Shuteye Hotel

Norwegian short film about a carpenter trading places with Santa Claus on Christmas Eve.

A girl sitting on an autumn leaf-filled sidewalk communicates with a mysterious figure across the street.

A compact, full-color cut-out animation as ephemeral as the colors swimming on the surface of a soap bubble. The eternal round shape, the orb (sun, moon, symbol of the whole self) balloons its inimitable and joyous course through scene after scene of celestial delight, fixing at last as the mystical globe encasing the lovers whose course it has paralleled throughout the film.

We are first presented a cobweb castle, filled with the haunting doubts of the young protagonist. Spirits appear on the screen and are heard on the soundtrack. Gradually a female guide emerges and escorts the young man into an antechamber to another (and possibly higher) world.

Alex asks his father to tuck him in, but that's not the only thing he asks for.

Vol

Short film from director J.R. Bookwalter set in Salem.

Phineas and Ferb team up with the Avengers to save the world from Dr. Doofenshmirtz and a group of dangerous supervillains.

Tailor is a transgender cartoonist that shares in his web page other trans people’s experiences and their challenges in society. Film about transgender, made by transgender crew.

The Black Ghiandola is a story about a young man risking his life to save a young girl he has grown to love, after his family has been killed in the Apocalyptic world of Zombies.

After being discovered trying to escape, a woman must survive the night with her abusive girlfriend.

Calling a helpline sometimes causes more problems than it solves. This witty experimental animation shows a person calling a helpline after not noticing porn on the internet. Solo-production by visual Artist Joli(e).

A small curious bird tries to impress a new friend.

A teenager suffering from an identity crisis struggles to escape something that haunts her as she tries to find herself in this morally blurred and empty world.

Sarcastic inversion of the ‘beautiful couple in love’ archetype. The ’40. Two people isolated from the rest for their physical appearance, meet in a cinema. A dark solidarity born between them leads to a relationship based on the denial of their ugliness.

Yuck. Couples kissing on the mouth are gross. And the worst is, you can't miss them: when people are about to kiss, their lips become all pink and shiny. Little Léo laughs at them, just like all the kids at the summer camp. But he has a secret he won't tell his friends: his own mouth has actually begun glistening. And, in reality, Léo desperately wants to give kissing a try.

A spoof of "Tom and Jerry" cartoons.

A couple's relationship develops in a combination of photomontage and animation.

For the first time I am animating hand-painted engraved cut-outs on a full-color background. The film is mood-filled: A duel scene in a snowy forest, obviously the morning after a masquerade ball. Harlequin lies dying, while Red Indian walks away with the wings of victory. The woman between them appears, cat-masked. The mask dissolves away. Her spirit passes into the face of the sun upon the sun upon the sun flower. But Harlequin cannot escape death. The blue world engulfs him.

Lawrence Jordan used forty-six engraved Gustave Doré illustrations from "Idylls of the King" as settings for his extravagantly romantic saga. As Enid, the protagonist, is seen in a vast array of scenes from deep forests to castle keeps. Her champion is sometimes with her, sometimes away fighting archetypal foes. Backed by Mahler, Jordan explores themes of love, death and resurrection.