I'll Be Home for Christmas

Catchy mix of farce and documentary. Portrait of a Berlin theatre company made up entirely of the homeless, alcoholics and junks. They call themselves ‘rats’ and take the film over to have a party.

Jörg is one of the many homeless living near the Vatican. But there is something unusual about him: he appears and talks like a sort of holy man, prophesying, among other things, his next reincarnation as Jesus Christ. This transformation will enable him to drastically change the way things are on this Earth. However, beneath the delusions of omnipotence of a man fighting for glory and universal justice, we find a lonely and pained individual, frightened by the great mystery that awaits all of us.

The film is a controversy on democracy. Is our society really democratic? Can everyone be part of it? Or is the act of being part in democracy dependent to the access on technology, progression or any resources of information, as philosophers like Paul Virilio or Jean Baudrillard already claimed?

Just as the original hobos of the early 20th century were scorned the mainstream of society, so too are today's train riders. FREELOAD is a dive into a beggar's existence. It is a ride through America's backyard. It is a musical endeavor that feels like a drama. It is a sociological examination of the ignored.

A homeless couple looks for a way to get ahead, working and making an effort, while trying to overcome their past.

Tomasz Biernacki’s thought-provoking documentary about the homeless crisis in Seattle. Deftly interweaving in-depth stories of community members who are living the crisis on the streets with interviews of political leaders and community advocates, vivid images of the current state of affairs and a poignant examination of the roots of homelessness in the region, Biernacki paints a picture of a city struggling to come to grips with an unprecedented emergency, and finds a few glimmers of hope.

It's a sensitive, moving doc chronicling the life of Tétrault's brother Philip , a Montreal poet, musician and diagnosed paranoid schizophrenic. A promising athlete as a child, Philip began experiencing mood swings in his early 20s. His extended family, including his daughter, share their conflicted feelings love, guilt, shame, anger with the camera. They want to make sure he's safe, but how much can they take?

Vancouver's Downtown East side is home to thousands of drug addicts, prostitutes, and the mentally ill. Amateur cameraman K.R.T. spent one summer on these mean streets getting to know longtime homeless drug addicts Ken and Lisa. This seemingly random footage was given to first time writer/director Josh Laner who found a story of people trying to connect in an area where no one seems connected to much of anything. An intimate and surreal look at life on the streets in Canada's most impoverished postal code. This is Josh Laner's first film.

In the picture-postcard community of North Vancouver, filmmaker Murray Siple follows men who have turned bottle-picking, their primary source of income, into the extreme sport of shopping cart racing. Enduring hardships from everyday life on the streets of Vancouver, this sub-culture depicts street life as much more than stereotypes portrayed in mainstream media. The films takes a deep look into the lives of the men who race carts, the adversity they face, and the appeal of cart racing despite the risk.

It is winter at an emergency shelter for the homeless in Lausanne. Every night at the door of this little-known basement facility the same entry ritual takes place, resulting in confrontations which can sometimes turn violent. Those on duty at the shelter have the difficult task of “triaging the poor”: the women and children first, then the men. Although the total capacity at the shelter is 100, only 50 “chosen ones” will be admitted inside and granted a warm meal and a bed. The others know it will be a long night.

COMEDY CONFESSIONS takes you on a journey into the lives of three struggling comedians who have decided to pursue their dreams of careers in stand-up comedy despite the harsh realities of being homeless. For these comedians, their cars are lifesavers providing safety and shelter at night and transportation to auditions and performances during the day. Their daily struggle to avoid sleeping on the street is startlingly juxtaposed with the extravagant wealth of the opulent mansions they park in front of at night. One of them, Tiffany Haddish will achieve her dreams to become a true Hollywood movie star, the other two, Doc Jones and Steve Lolli find the lure of the spotlight takes an unforgiving toll on their hopes and ambitions. This honest and touching movie is told in their own words revealing the passions, dedication and pains that drive them.

22-year-old Kei refuses to conform to the Japanese achievement-oriented society. He is homeless by choice, living on the streets and under the bridges of Kyoto. His love for nature and music keeps him afloat in his dream world. However, when he runs out of money, he is forced to face reality.

A hotel in the centre of town is a war-time home and refuge for many of Sarajevo's homeless people. Every morning they leave the hotel and wander around the destroyed city gathering again at the defunct hotel in the afternoon. This film follows their separate fates through the bitter comparing of images of the bums with those of dogs abandoned by their owners and now left et the mercy of the war ravaged streets of Sarajevo.

The fascinating portrait of Ion Bârlàdeanu. The touching and inspiring story of a man who literally lived in the gutter for 20 years - and in the meantime managed to create paintings and collages which are now exhibited alongside works by Andy Warhol or Marcel Duchamp.

The film explores the turbulent lives of homeless persons in Cologne, Germany. Through their personal belongings the homeless share with the viewer their memories and emotions, and provide insight into the secrets of survival on the street.

Documenting the 7th season of one man's extraordinary isolation in the wilderness, The Big Lonely captures the essence of loneliness, survival, and resilience of the human spirit in a uniquely filmed manner. Director David Manougian unveils the captivating, intimate and redemptive story of Michael Nelms and his dog Tic, who, after becoming homeless, chose a life in a remote wilderness hideout over "living under a bridge."

In the 1980s and 1990s, an epidemic of crack cocaine addiction ravaged African American communities across the United States. Crack is extremely addictive, a trap that can lead to homelessness and an early death. Black addicts in Atlanta, Georgia tell us about their addiction, their past, and their struggles with police.

Waifs, homeless, derelicts, almsmen, others, forgettens, outcasts, unwanteds. The Hotel of Waifs; a temporary resting place far from home, an amusement in a pale fun fair, an enthusiastic trip on roundabout ways of soul.

In their vehicle, Laurie, Kristy and Linda live alone on the American roads. Like thousands of modern American nomads who can no longer afford to pay for their housing. With no money to spare, these three sixty-year old women are fleeing, in their own way, a part of their history that has left a deep mark on them. Driving away, they try to regain some form of peace. But as the miles and seasons pass, despite their impressive temerity and resilience, their quest for a better future is challenged by unexpected events that hit a country in crisis. Will they nevertheless manage, at the end of the road, to find the serenity they are looking for, in order to become someone again?

Street Life documents the lives of Chinese migrants in Shanghai, one of the world’s largest and most vibrant cities, now symbolic of China’s economic might. The film centers on Nanjing Road, one of China’s oldest commercial streets and today a popular destination for tourists and moneyed Chinese. The street has also become a Mecca for uprooted and homeless Chinese, who make ends by collecting garbage and recyclables. These characters and their stories are the focus of the film. The central character in Street Life is a migrant known as “Black Skin.” Black Skin faces numerous pressures in the course of the film, including police violence. In the end, these pressures are too much for him to bear and he goes mad. Black Skin’s story intersects with those of fellow bottle collectors, enterprising thieves and even a young boy who has been abandoned.