Memory of Summer

This 1959 documentary short is a frank portrait of the daily operations inside the Montreal General Hospital’s emergency ward.

A light, humorous look at the motor car and the great North American itch for a place on the road. From the comparative peace of Honest Joe's used-car lot, this film hustles you onto our public speedways, where hot rubber erases any distance between all points. Slow-motion and pop-on-pop-off photography make this a provocative, revealing study of motormania unlimited. A 1960 black and white production. (Also released under the title 1/3 Down and 24 Months to Pay.)

This film observes, in a Montréal public school, the teaching of English to immigrant children. To thousands of children arriving in Canada from Greece, Italy, France, Germany or Japan, English is "a foreign language." Under able coaching they begin to understand and even enjoy the vagaries of the English language.

This short documentary features Canadian contralto Maureen Forrester as she sings at the Festival Casals, a musical event founded by the great Spanish cellist and conductor Pablo Casals and sponsored annually by the Puerto Rican government. Part concert film, part tourism film, Festival in Puerto Rico offers viewers candid glimpses of mid-20th century Puerto Rico intercut with performance footage of Forrester and her husband, violinist-conductor Eugene Kash.

St. Joseph's Oratory, a picturesque shrine silhouetted against Mount Royal, draws pilgrims by the thousands every year. They come from California by Greyhound bus, from Vancouver by plane, and on foot from many parishes surrounding Montréal. What is the fame of this shrine, that it attracts the devout and the curious alike? The story is told by Brother Placide Vermandère of the Order of the Holy Cross, who was personally acquainted with Brother André, after whom the shrine's famous temple is named. Cameras follow a procession of the League of the Sacred Heart through the streets of the city to the famous sanctuary and show many of the religious observances conducted in the church, including Mass attended by invalids who come in the hope of being healed of various afflictions.

The misbehaving public performs for the camera in a half-hour miscellany of misdeeds. In a behind-the-scenes look at the hour-by-hour operation of a large metropolitan police force, this film presents a fair sampling of what keeps Toronto's police officers busy twenty-four hours a day.

One year in the life of a Turkish teacher, teaching the Turkish language to Kurdish children in a remote village in Turkey. The children can't speak Turkish, the teacher can't speak Kurdish and is forced to become an exile in his own country. On the Way to School is a film about a Turkish teacher who is alone in a village as an authority of the state, and about his interaction with the Kurdish children who have to learn Turkish. The film witnesses the communication problem emphasizing the loneliness of a teacher in a different community and culture; and the changes brought up by his presence into this different community during one year. The film chronicles one school year, starting from September 2007 until the departure of the teacher for summer holiday in June 2008. During this period, they begin to know and understand each other mutually and slowly.

He was a postal clerk. She was a librarian. With their modest means, the couple managed to build one of the most important contemporary art collections in history. Meet Herb and Dorothy Vogel, whose shared passion and disciplines and defied stereotypes and redefined what it means to be an art collector.

Documentary on the legendary martial artist Bruce Lee, with a focus on the production of his unfinished film Game of Death. Using interviews and behind-the-scenes footage, Lee aficionado John Little paints a portrait of the world's most famous action hero, concluding with a new cut of Game of Death's action finale, reconstructed from Lee's notes and recently-recovered footage.

A beautifully done video of Burning Man 2001, 2002 & 2003. Lots of people interviews, Center Cafe activity and extensive coverage of artist David Best and the Temple construction and burn. This documentary captures the swirling columns of dust that were created during the intense heat of the 2002 Temple burn.

With a strong emphasis on founder Larry Harvey and temple artist David Best, this video expresses the scale and power of the Burning Man experience. Superb cinematography and editing are combined to make this is one of the most moving Burning Man videos ever produced.

Invisible Empire is all conspiracy and no theory – proving beyond doubt how the elite have openly conspired to insidiously rule the globe via the engines of the CFR, the United Nations, the Trilateral Commission, and the Bilderberg group, which were born out of the historical Round Table groups first set up by Cecil Rhodes. The film traces the lineage of the evolution of global governance from Samuel Zane Batten’s 1919 manifesto New World Order, through to Hitler’s vision of a 1000 year Reich, to the modern incarnation of the conspiracy which has its roots in the evil deeds of people like George H. W. Bush, David Rockefeller and Henry Kissinger.

