The Unemployed

A documentary about the closure of General Motors' plant at Flint, Michigan, which resulted in the loss of 30,000 jobs. Details the attempts of filmmaker Michael Moore to get an interview with GM CEO Roger Smith.

In 1984, eleven miners entrenched themselves underground to protest for better working conditions in the mining village of Almaden in southern Spain. The strike, deep within the toxic mercury mine, lasted for eleven long days, during which the whole village showed its solidarity with the men protesting underground. The mine was the heart of Almaden, around which everything revolved – until it longer existed. The mercury mine was closed for good at the beginning of the 21st century. As a consequence, the area has experienced mass unemployment and slow decline.

De Charles de Gaulle à Emmanuel Macron, les gardiens de l'empire

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Following director Rotimi Rainwater, a former homeless youth, as he travels the country to shine a light on the epidemic of youth homelessness in America.

Catchy mix of farce and documentary. Portrait of a Berlin theatre company made up entirely of the homeless, alcoholics and junks. They call themselves ‘rats’ and take the film over to have a party.

A documentary view of an encampment of homeless people on the outskirts of Nashville, Tennessee in the Southern United States.

On June 13, 1978, the punk bands the Cramps and the Mutants played a free show for psychiatric patients at the Napa State Hospital in California. We Were There to Be There chronicles the people, politics, and cultural currents that led to the show and its live recording.

Homelessness in the United States takes many forms. For Elizabeth Herrera, David Lima and their four children, housing instability has meant moving between unsafe apartments, motels, relatives’ couches, shelters, the streets and their car. After 15 years of this uncertainty, the family moved into their first stable housing — an apartment in the San Francisco Bay Area — in the midst of the coronavirus pandemic.

Waiting for Barcelona revolves around the struggles of undocumented immigrants collecting scrap metal and selling illegal replicas in Barcelona. The film centers on the idea of how the dream of the city is very similar to everyone, but in practice differs depending on your wealth and citizenship. Without the right documents for working our protagonists face serious difficulties and even end up on the verge of insanity.

This documentary about teenagers living on the streets in Seattle began as a magazine article. The film follows nine teenagers who discuss how they live by panhandling, prostitution, and petty theft.

Mom and Me is a personal and intimate documentary about a young filmmaker coming of age in extraordinary circumstances. It follows the complicated relationship between director Lena Macdonald and her mother, who was once a filmmaker herself, but ended up homeless, crack-addicted and on the streets. For ten years Lena filmed in the cold, hard streets of Toronto’s inner city and her story is raw, honest and unforgettable. Mom and Me is about addiction, prostitution and despair but it is also a story about family, the power of hope and the tenacity of love.

I'll be Home for Christmas cuts through social taboos to explore the subculture of people commonly dismissed as ‘derelicts'. In its portrayal of five homeless men, the film challenges conventional views of alcoholism and homelessness by depicting these men as members of a social network with a highly developed sense of mutual concern and camaraderie.

How might your life be better with less? The popular simple-living duo The Minimalists examines the many flavors of minimalism by taking the audience inside the lives of minimalists from various walks of life.

Stonewall veterans (including prominent trans activist Sylvia Rivera) and HIV-positive New Yorkers take up residency on the Hudson River piers as cranes raze vacant buildings for a new skyline.

How do seven young people, former street children from Romania, get to see the Pacific Ocean? On 1 December 2008, a Romanian national team participates for the first time in the Homeless World Cup in Melbourne, Australia. The film follows the team from the formation of the squad to the end of the championship. The young people are from Timisoara and Arad, runaway children who now live in abandoned houses or who have managed to get a job and live in rented accommodation after going through orphanages or prisons. After taking a beating from many teams, the young Romanians manage to beat the USA. They are happy. They are all thinking of never going "home" again. It's warm and nice here, the people are nice. "In case I stay, I kissed you all!" says one of them cautiously. But after taking pictures of themselves on the beach with the ocean behind them and beautiful girls by their side, the seven return to Romania and get on with their lives.

With the energy of the dying, those in power apply themselves to reasserting the value of work – with force, if need be. But more and more workers have understood that, to truly value their work, they have to do without it. They also have to get rid of the society of consumption that goes along with it. It may not be easy, but it is certainly amusing. We present a panorama of a mass desertion destined to spread.

A cinematic portrait of the homeless population who live permanently in the underground tunnels of New York City.

The film is a controversy on democracy. Is our society really democratic? Can everyone be part of it? Or is the act of being part in democracy dependent to the access on technology, progression or any resources of information, as philosophers like Paul Virilio or Jean Baudrillard already claimed?

Tell Them We Were Here is an inspirational feature-length documentary about eight artists who show us why art is vital to a healthy society and reminds us that we are stronger together.