Barbie plays Lumina, a mermaid girl with the power to change the color of pearls. Cheerful and creative, Lumina finds herself working in a mermaid salon customizing fabulous hairstyles. And when Lumina has the chance to attend the royal ball, her friends adorn her with a gown fit for a princess. At the ball, villains try to seize power over the kingdom, and Lumina finds within herself an unexpected power that proves she is much more than a hair stylist.
Misty Luggins sets a trap for the Bad Guys, but they were already caught and in custody for another crime; stealing a push pop... allegedly.
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A world, as spotless, bleak and cold as its uniform design is not a good place for a dreamer like Lutz. With as much courage as desperation, relying only on his skills and imagination, he faces a terrible fate and fights for his personal happy end.
A doctor and a madman confront their views on the world. Who will finally have the right to be right?
Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese.
Wallace rents out Gromit's former bedroom to a penguin, who takes up an interest in the techno trousers created by Wallace. However, Gromit later learns that the penguin is a wanted criminal.
Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.
What remains, unedited, of the first episode of a serial by several hands, subject to a form of supervision-control by Fischinger. It opens with an extremely happy image (a "creative hand" which subsequently returns from time to time) — with shading and movements which appear to have been achieved by the use of the Rotoscope — characters who evoke the commedia dell’arte, in a somewhat joyless tone, but visually dramatic and with echoes of "caligarism". Enno Patalas would like to visit the other surviving episodes, better to understand the spirit of the operation conceived by Louis Seel, designer emeritus and the inspiration of the project. Preserved by the Academy Film Archive in 2000.
A dog has very good reasons to hate the postman.
Get ready to make a wish—and have the most amazing birthday ever, with a little help from Barbie and a very special guest!
Frankenstein, a young medical student, trying to create the perfect human being, instead creates a misshapen monster. Made ill by what he has done, Frankenstein is comforted by his fiancée; but on his wedding night he is visited by the monster.
Using every known means of transportation, several savants from the Geographic Society undertake a journey through the Alps to the Sun which finishes under the sea.
One train journey between two stations: the first one and the last one. In a second class compartment, a traveler meets all kinds of people with all kinds of fates but fails to find a friend. As alone as at the beginning of the journey, he takes his suitcase, gets off the train, and disappears in the night.
In a quiet village eagerly awaiting Indonesian Independence Day, a group of children are chosen to be the "Tim Merah Putih" to guard the sacred flag, the flag that is always flown during the annual August 17th ceremony. However, three days before the ceremony, the flag goes missing. Eight children from various cultural backgrounds—Betawi, Papua, Medan, Tegal, Central Java, Makassar, Manado, and Chinese—unite in a heroic mission: to save the mysteriously missing sacred red and white flag.
Circa 1963 - 1975. This is possibly test footage or something for a beer commercial, or something for a variety show of some sort. Dennis Muren animated it with replacement animation. The same technique that was used with George Pal's Puppetoons and the animation of the title character with The Beast From Hollow Mountain (1956). In fact, this technique is used today from Tim Burton to Laika.
Dead Hand episode 2. Last day of war. Last war broke out. All people are dead, but the machines continue dutifully follow orders. On the automatic base machines fueling and charge the weapons of last surviving bomber preparing to drop bombs at the dead enemy city. This happens until the echo of mankind subsides completely. Then comes a new era in which there is no place for us.
A mother and son are eating sushi at a conveyer belt sushi bar in Tokyo. This film depicts their conversation using cutout animation.
A desperate computer scientist struggling to fund her anti-depression AI application faces her toughest challenge yet.
A duo of street performers learns how sound and picture work together to create amazing cinema experiences.