Magic Eye - The Video

A cluster of adult animated shorts by French satirical cartoonist Georges Wolinski.

Animations from a course at The Animation Center - Tel Aviv Cinematheque, winter.

A Scotland Against Drugs public information film.

A girl lives locked in her home surrounded by a high hedge. When the wind carries onto her balcony dry leaves, empty shells, faded petals and other small fragments from the woods – she collects them to keep them indoors and admire their beauty. It will be the wind that accidentally forces her to leave the house, to venture beyond the hedge and to lead her to an encounter with nature and with her self.

The idea for this film comes from the encounter with two African boys who live in Rome, and is based on their music. Tunisian Afif and Senegalese Aliou tell their different stories, talk about friendship, immigration, freedom and, above all, about the fundamental value of making music together.

"Chasing Stars" tells the magic journey of a young girl, who’s looking for her home and own place in the world. The journey takes place in the Arctic and the main character is helped by a very special friend, a Beluga whale.

A resident is challenged by demons from another realm in his closet.

Welcome to the Generation Gap: an area with an often stormy climate and some interesting inhabitants - parents, for instance... and teenagers...

If a family goes through big changes while the children are growing up, it can take years for everything to settle down again afterwards.

A humorous look at the day in the life of two women. A man embarks on a journey, his destination a woman living in a tower block on the other side of town. Naked begins with his departure and ends with his arrival at the close of the day. Following him on his journey is a mythical window cleaner, whose flying gantry takes us through the city to a tower block where he spies on a woman preparing for her guest and observes her neurotic next-door neighbours. Naked, which refers to the women’s vulnerability as well as their state of undress, uses model, drawn and photo animation within three dimensional sets.

A married man on a business trip checks into a hotel. The hotel manager’s daughter falls for him at first sight. Rejected by the man, she embarks on a journey of revenge...

Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese. Preserved by the Academy Film Archive.

Wallace rents out Gromit's former bedroom to a penguin, who takes up an interest in the techno pants created by Wallace. However, Gromit later learns that the penguin is a wanted criminal.

Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.

This bone-chilling minimalistic animation film (made with black, white and red colors only) is voiced by the director herself, the Australian illustrator Anita Lester, whose grand-aunt had lost her entire family in Nazi camps and has then gone mad. Her confused, distorted, extrapolated memories full of despair and horror, of mysterious interiors and someone’s eyes, became the foundation of this impressive conceptual short film.

A kid and his teacher learn an important lesson: a grammatical mistake can create big trouble, but even a correction done the wrong way can cause senseless fears.

Rhythm and repetition plays an important role in the animated film Allahu Akbar by Usama Alshaibi. With this film, Alshaibi questions the confrontation between tradition and modernity by drawing inspiration from geometric motives of Islamic art. The artist offers a re-interpretation of these motifs through computer animation. By turning the shapes in different direction, new images are generated, freeing them from their fixed state. Traditional spiritual values feed the present and open up to a modern perspective.

A watchmaker's apprentice realizes that the perfect clockwork can be made only if he sacrifices himself completely.

A hand-made, scratched-on film experiment in intermittent animation. The images are a group of twenty-four visuals, all non-representational, which arrange and rearrange on the screen in many combinations. The result is a changing pattern of sound and image that has its own rhythm for eye and ear.

It's midnight in a graveyard. The principal characters are spooks, ghosts, bats, bells, and, at the end, the sun. As midnight strikes, 12 spooks appear, then two ghosts. They move to the music's rhythm. Against the black night, they are blue and yellow. Bats appear as does a xylophone of bones. Mist rises, spooks swirl. A bell tolls. The sky turns light blue, the ghosts' dance slows. Then black night returns bringing intimations of frenzy. Bones play snare drums; spooks peek out of square graves. Scary faces appear. Frenetic movement takes over. A rooster crows and all return to earth as the sun's light appears.