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Meera, a devotee of Lord Krishna, believes she is married to the lord and rejects her marriage to a Rajput prince. However, her spirituality leads her to face many hardships.

A satire on inflation-hit middle-class Indian family from a small city in North India. The story revolves around our protagonist who is struggling to survive in this spiraling inflation and how he comes up with a solution to battle it, only to find himself in an even bigger mess due to their innocence and naivety.

Rani, a 24-year-old homely girl, decides to go on her honeymoon alone when her fiancé calls off the wedding. Traveling around Europe, she finds joy, makes friends, and gains new-found independence.

An upright ex-army man, Jai fights a solitary war against corruption and injustice. With a simple mantra to pay forward, he starts off by helping one person and forms an ever growing circle of people helping each other.

In the crowded by lanes of old Delhi, Shuklaji runs a small photo studio as a front for small time crime. Over the years he has groomed a bunch of youngsters in the art of pick pocketing and petty crime. Then one day a girl comes into their midst and then everything collapses.

Durga Babu, and his wife, Ganga, comes across Shyam, an orphan, who sings and dances on special occasions, and decide to take him home. Shyam meets with their daughter, Radha, and she slowly falls in love with him, but he thinks that she just wants to be friends. In his eyes, Shyam wants to be a free person, not tied down to anyone or anything, and would like to spend the rest of his life wondering, singing, and dancing. When he finds out that the family intend to get him married, he likens his plight to that of a caged bird, and flees, breaking Radha's heart. Will Shyam ever return? What impact will this have on the family?

A team of con men fall for a Begum and her female confidante. Does their love fructify?

The film follows Kamala, a young woman from Chitkul village and her girl child Manya, who embarks on a journey leaving their native land in search for her missing husband. Along this journey she encounters Nawazudin, a free spirited army deserter who helps them to get to their destination with his own selfish motive.

CLUB 60 is about Letting Go after spending the required time in grieving for the loss of a loved one. But what is the required time-frame to grieve? And is it right to always stay in a grieving position? What about the people around you, who are also hurting because of your grieving? And does grieving endlessly really help the one who is gone away? Club 60 is also about embracing life, post 60.

The lives of Calcutta's most powerful gangsters - Bikram and Bala, changes when Nandita enters it. Then a counter-force takes charge and a thriller unfolds.

Sanjay and Priya are in love and are planning to marry. When Priya learns that her father has been arrested, they decide to postpone their wedding. However, destiny has other plans as Sanjay dies in a car crash. In heaven, he learns that his death was a mistake, and he is sent back to Earth in the body of his lookalike, the wealthy but morally corrupt Tarun Kumar Saxena, the man who ruined Priya's family.

A fearless woman fights social injustice; creating a sanctuary for abused women and battling a crooked politician.

A young man, Aditya Singh (Adhyayan), who fell deeply in love with a beautiful girl (Ariana). Soon he had a severe heart-attack, and when consulted with his doctor-friend (Shekhar Suman), he then suggested him to do a heart-transplant. As Aditya lands in the operation theatre, some bizarre thing happens in his life, and lots of unsaid and controversial betrayed story unfolds.

An ageing Kaalidhar escapes his family after overhearing their plans to abandon him. He meets the free-spirited Ballu, and they embark on an adventure to tick things off Kaalidhar's bucket list.

Ramji Tiwari and his sister, Parvati, had their parents pass away at an early age. Ramji is a skilled cook and is familiar with all aspects of vegetarian cooking. He arranges Parvati's marriage with the Mishra family, promises to pay a large sum of dowry, which he manages to get by promising to get married to a wealthy man's daughter.

Din Dayal Sharma works as a Head Clerk and lives with his wife, Godavari; 3 sons Vijay, his wife Uma; Shiva and Vidyasagar; and a daughter named Rajni. Their standard of living is middle-class and all three males contribute to this lifestyle with Vijay contributing the most as he is a Chartered Accountant. When the time comes for Rajni's marriage, she refuses to marry Jagmohan's son, and wants to marry a Christian by the name of Peter Fernandes. The marriage takes place, and she re-locates to the Fernandes' house.

Pooja lives with her doctor husband and a young son. Her son becomes seriously ill and does not respond to any medication, her husband wants him to be moved to a hospital for further .

A rich and wealthy couple, Shankarlal and Parvati are appalled at the problems of the world, especially in households, so they decide to try and make things right.

In his debut feature film, Kumar Shahani employs highly innovative forms for depicting the conflict between oppressive feudal norms and a changing industrial landscape while making female sexuality and its complex mindscape the focus. The protagonist, Taran, the younger daughter of a Rajasthani zamindar revolts against the social code set by the class system by a sexual encounter with an engineer. This film was one of the earlier and successful examples experimentation in colour during the advent of New Indian cinema.

This is a story of feudalism in it's raw state. The tonga and a certain simplicity of the village folk is exploited by the Jagirdar and his cohorts. Until the Chowkidar and a doctor -the only son of the money-lender- who initially obtains goodwill by curing people, and providing financial assistance for recovery want to start a change. The influence of the Jagirdar, incites the villagers and his thugs frame the Chowkidar, the doctor and threaten the well being of two women. Throught the film the Jagirdar deals with the sins of his father, will he be able to be a man, and acknowledge the crime of his father?