Salvage with a Smile

In 2008 and 2009, Clarissa Thieme travelled through Bosnia-Herzegovina, setting up her camera at places where war crimes took place during the nineties. Now she returns to the same locations a decade later: what traces are left behind by a violent past?

When Juan Catalan is arrested for a murder he insists he didn't commit, he builds his case for innocence around unexpected raw footage.

Made at the height of 'cold war' paranoia, this drama-documentary shows the work of the UK Warning and Monitoring Organisation, who's duties included the issuing of public warnings of any nuclear missile strike and the subsequent fallout.

Experience a mystical journey through nature performed by a movement artist. Felix faces the whirling challenges of his inner turbulence with an emotionally charged dynamic, delicate strength, graceful dignity, as well as ecstatic devotion. Behold the fire dancer in the night.

A short film warning the unaware housewife of the dangers of “dry cleaning” with gasoline at home.

An exploration of the movie "The strange case of Angelica" and an understanding Manoel de Oliveira's cinema.

What does beauty look like? In this award-winning short, Kenyan filmmaker Ng’endo Mukii combines animation, performance, and experimental techniques to create a visually arresting and psychologically penetrating exploration of the insidious impact of Western beauty standards and media-created ideals on African women’s perceptions of themselves. From hair-straightening to skin-lightening, YELLOW FEVER unpacks the cultural and historical forces that have long made Black women uncomfortable, literally, in their own skin.

From the banks of the Bahamas to the seas of Argentina, we go underwater to meet dolphins. Two scientists who study dolphin communication and behaviour lead us on encounters in the wild. Featuring the music of Sting. Nominated for an Academy Award®, Best Documentary, Short Subject, 2000.

In this short documentary, five black women talk about their lives in rural and urban Canada between the 1920s and 1950s. What emerges is a unique history of Canada’s black people and the legacy of their community elders. Produced by the NFB’s iconic Studio D.

A show booth owner presents "Udine" the mermaid and animals of the sea.

Lost Worlds looks at untouched aspects of nature in parts of the world where humans rarely tread. From plants, to animals, to geology, this artfully photographed documentary presents facets of the biological world that you are not likely to see anywhere else.

Hock Hiap Leong pays tribute to this a 55-year old coffee shop on Armenian Street that has been an incessant inspiration to many people. The urban re-development board’s demolishing plans in 2001 inspired the filmmaker to capture this epitaph of history.

The film depicts the life at the Larissa Railway station in Athens in the spring of 1995. The camera focuses on the station’s ‘tenants’, Antonia, Florakis and George..

American civil rights attorney John Burris lends his sonorous voice to "An Oversimplification of Her Beauty" director Terence Nance’s imaginative and moving (and brilliantly edited) anti-police-brutality video in support of the non-violent Blackout Black Friday protest.

On February 21, 1945, the Royal Canadian Air Force Halifax bomber NP711 with a crew of seven men took off from the Linton-on-Ouse air base in England for a bombing raid over Worms, Germany. The bomber never made it to its target. The Halifax was struck by anti-aircraft fire and crashed into a mountainside near Leistadt, Germany. All crew members were killed. The crash was so horrific that the wreckage was strewn over 1,000 meters. Seventy-seven years later the wreckage was recovered and the site was deemed a gravesite for the perished crew. This documentary film examines the last days of the seven-member crew and the recovery of the wreckage of Halifax NP711.

Albert Ward was a highly regarded Mi'kmaq Elder from Eel Ground First Nation and a very dear friend and teacher to my family. This recording was the last time we spoke to him, and the first time I had met him since infancy.

The film shows the manufacture of a luxury edition of "Mein Kampf" on real parchment, handwritten.

"I'm walking through my city...", sings a cheerful pop singer. She fervently praises the new metropolis of East Berlin. As an emphatically lively, often anthemically condensed revue, the film tells of the "growth and development of our new capital". Accompanied by cheerful music, the camera indulges in high-altitude views, shows squares whose fountains, benches and green spaces are designed to make you forget that you are in a big city, as well as visitors from all over the world in top hotels. An emphatically cheerful, yet meaningful insight into the brave new GDR world.

On a summer day, from his balcony, the filmmaker observes two women diligently cutting grass for their cows on one of the last remaining vacant plots of Kathmandu.

A village meeting in communist Russia to pay homage to Stalin leads to a gossip marathon, which develops into an endurance test for the participants.