A young delivery man falls in love with a mysterious young woman living cloistered in her apartment. When he finally obtains a rendez-vous at her place, she tells him her secret ...
Christian (12) and his best friend have been invited over to an older boy from school. There, he enters a mysterious world. It becomes an overwhelming experience - an essential step towards puberty.
Arvid has made a torch. He invites the parents to the tree house, but the parents just quarrel with each other.
Every day, Tiago goes into his garden to feed the crocodile that killed his brother.
In a forest clearing, as she runs away from an invisible menace, a little girl meets a strange-looking child.
A man confronts his past during an experiment that attempts to find a solution to the problems of a post-apocalyptic world caused by a world war.
Paris Ficelle
A short making of feature about the 1966 John Frankenheimer movie Grande Prix
Suli wants to know about the fate of old buildings in her city. After drinking a coffee with eyeballs in it, Suli became even more confident that she could reveal those secrets.
Part two of Leni Riefenstahl's monumental examination of the 1938 Olympic Games, the cameras leave the main stadium and venture into the many halls and fields deployed for such sports as fencing, polo, cycling, and the modern pentathlon, which was won by American Glenn Morris.
When an arranged marriage brings Ada and her spirited daughter to the wilderness of nineteenth-century New Zealand, she finds herself locked in a battle of wills with both her controlling husband and a rugged frontiersman to whom she develops a forbidden attraction.
A family loaded with quirky, colorful characters piles into an old van and road trips to California for little Olive to compete in a beauty pageant.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
Set against the social turmoil of China's Cultural Revolution, 12 years old Yue Haiyang is forced to leave the swimming team despite his dreams to become the greatest swimmer of his generation. In a quest to fulfill his dream, friendship and loyalty are tested as three friends wade through the waters of personal struggle and social unrest.
Luisa and Tomas try to save their relationship by avoiding their differences and clinging to the love they have for each other. Everything starts disintegrating when they realize that love is not enough.
The star of a team of teenage crime fighters falls for the alluring villainess she must bring to justice.
Anaïs is twelve and bears the weight of the world on her shoulders. She watches her older sister, Elena, whom she both loves and hates. Elena is fifteen and devilishly beautiful. Neither more futile, nor more stupid than her younger sister, she cannot understand that she is merely an object of desire. And, as such, she can only be taken. Or had. Indeed, this is the subject: a girl's loss of virginity. And, that summer, it opens a door to tragedy.
Young Hearts
Un Chien Andalou is an European avant-garde surrealist film, a collaboration between director Luis Buñuel and Salvador Dali.