MAKING THE ROAD TOUR '99 FINAL

The film dives into 1970's Britain; the birth of punk and the formation of Crass, with an in-depth look at their art, music and ethos.

Filmed for television at the legendary SO36 Club in Berlin, 1983.

A documentary showcasing a series of tributes to deceased D-beat legend, Kawakami.

A docu-concert on Mão Morta, tracing the band’s enduring commitment to resistance and political expression. Set around a live concert filmed one year after the release of Viva La Muerte, the film reflects on art as confrontation in a time marked by the resurgence of far-right ideologies.

Crash 'n' Burn is an experimental film shot in and named after Toronto, Ontario's first punk rock club. (Not to be confused with Peter Vronsky's similarly titled 1977 documentary on the Toronto punk scene made for the CBC television network.) The film, shot on 16mm black-and-white stock, features performances by Dead Boys, Teenage Head, The Boyfriends, and The Diodes".

An electric transition. The void left by a vice disguised as false promise to escape, is reclaimed by a new frequency, louder, colder, more transcending: C.R.Y.S.T.A.L. (Cognitive Rupture Yielding Synthetic Trance and Luminality). Through a synesthesia of stroboscopic light and sound pulses that pierce the viewer's consciousness, this short film is a sensorial trance that documents the disintegration of an individual. There's no narrative, only the vibration of a substance that reprograms the body until light is the only thing left within them. A feedback loop where the flash is, at the same time, consumption and the end of being.

A punk scarecrow, endowed by life, annihilates its roots and revitalizes its territory.

In their early years, SNFU built an audience across North America through energetic live performances and a dynamic punk sound. Their 1985 debut album ...And No One Else Wanted to Play has remained influential in underground circuits. They grew in popularity following two further studio albums, but disbanded in 1989 due to internal tensions. SNFU reformed two years later, however, in a second incarnation which found greater success. They signed with the prominent indie label Epitaph Records, achieved six-digit record sales and toured in support of larger groups. They became independent in 1997 after the expiration of their contract with Epitaph. They again disbanded in 2005, only to reform two years later.

A victim of his own anger, the Kid is a Minneapolis musician on the rise with his band, the Revolution, escaping a tumultuous home life through music. While trying to avoid making the same mistakes as his truculent father, the Kid navigates the club scene and a rocky relationship with a captivating singer, Apollonia. But another musician, Morris, looks to steal the Kid's spotlight -- and his girl.

Documentary covering the wildest moments of GG Allin and The Murder Junkies.

Não é Permitido: um recorte da censura ao Punk Rock no Brasil

An independent documentary exploring the early life, artistic vision, and cultural impact of rapper Lil Peep, focusing on his formative years and emotional world.

BRIT-winning and Grammy-nominated band Bring Me The Horizon's biggest headline show to date. Shot at São Paulo’s Allianz Parque Stadium, performed in front of a sold-out crowd of 50,000, the film expands the visual universe of POST HUMAN by blending cinematic visuals, fan-submitted videos and showcasing characters such as E.V.E, Selene & M8. It delivers an immersive experience that rivals that electric night in Brazil. The performance spans the full evolution of BMTH’s discography, from Sempiternal and That’s the Spirit to amo and the POST HUMAN albums. L.I.V.E. in São Paulo brings the viewer in, and never lets them go.

Yusef, a first-generation Pakistani engineering student, moves off-campus with a group of Muslim punks in Buffalo, New York. His new "un-orthodox" housemates soon introduce him to Taqwacore: a hardcore, Muslim punk-rock scene that only exists out west. As the seasons change, Taqwacore influences the house more and more. The living room becomes a mosque during the day, while it continues to host punk parties at night. Ultimately, Yusef is influenced by Taqwacore too, as he begins to challenge his own faith and ideologies. 'The Taqwacores' deals with the complexities of being young and Muslim in modern-day America.

January 13th, 2024; Suffolk County's punk, grunge, and emo scenes are showcased through the more than a hundred attendees at Caveversary; an annual celebration of the independent basement venue, The Cave.

As one of Belgrade’s last DIY anti-nationalist spaces faces closure, its community gathers for a final night — a farewell that becomes a quiet act of resistance.

A documentary on Queercore, the cultural and social movement that began as an offshoot of punk and was distinguished by its discontent with society's disapproval of the gay, bisexual, lesbian and transgender communities.

Pop sensations the Lovin' Spoonful perform their biggest hits in this collection of television appearances from the 1960s and '70s. Lead singer and songwriter John Sebastian discusses the band, their music and their legacy. Songs include "Summer in the City," "She's Still a Mystery," "Nashville Cats," the hit theme to the sitcom "Welcome Back, Kotter," "Did You Ever Have to Make Up Your Mind?" and "Do You Believe in Magic?"

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