An old conspiracy film, probably made in the early 80s, questioning the intentions of the Masonic Order. The primary focus is on attempting to expose the hidden secrets of the Freemasons.

"Historically accurate, narratively captivating, The New American Century is one of the best films about the facts behind the 9/11 attacks". Webster G. Tarpley "The New American Century is a stunning film. It should be seen as widely as possible, in cinemas, bars, clubs, at meetings and, of course, through the internet. I'm sure the film will continue to be a source of debate and political education for many years." Ken Loach. Massimo Mazzucco’s Inganno Globale (soon in English as "Global Deceit") presented all the major inconsistencies in the 9/11 official version, i.e. World Trade Center’s demolition, no Boeing at the Pentagon, etc., that lent credibility to the accusation by the so-called "9/11 Truth Movement" of the attacks having been an inside job. The New American Century presents the historical, philosophical, economical and political background, some of which is practically unknown to the general public, that seems to support such accusation by the 9/11 Truth Movement.

BURNING MAN: BEYOND BLACK ROCK goes behind the scenes of a social revolution to explore the philosophy that fuels it, the social contract that drives it, and the transcendent experience that makes it a worldwide cultural force. Granted unprecedented access to the inner workings of the Burning Man organization, the filmmakers spent 18 months with the founders, organizers, artists and participants to document the full complexity and diversity of the Burning Man community. But, true to its title, the film goes beyond the city they raise in the desert - revealing the Burning Man's plans to bring its unique culture to the rest of the world. BEYOND BLACK ROCK tells, for the first time ever, the real story of Burning Man - from the inside out.

In September 2022, when mobilization was announced in Russia, residents of the Chukchi village of Egvekinot Maxim Teyunaut and Sergey Nechaev decided to escape so that they would not be sent to war in Ukraine.

When Gavrilushka reached the age of one year and three months, his mother was astonished to observe his ability to play the piano. The toddler confidently executed a few chords with his left hand and even began to produce a melody with his right. Every day Gavriil Shcherbenko played more and more and better. Videos capturing the young prodigy's performances started circulating globally, leading to comparisons with legendary figures such as Mozart, Richter, and Beethoven. Gavrilushka has collected a diverse fan base, comprising individuals fluent in various languages, all captivated by his musical talent. Remarkably, while his fans comprehend his playing effortlessly, the young boy himself has yet to utter his first words. Gabriel Shcherbenko's parents view this journey as a remarkable adventure, uncertain whether their child will eventually cease playing or, conversely, embark on a path of professional musical education.

An experimental documentary film that delves into the intricate facets of the issue of human dignity humiliation in Russia. The directors provide audiences with an unconventional perspective on situations where individuals are compelled to issue on-camera apologies for their words or actions. Through this experimental narrative approach, viewers will witness how it has become commonplace in modern Russia to extract apologies on camera. Some instances will evoke genuine sympathy as people grapple with public scrutiny. Simultaneously, other scenes will unveil the darker side of this trend, where apologies devolve into mere puppetry, extracted under the threat of personal and professional repercussions. The film incorporates a range of videos capturing moments of sincere apologies driven by a genuine acknowledgment of one's mistakes.

The film crew travels on a train in a reserved seat across Russia, talking with passengers about the war. The main characters are guys of military age, ordinary Russians, without savings and the opportunity to leave the country. They are against war and are not afraid to talk about it and, moreover, they are not afraid to fight for their rights even where it seems that this is impossible. Bad and good Russians. Who are they and what do they look like? Did all the good people really leave Russia, or is there still someone left there?

Shot in Kyiv, Bucha and Gostomel in May 2022, the film shows eyewitnesses of the beginning of the full-scale invasion and the following Russian occupation. The protagonists share their impressions of those days and their thoughts about the present and future.