Tondo

A violent hatred boils up in a young man's head.

The film animation technique of pixilation was used in this short comedy. The notorious criminal Bloodthirsty Hugo has broken out of prison again. He is an arsonist, has no respect for old people and absolutely no maiden in the region is safe with him on the loose. In order to catch him his pursuers set a trap with irresistible bait: a lovely maiden bending over her washing by a stream...

In 1999, Tabaimo exhibited her undergraduate thesis work, Japanese Kitchen and was awarded the prestigious Kirin Contemporary Award, marking the beginning of her international career.

English language. Second year of study. Rules of etiquette № 1

Английский язык. Второй год обучения. Правила этикета № 2

Английский язык. Второй год обучения. Правила этикета № 3

Английский язык. Второй год обучения. Правила этикета № 4

Meet Galan, a Russian spastic geek who`d do anything to be a real, live samurai. But that`s just an impossible dream... or is it? When his friend Natsu, who is a successor of Japanese emigrants family, gives him the gift of an ancient sword, strange events unfold, and even stranger people drop out of the sky to attack. Now Galan must overcome his ineptitude and join a bunch of beautiful women in a wacky romp through a kingdom that time forgot. Hey, what could be better?

For Kaleidoscope, which was sponsored by Churchman Cigarettes, Lye animated stenciled cigarette shapes and is said to have experimented by cutting out some of the shapes so that the light of the projector hit the screen directly. As in Colour Box Lye uses music by Don Baretto and his Cuban Orchestra. - Harvard Film Archive

This experiment was a “prestige advertisement” for Shell Motor Oil. As conventional animation became dominated by Walt Disney, many European filmmakers turned to puppets as an alternative, and Lye enlisted the help of avant-garde friends such as Humphrey Jennings and John Banting to make the amusing puppets. Exploring the still-complex color process, which involved the combination of three separate images, Lye creates such a vivid storm scene that reviewers hailed it as “proof that the color film has entered a new stage.” The music is Holst’s The Planets. - Harvard Film Archive

Lye edited together “swing” versions of the popular Lambeth Walk (including Django Reinhardt on guitar and Stephane Grapelli on violin), combining them with a particularly diverse range of direct film images, scratched as well as painted. He was particularly pleased with a final guitar solo (with a vibrating horizontal line) and double bass solo (with a stomping vertical line). For this film Lye did not have to include any advertising slogans; friends at the Tourist and Industrial Development Association, shocked to learn that Lye and his family had become destitute, arranged for TIDA to sponsor the film – to the horror of government bureaucrats who could not understand why a popular dance was being treated as a tourist attraction. - Harvard Film Archive

Lye completed his last great film a few months before his death at the age of 78. The film returned to the black-and-white techniques of Free Radicals. Lye created what he called “vibrant little images” or “zig-zags” with a sense of “zizz”. The clusters of small scratches gave the film a unique texture – the images looked rough but were in fact extremely subtle. The title Particles in Space referred to flashes of energy of the kind sometimes seen by astronauts in space. The soundtrack combined “Jumping Dance Drums” from the Bahamas with drum music by the Yoruba of Nigeria and the sounds of Lye’s metal kinetic sculptures. The opening titles demonstrated Lye’s mastery of the scratching of letters and words on film, a method imitated by other film-makers such as Stan Brakhage.

Lye created a series of scratched images in the 1950s – more regular or geometric than his usual style – to accompany Rock ‘n’ Rye, a track by jazz guitarist Tal Farlow, but he did not get far with the editing. He returned to the material in 1980 but died before it was completed. His assistant Steven Jones finished the film under the supervision of Lye’s widow Ann, who had been closely involved with all of Lye’s American films. - Harvard Film Archive

A Screen Song from the Fleischer Studios with the Irving Berlin song "Reaching for the Moon".

Riding home atop a train, the Pichu Brothers suddenly find themselves knocked off and flying through the air! They hit a Wynaut on their way down, bringing all three of them to the forest where Pikachu, Totodile, and some more friends are playing in a waterfall and building a campfire. When it starts to rain, the group takes shelter in a water mill—but the water mill starts moving! The next morning, the whole group decides to work together to make sure the Pichu Brothers make their train. Will the two be able to make it home safe?

The story of child violence and the national violence. And the problem of the old Japanese environmental pollution.

In a bar, a speed-dating. Birth of an improbable and miraculous love in unsuitable circumstances ...

A man reacts with violence when a pair of eyes spy on him from inside a cardboard box.

Abstract public information film regarding the practice of safe sex.

Two teddy-bears go hunting unicorns, their favorite prey.