Joe Barring is a motorcycle-riding, beer-drinking womanizer who takes odd jobs and still lives with his parents. Following an arrest, he gets a rude awakening when he learns that he is the father of at least one of three children whose mother has recently died, and that he is now their legal guardian.
Sudhir, blind by birth, lives alone with his housemaid Bhavani. While Bhavani is out, he takes in Ali to help around the house. Both Bhavani and Ali grow envious of each other. Nazar Andaaz is a comedic yet heartfelt story of these three.
Admiral Frank Beardsley returns to New London to run the Coast Guard Academy, his last stop before a probable promotion to head the Guard. A widower with eight children, he runs a loving but tight ship, with charts and salutes. The kids long for a permanent home. Helen North is a free spirit, a designer whose ten children live in loving chaos, with occasional group hugs. Helen and Frank, high school sweethearts, reconnect at a reunion, and it's love at first re-sighting. They marry on the spot. Then the problems start as two sets of kids, the free spirits and the disciplined preppies, must live together. The warring factions agree to work together to end the marriage.
Jilted by his wife, a man with OCD finds eye-opening common ground and camaraderie with his neighbour, a young man with Down Syndrome.
The son in a close-knit family of Wisconsin dairy farmers decides to get married and move out of the house, just as his mother discovers she has incurable leukemia and only a short time to live.
Dastak (English: Knock) is a 1996 Hindi language Indian feature film directed by Mahesh Bhatt, starring Sushmita Sen in her debut film supported by Mukul Dev with Sharad Kapoor as the psychopath.
Goodbye Darling, I'm Off to Fight
After a spell cast by Grandma Faraway, the oldest son of a small family encounters the ghost of his late Grandma Maria still living in her old house, and they chat as they used to.
A tragic love story of Bhouri, a 23-year old who is married to a 55-year old, the film highlights the exploitation of women in male dominated society.
The one joy in the lives of a mother and daughter comes from the regular letters sent to them from Paris from the family's adored son, Otar. When the daughter finds out that Otar has died suddenly, she tries to conceal the truth from her mother, changing the course of their lives forever.
Roz Marra explores the lives of Meera and Jugni. A bedridden grumpy yet caring woman and her lively youthful help. These women fight as passionately as they care for each other. But when Jugni's lover proposes that she move in with him Meera kicks up a storm. It is only the love of their life, the king of romance, Shah Rukh Khan who can bring them together. Will Mr. Khan's magic do the trick once again?
City-bred Ramu is involved in petty crime. When his close friend Gopal asks him to go to the village and look after his mother and sister Chanda, Ramu does so. After coming to know both mother and daughter, they decide to re-locate to the big city to be together with Gopal. In the process, Ramu and Chanda fall in love with each other. Chanda wants Ramu to give up his life of crime, but will his crime partners allow Ramu to lead a normal life?
Can you really get away with murder? Welcome to the world of Katrina, a 19-year-old single mum who's planning to do just that. Katrina lives in a world of petty crime, fast cars, manicures and blow-jobs. A master manipulator of men living at home with her father in suburban Golden Grove, Katrina will stop at nothing to get what she wants - even murder.
A man decides to re-pay a good Samaritan but regrets doing so after he finds out that he is an assassin.
Rahul, the director of a successful dance troupe, considers Nisha his best friend, though secretly, she is madly in love with him. He then falls for Pooja, who is engaged to Ajay.
Margot Zeller is a short story writer with a sharp wit and an even sharper tongue. On the eve of her estranged sister Pauline's wedding to unemployed musician/artist/depressive Malcolm at the family seaside home, Margot shows up unexpectedly to rekindle the sisterly bond and offer her own brand of support. What ensues is a nakedly honest and subversively funny look at family dynamics.
The story of the film is weaved around Kashmir and Kashmiri people's simplicity, pride and Kashmiriyat. It's a very simple and interesting theme, all about Kashmir where J&K and the Kashmiri people are central to certain developments taking place in the movie. In the recent past, Kashmir has been portrayed in many films for the unrest in the region, however in this film there is no violence and the movie depicts the beauty and chastity of Kashmir and Kashmiris. The film travels through lots of beautiful locations in Kashmir which have never been shown before. It's a soul searching journey for the characters where they meet different people undergoing their challenges in very difficult conditions and yet they are positive, hopeful and facing the harsh realities of life with a 'never say die' attitude.
The Templeton brothers — Tim and his Boss Baby little bro Ted — have become adults and drifted away from each other. But a new boss baby with a cutting-edge approach and a can-do attitude is about to bring them together again … and inspire a new family business.
When wife Bao Yimeng, full-time husband Song Li, and her younger brother Bao Peng magically swap bodies, they must live each other’s lives—managing work, school, and family—discovering empathy, personal growth, and the true meaning of family before returning to their own bodies.
This is a dramatic chain of events in the most glamorous ,swinging era of Hindi films... the 1960s. It was a decade when film stars tasted success and carried their larger than life screen image on to real life with unbridled pomp and splendour. It was during this time that two ambitious films were made... Ujwal Nirmal Sheetal and Reena Mera Naam. The latter became a runaway hit while the former was struggling at the box office.