You Can't Live Like That

In 1944 Crimean Tatars has suffered a long road in exile. It was accompanied by famine, illness and loss. In the first years of exile, almost half of deported Crimean Tatars died. But those, who survived, dreamed of only one thing - to return to Crimea. The documentary 1944 tells about the tragedy of all Crimean Tatars through several separate life stories. They are cherished by each Crimean Tatar family and must be remembered by all generations to come.

Mothers and doctors speak out about the grim reality of life in the five years following the Chernobyl disaster. In children, doctors witnessed a massive increase of recurrent infections, baldness, as well as leukaemia and other cancers.

This documentary follows the election campaigns of a journalist, a local crime boss, a formerly exiled oligarch, and a local access TV host as they compete for a spot in the Moscow Central Constituency, in Russia's first free elections since 1917

Charlie Marx and the Chocolate Factory started as an investigation of the link between politics and chocolate, at the Karl Marx Confectionary Factory in Kiev, Ukraine. Since access to the factory was denied, the project had to be re-considered, re-invented or re-enacted. Mostly made of archival footage and re-enacted performances based on the company's website, the film merges what was left of the initial idea with what has been collected and realized instead. It borrows from the genres of video art, 'Man on the street' interview, direct address, corporate film, essay, and music video, without legitimately belonging to any of them. The film unravels as a reflection on its own failure, and yet keeps on investigating what has always been at stake: the shift from public to private property (and from analog to digital technology), dialectics of permanence and change, language as a mirror of ideology, and post-Soviet oligarchy culture.

This is a rare look at one of the worst horror stories in the long infamous history of warfare. This series features captured German and Russian film footage, much of which has never been seen before. For decades the Cold War prevented us from looking closely at what really happened between the Russians and the Germans on the Eastern Front during World War II. More than a struggle between nations, it pitted maniacal tyrant against maniacal tyrant, evil ideology against evil ideology. The lives of tens of millions of human beings were consumed by its raging hatreds and appalling indignities. One in every ten Russians died. One in every four Poles died. Whole divisions of Italians, Romanians, Hungarians disappeared with barely a trace. An average of 17,800 people died on every single day and this, the war on the Russian German Front, lasted for 1,400 days. This series features captured German and Russian film footage, much of which has never been seen before.

An account of the life and work of Russian filmmaker Andrey Tarkovsky (1932-86) in his own words: his memories, his vision of art and his reflections on the fate of the artist and the meaning of human existence; through extremely rare audio recordings that allow a complete understanding of his inner life and the mysterious world existing behind his complex cinematic imagery.

2019 marks the 30th year since the fall of the Berlin Wall and the end of the Cold War. Rich Hall examines the relationship between the West and the USSR in his inimitable fashion.

In the 1930’s, the workers of the underground, headed by brigades of writers, are in charge to write in real time "the history of the Moscow Metro". Based on their narratives, partially unpublished, the film recounts the first lines construction of the most beautifiul underground in the world, in the light of this "big literary Utopia", stoped by the purges of 1937-38.

President Mikhail Gorbachev recounts the end of the Cold War and the reduction of nuclear arms.

Documentary movie about testing of the largest nuclear weapon in history, the Tsar Bomba. Declassified and made available to the public in 2020.

Wes Hurley's autobiographical tale of growing up gay in Soviet Union Russia, only to escape with his mother, a mail order bride, to Seattle to face a whole new oppression in his new Christian fundamentalist American dad.

“There’s a bus stop I want to photograph.” This may sound like a parody of an esoteric festival film, but Canadian Christopher Herwig’s photography project is entirely in earnest, and likely you will be won over by his passion for this unusual subject within the first five minutes. Soviet architecture of the 1960s and 70s was by and large utilitarian, regimented, and mass-produced. Yet the bus stops Herwig discovers on his journeys criss-crossing the vast former Soviet Bloc are something else entirely: whimsical, eccentric, flamboyantly artistic, audacious, colourful. They speak of individualism and locality, concepts anathema to the Communist doctrine. Herwig wants to know how this came to pass and tracks down some of the original unsung designers, but above all he wants to capture these exceptional roadside way stations on film before they disappear.

Documentary examining Stalin's Gulag. Between the October Revolution and Stalin's death in 1953, millions of people died in the camps. The film explores the Gulag legacy, hearing from victims and perpetrators of the system.

A story to honor actor-singer-activist Paul Robeson and his contributions to today's social climate and inspire new generations to engage in the ongoing fight for justice and equality.

The Moscow Case is a 52 minute documentary with never-before-seen footage of Michael Jackson in Moscow during the "Dangerous" tour. This film tells the behind the scenes story of Jackson's ill fated concert in September 1993. It includes unique archival footage showing Michael close up and personal while meeting fans and playing with orphan children.

How in 1959, during the heat of the Cold War, the government of the United States decided to create a secret military base located in the far north of Greenland: Camp Century, almost a real town with roads and houses, a nuclear plant to provide power and silos to house missiles aimed at the Soviet Union.

With the good of the people in mind, Valery Legasov, a Soviet scientist called to the scene of the Chernobyl nuclear disaster, stands up to censorship behind the Iron Curtain.

Filmmaker Binevsa Bêrîvan travels to Armenia to capture the daily life, customs, and history of the country's Yazidi Kurdish community.

Thirty years after the Chernobyl disaster, which occurred on the night of April 26, 1986, its causes and consequences are examined. In addition, a report on efforts to strengthen the structures covering the core of the nuclear plant in order to better protect the population and the environment is offered.

A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.