In Natpwe, the feast of the spirits, co-directors Tiane Doan na Champassak and Jean Dubrel have produced an immersive, seemingly timeless document of an annual Burmese trance ritual that dates back to the eleventh century. Shot in Super 8 and 16mm in sooty black and white, the film conveys the astonishing sense of liberation of tens of thousands of bodies and minds — a mass expression of faith, but also a rapturous respite from societal intolerance.
Every year, five to ten percent of all deceased Berliners are buried by the authorities because no relatives are found. Most of them are put into the ground by mortician Bernd Simon going alone. But sometimes companions do turn up and say goodbye in their very own way. An observational documentary about an undertaker who actually wanted to become an entertainer, a bizarre city portrait and a mirror of how we deal with death, mourning and commemoration.
In the Douro, five winemakers get together with the aim of exporting Portuguese wine to the world.
Experimental film directed by Dmitry Frolov, shot in the midst of perestroika in the USSR. February 1991. Starring the drummer for the MEANTRAITORS Vladislav Lyashchuk - a very peculiar musician played without bass drums and Toms.
A short lyrical document about an ancient Oriental discipline, this film moves from the streets of China, where the people practice Tai-Chi daily, to North America, where the same movements are executed by a solitary figure in a park.
An intimate look at cinematographic creation, this visual essay shares with us secrets of the legendary Canadian animator Norman Mclaren and his personal view of filmmaking.
“An Imminent Threat” follows a fisherman activist, Yngve Larsen, who fights against oil and gas drilling activities in north of Norway. Will Yngve succeed in avoiding the extinction of many species of fish and thus irreversible damage to our planet?
Silent film showcasing hypnosis and its effects.
Former escort Andrea Werhun shares the ins and outs of escort review board culture to expose deeper complexities of sexual power and social stigma in a post #metoo world.
A filmmaker's poetic memories of her father.
ONLY NOISE is a documentary that tries to rescue from oblivion a tale with Les Renards as protagonists, one of the many bands from the 60s that was a key witness and pioneer in the first big explosion of Uruguayan Rock. It might look like a tale from an ordinary band, but in 1968 this band managed to break a world record.
In 1973 Roberto Saldivar was arrested and imprisoned in an old Salpetermine in northern Chile. The mine was used as concentrationcamp for political prisoners. 20 years later he returned to confront his memories. He has lived there since. Alone.
The Alberts (Bruce Lacey, Tony Gray and his brother Dougie Gray) attempt to take off. There are two edits of this film, both with their own distinct ending.
Choreographer Dave Gould and his students demonstrate various tap dancing steps. Also featured are an adagio and Russian sword dancers.
Documentary on the food shortage in India.
Generation Z shares their fears in the age of school violence.
The subject is two grotesque-looking human beings who are sitting on the deck of a ship. The two weird individuals sit cross-legged and do the bidding of a man in oriental costume. The point of the film seems to be directed at the fact that the bone structure of the two subjects makes them look like monkeys or apes, and the spectators seem to be trying to get them to behave like monkeys, that is, scratch themselves, etc.
How to make the most of a defeat. How to make money from Napoleon's fiasco at Waterloo.
This scene is a part of the very first film shot produced by the Manaki Brothers. Despina, the Janaki and Milton Manaki's grandmother, was recorded weaving in one high-angle shot. For no apparent reason, the first shot made in Macedonia, in the Balkans in fact, made by these two cinematography pioneers, contains peculiar symbolics: at the moment when the grandmother Despina spins the weaving wheel, film starts rolling in our country.
From the lens of its alumni, this film chronicles about the history of Marching Band Korps Putri Tarakanita, a marching band extracurricular that continues its legacy to this day.