own story.[2] The film was screened in the Dubai International Film Festival.[3] The film released with Auro 3D sound in selected theatres, becoming the third Indian film to employ the technology after Vishwaroopam(Tamil) and 1- Nenokkadine (Telugu).[4]

An immensely rich farmer lives peacefully with his family in Pala and has no idea about the hectic metro life. He gets introduced to it when he hides a love-stricken couple in his house.

Gopan is living with his 6 year old son Ashok. His neighbor Celin falls in love with him. But he reveals that Ashok's mom is alive and he narrates his story.

Weeping Boy is a Family-Romantic movie, In which Sreenivasan plays the lead. who potrays the role of a veterinary doctor, who is very much emotional for silly reasons. The theme of Weeping Boy is centered upon a person who keeps special characteristics.The movie focus on the in and out life of Sahadevan which is being picturised in a hilarious way which can tickle your funny bones.

Purushan, a student on his way to Delhi, becomes obsessed with the tragic suicide of a young drummer. He collects many people to go with him to tell the boy’s mother.

An anthology of three stories which portray various shades and motives of violence through different characters that are dissimilar in nature.

Born to rich parents, Majeed falls in love with his not-so-affluent neighbor Suhra. After her father's death, when Suhra struggles to make both ends meet, Majeed pleads with his father to sponsor her education. Refused, he wanders off to distant lands.

Govardhan, a doctor by profession, is wrongly accused of bombing a train and is jailed by the British in Cellular Jail, also known as Kala Pani in Andaman and Nicobar Islands. He witnesses sufferings of hundreds of Indian prisoners there.

A stranger who may be the trickster magician Kummatty comes to a village in Malabar, India.

Dum is the story of a goon named Xavier and his henchman Antony and the struggle they face to achieve their goals.

Sunny, a priest, comes to know that Vavachan is running an old age home with vile intentions. He wants the corpses of the inmates for the medical college run by his son. Sunny decides to expose this.

Nadan is the story of a popular drama troupe owned by Devadas Sargavedi (Jayaram), which was previously possessed by his father and grandfather in the past, and speaks about the problems faced by the owner and his survival. The revival of this mighty art through the sustained effort of the talented theatre artists forms the crux of the narrative.

The film interprets a story from the Uttara Kanda of the epic poem Ramayana, where Rama sends his wife, Sita, to the jungle to satisfy his subjects. Sita is never actually seen in the film, but her virtual presence is compellingly evoked in the moods of the forest and the elements. The film retells the epic from a womens' liberationist perspective, and is about the tragedy of power and the sacrifices that adherence to dharma demands, including abandoning a chaste wife.

Manu travels from Dubai to Kochi to attain his goal, without which he will be in trouble. Public prosecutor Mathew Tharakan and taxi driver Muhammed have their own intentions to be pursued as well. Vasudeva Sanal's God's Own Country narrates the story of what happens to the three as they try to reach their destination.

Salaam Kashmir revolves around two men - Tomy Eeppan Devassy and Sreekumar. Jayaram plays Sreekumar, a character who does all the domestic work expected from a wife in normal course. Into this peaceful world enters Tomy (Suresh Gopi) disrupting the domestic bliss and bringing out an unexpected twist.

Three young people—Haris, a gay painter; Vishnu, a rural kabaddi player and their friend Sia, an activist who refuses to conform to dominant norms of femininity—struggle to find space and happiness in a conservative Indian city.

A married woman, who has set aside her dreams for the sake of her husband and daughter, rediscovers her true self and becomes an achiever.

The sudden implementation of demonetisation rattles the country, and a few black money hoarders in Kerala are trying their best to save their void currencies by hook or crook. Kasaragod-based financier Nithyananda Shenoy also gets embroiled in it, and drawn into the scene are also a few underprivileged folk in Kochi. Dramatic situations surrounding the hotchpotch ensue, as each one tries to set their lives straight.

An extremely passionate kathakali artiste falls in love with a mohiniyattam artiste and their blossoming affair gives rise to a new and unique form of art.