Documentary about Manuel Méndez, better known as Manolo Kabezabolo, a punk artist who in a somewhat implausible way has crossed time, space and fashions, without giving up his essences and principles.
Set against the East Bay punk music scene in the mid 1990s, a story of grit and dreams in a world of violence and desperation.
A "life without work" - this is the idea propagated by the "Anarchist Pogo Party of Germany" (APPD). In order to spread its unique political concept and to make the background to its activities appear transparent and credible to the voting public, the APPD commissioned a renowned film production company to create a loose mixture of subliminal propaganda and sympathetic trivialization. The film was also to focus on the glorification of the APPD politicians appearing in the election campaign in order to create the basis for a profitable cult of personality. A film that makes it crystal clear, compelling and, of course, intentional that the mob is on its way to power.
Recorded May 1985 captures the U.K. Subs in an uncompromising performance at the Camden Palace Theatre, London.
A group of punks is observed and interviewed on a square in Hamburg-Ottensen. In close-ups, characteristic details of the outward appearance of punks and their provocative behavior are presented. The reactions of passengers and the owners of surrounding stores are recorded; some act emphatically tolerant and understanding, others reject them...
A small town in Salento, some Soviet rock bands, CCCP and an 8-day trip between Moscow and Leningrad. The incredible story of a tour between two worlds that would never be the same again.
Dean Johnson, drag queen, rock star, LGBTQI activist, junkie, genius, escort then John Doe. How does someone so famous in New York die as an unknown in DC? This documentary explores the incredible highs and the crushing lows of Dean Johnson’s life and untimely death. Was it murder? Was it an accident? We may never know, but what is certain is that Dean and “the Big Johnson” changed New York City and all who knew him forever.
Two former geeks become 1980s punks, then party and go to concerts while deciding what to do with their lives.
A class project by transgender multimedia artist/dog Natalie Pit. Features the band Cherry Pit performing the second half of their song "I AM NOT A PERSON", set against unlicensed footage from other trans filmmakers, including the likes of Lex Walton, Louise Weard, Cate Wurtz, Jane Schoenbrun and Lily Alexandre.
Second half of the 1970s. A few teenagers from the town of Ustrzyki Dolne, led by a charismatic and undisciplined student of the local school, Siczka, decided to become punks and get into punk rock and start a band called KSU.
A documentary about political activism, rebellion, squatting, and the do-it-yourself attitude among young people on the eve of the 70s. This is the story of how Blitzhuset came to be. We interviewed those active during the uprising; the young people who were at the forefront, the politicians and the police who were supposed to keep the city clean of the excrements. This is an exciting documentary about an era that has been mystified and lived in the shadows for far too long.
In the working-class suburbs of Melbourne, three friends are in the process of putting together the ultimate rock band; INN OF THE DAMNED. The only thing is they are missing is the perfect drummer. Over the course of one night, at their local pub, they meet a series of drummers but none of them live up to their lofty expectations.
Los demenciales chicos acelerados. Pt 2: Barcelona y alrededores
A documentary on Queercore, the cultural and social movement that began as an offshoot of punk and was distinguished by its discontent with society's disapproval of the gay, bisexual, lesbian and transgender communities.
In their early years, SNFU built an audience across North America through energetic live performances and a dynamic punk sound. Their 1985 debut album ...And No One Else Wanted to Play has remained influential in underground circuits. They grew in popularity following two further studio albums, but disbanded in 1989 due to internal tensions. SNFU reformed two years later, however, in a second incarnation which found greater success. They signed with the prominent indie label Epitaph Records, achieved six-digit record sales and toured in support of larger groups. They became independent in 1997 after the expiration of their contract with Epitaph. They again disbanded in 2005, only to reform two years later.
Käseburg
A punk scarecrow, endowed by life, annihilates its roots and revitalizes its territory.
As one of Belgrade’s last DIY anti-nationalist spaces faces closure, its community gathers for a final night — a farewell that becomes a quiet act of resistance.
Documentary covering the wildest moments of GG Allin and The Murder Junkies.
A documentary about Who's Emma, a collective of punks and anarchists that existed in Toronto's Kensington Market from 1996 to 2000.