The film shows the daily life of indigenous village Piyulaga, home of Waurá tribe --an ethnicity of 560 people who live at Xingu Park in Mato Grosso, Brazil. It also reveals how the indigenous community keeps its traditional culture while incorporating habits and technologies from the “white”.
The slogan "Great Türkiye" began to be heard for the first time in the mid-60s. The Turkish economy had become unstable and stagnant at the hands of military interventions and the provisional government. After 1965, the system began to settle. The economy's also recovered. With the 2nd Development Plan, the wheels of a liberal economy were turned. On the 1 hand, private sector incentives, big projects such as Keban Dam and Bosphorus Bridge. Electricity was going to the villages, Turkey was getting its share from the growth in the world, the country was "doubling up" in the words of the prime minister. Inflation was five percent. Demirel, who rushed from one groundbreaking ceremony to the next, had nothing to say. Of course, this vitality was also reflected in social life. Unions, associations, universities were fidgety. The world and Türkiye were going to 1968 at full speed. The year that gave its name to a generation in the history of the world and Turkey; 1968 had come...
A documentary on Al Gore's campaign to make the issue of global warming a recognized problem worldwide.
Following a national crisis, the citizens of Iceland rallied together to collectively write the first ever crowdsourced constitution. A deeply touching account of an eclectic group of individuals reinventing democracy through the rewriting of the nation's constitution, proving that Iceland is not a broken country but instead an intricate web of concerns, ideas, and ultimately creative solutions.
Anita Chitaya has a gift: she can help bring abundant food from dead soil, she can make men fight for gender equality, and maybe she can end child hunger in her village. Now, to save her home in Malawi from extreme weather, she faces her greatest challenge: persuading Americans that climate change is real. Traveling from Malawi to California to the White House, she meets climate sceptics and despairing farmers. Her journey takes her across all the divisions that shape the USA: from the rural-urban divide, to schisms of race, class and gender, and to the American exceptionalism that remains a part of the culture. It will take all her skill and experience to help Americans recognise, and free themselves from, a logic that is already destroying the Earth.
A documentary about a proposed military training area in Rothenthurm, Central Switzerland, and the village's resistance to those plans.
A film that captures the portraits and stories of extraordinary women around the world who are coming together to heal the injustices against the earth, weaves together poetry, music, art, and stunning scenery to create a hopeful and collective story that inspires us to work for the earth. The list of impassioned, indefatigable female environmental activists featured in this film includes Winona LaDuke, a Native American who has championed the use of solar and wind power on reservations; Theo Colborn, head of The Endocrine Disruption Exchange, who fights against toxic chemicals in our water supplies; Beverly Grant, who’s created a vibrant farmer’s market in a black neighborhood of Denver, Colo.; Dana Miller, who spearheads an “urban agriculture movement” in the same city; and Vandana Shiva, who champions organic farming in India.
Devour the Earth, a 20 minute film about the global consequences of meat consumption.
The vessel is Infinity, a 120-foot hand-built sailboat, crewed by a band of miscreants. The journey, an 8,000 mile Pacific crossing from New Zealand to Patagonia, with a stop in Antarctica. Unlike all the other boats heading to the Southern Ocean, Infinity is no ice-reinforced super-yacht crewed by professional sailors; rather, Infinity lives in the moment and sails on a whim. What can be found in abundance on board is blood, sweat, enthusiasm, risk tolerance, disdain for authority, and an ample supply of alcohol – all in all a mad voyage of reckless adventure just for the sheer joy of it. Along the way the crew will battle a hurricane of ice in the Ross Sea, assist the radical environmental group Sea Shepherd in their fight with illegal whalers, and tear every sail they have. At the heart of their journey is a quest for awe and a sense of wonder with the raw power of the natural world.
Les Libeterres
When March of 1971 knocked on the door, a military intervention was imminent in the country. Bombs were exploding in a strange way from right to left, and the urban guerrilla was resorting to unconventional acts such as bank robbery and kidnapping. The generals had decided to put a stop to this trend. Dynamite was placed under Prime Minister Demirel. The question now was who would ignite the fuse of the dynamite. President Sunay was waiting to watch the approaching explosion silently from Çankaya. Tuğmaç, Chief of General Staff, tried to delay the explosion as much as possible, preferring Demirel to self-destruct. The two generals were watching each other to see who would ignite the fuse first. These two generals were Faruk Gürler and Muhsin Batur. The fire was in their hands. They were going to detonate the dynamite...
Demirkırat stumbled on March 12, 1971. Actually, you know, they shoot limping horses. But this time it didn't. Turkish democracy continued to run despite its wounds. Because March 12 was not a "seizure" but a "warning". The generals were saying, "If what we want is not done, we will seize it." The country was entering a new era under this Sword of Damocles. A president who was helpless in the face of events, a prime minister who had to leave his seat, a newly fallen parliament, four generals neither inside nor outside the power... Now, a solution would be tried to be found out of this complex equation. But how and with whom? No one knew the answer to these questions in Turkey on the morning of March 13.
After the India of Varanasi’s boatmen, the American desert of the dropouts, and the Mexico of the killers of drugtrade, Gianfranco Rosi has decided to tell the tale of a part of his own country, roaming and filming for over two years in a minivan on Rome’s giant ring road—the Grande Raccordo Anulare, or GRA—to discover the invisible worlds and possible futures harbored in this area of constant turmoil. Elusive characters and fleeting apparitions emerge from the background of the winding zone: a nobleman from the Piemonte region and his college student daughter sharing a one-room efficiency in a modern apartment building along the GRA.
In this tale of labor and family that shines a light on the precarity of temporary work visas, Raymundo Morales leads a crew of workers who have to make the challenging decision to leave their families in rural Mexico to plant commercial pine forests in the United States.
Transformed into a salmon, an Indigenous street artist travels through decayed urban landscapes to the forests of long ago, in this sublime mixed animation.
How has Brazil dealt with nature and its natural resources in the early 20th century? What state is the Amazon Forest in? Based on specialties with specialties from the most diverse areas and with the rescue of historical figures, we discuss the notion of forestry, that is, the citizenship of the forest, a term necessary to reflect on Brazilian identity.
The environmental measures taken by the oil industry at the Sullom Voe terminal in the Shetlands.
In suburban Buenos Aires, thirty unemployed ceramics workers walk into their idle factory, roll out sleeping mats and refuse to leave. All they want is to re-start the silent machines. But this simple act - the take - has the power to turn the globalization debate on its head. Armed only with slingshots and an abiding faith in shop-floor democracy, the workers face off against the bosses, bankers and a whole system that sees their beloved factories as nothing more than scrap metal for sale.
Bülent Ecevit had dreams of a modest, serene life away from competition and politics. He imagined that he would write poems throughout his life and take refuge in that serene, purified world of art, poetry and aesthetics, against the harsh and harsh reality of daily life. While escaping the hazy atmosphere of politics, he could not even guess where his decision on the day he stepped into politics would take him...
A political amateur who was kneaded with art in the first half of the 1950s and was enthused with the idealism of politics in the second half, was now a person who was dealing with politics and state affairs 24 hours a day, gradually getting hotter and broadening his goals and horizons. In this section, you will follow the milestones of the poet's hopeful arrival in the 1970s, not a dream that the poet remembers with longing, but is no longer left behind. Contrary to the poem, you will recognize the struggle of a stubborn, belligerent missionary who is incompatible with the world. You will witness how it changed in that struggle and how this change affected a country...