An intimate portrait of teenagers trying to understand their world and their possibilities. The film weaves together video shot by teens and by the filmmaker, as they work together to make a film and create expressive outlets for youth in the community. They organize dances and community events and paint a mural. At the same time, with humor and pathos, these young people raise issues around violence, feeling misunderstood by adults and lacking respect in their community. Set in the small town of Sitka, Alaska, home to a large Alaska Native population, the video chronicles their creativity, concerns and dreams.
Documentary that celebrates 100 years of cinema in Latin America and talks about the origins and the development of cinema in this subcontinent. Its structure is based in 12 short films directed by various Latin American directors. These are: 1) "Los inicios", Iván Trujillo 2) "Cuando comenzamos a hablar", María Novaro 3) "Jugando en serio", Jacobo Morales 4) "De cuerpo presente [Las espirales perpetuas del placer y el poder] Cine Mexicano [1931- 1997]", Marcela Fernández Violante 5) "Cuando quisimos ser adultos", Edmundo Aray and David Rodríguez 6) "Cinema Novo", Orlando Senna 7) "Memorias de una isla, Juan Carlos Tabío 8) "Un grito, 24 cuadros por segundo", Julio García-Espinosa 9) "El día de la independencia", Federico García 10) "¿Sólo las formas permanecen?", Fernando Birri and Pablo Rodríguez Gauregui 11) "Todo final es un principio", Andrés Marriquín.
The short documentary starts with Wieder-Atherton telling the story of how she came to fall in love; first with music in general, and then with the cello, and goes on tell how she found her specific style, using the music to try and almost form words of communication. It's a delightful and enlightening interview. This is followed by Wieder-Atherton playing 6 short pieces of quite different styles, from the heartbreaking melodies of Schubert and Brahms to Berio's more edgy modern sounds.
A documentary on the experiences of the Nubetya Yaptiks nomadic family in the Yamal Peninsula, Eastern Siberia, from 1992 to 2001.
What happens when a group of hairdressers from America travel to Kabul with the intention of telling Afghan women how to do hair and makeup? This engaging, optimistic documentary tracks a unique development project: a shiny new beauty school, funded in part by beauty-industry mainstays, which sets out to teach the latest cutting, coloring, and perming techniques to practicing and aspiring Afghan hairdressers and beauticians. The American teachers, all volunteers, include three Afghan-Americans returning home for the first time in over twenty years. The Beauty Academy of Kabul offers a rare glimpse into Afghan women’s lives, and documents the poignant and often humorous process through which women with very different experiences of life come to learn about one another.
A full-length documentary about a controversial evangelical movement that purports to convert gay people into heterosexuals. The film brings us inside this unusual Christian subculture and follows the lives of several young people whose homosexuality is at odds with their religious beliefs.
Tahani Rached’s powerful documentary enters the doors of an AIDS clinic in Montreal. We meet a group of dedicated doctors struggling to provide health care to their patients. This 1994 film explores legal and ethical problems surrounding HIV/AIDS and the struggle against fear, rumours and prejudice. It is still relevant today.
Soraïda is a Palestinian woman living in Ramallah, in the occupied territories. In this city under siege and a strict curfew, she fights her own battle: despite the military occupation, violence and oppression, she is determined not to lose her humanity.
On the border of North and South Vietnam, civilians live underground and cultivate their land in the dead of night, farmers take up arms, and bombs fall like clockwork. Joris Ivens and Marceline Loridan’s record of daily life in one of the most volatile regions of a war-torn, divided country is both a hazardous piece of first-hand journalism and a shattering work in its own right, simmering with barely repressed anger.
Through the hauntingly beautiful lure of Jason deCaire's Taylor's underwater, life-like statues we witness the birth of an artificial coral reef, learn how we are inextricably connected to the ocean and everything in it, and are left to consider how our choices will determine what we leave to future generations.
Several street children in Berlin talk about their daily life, referring not only to drug addiction and physical/traumatic injuries, but also to their talents and dreams.
An animated satire on the question of self-image for African American women living in a society where beautiful hair is viewed as hair that blows in the wind and lets you be free. Lively tunes and witty narration accompany a quick-paced inventory of relaxers, gels, and curlers. This short film has become essential for discussions of racism, African American cinema, and empowerment.
The life and work of German political philosopher of Jewish descent Hannah Arendt (1906-75), who caused a stir when she coined a subversive concept, the banality of evil, in her 1963 book on the trial of Nazi war criminal Adolph Eichmann (1906-62), held in Israel in 1961, which she covered for the New Yorker magazine.
"Fixed: The Science/Fiction of Human Enhancement" questions commonly held beliefs about disability and normalcy by exploring technologies that promise to change our bodies and mind forever. Told primarily through the perspectives of five people with disabilities, a scientist, journalist, community organizer, bionics engineer and exoskeleton test pilot, FIXED takes a close look at the implications of emerging human enhancement technologies for the future of humanity.
Impressions of the rue Mouffetard, Paris 5, through the eyes of a pregnant woman.
Award-winning documentary film about old age and the elderly. We meet residents and staff at a nursing home and take part in the madness, humor, desire, sorrow, hopes and the great love that this miniature society holds.
The film investigates the adventures of mountain climber and photographer Adam J. Winkler, who fought in Afghanistan with the Mujahideen against the Soviets in the 1980s. The director employs a highly original artistic technique involving animated collage of period materials.
"Behind Jim Jarmusch" is an intimate an intriguing portrait of director Jim Jarmusch, at work on the set of his movie "The Limits of Control" (starring Isaach de Bankolé, Bill Murray, Tilda Swinton, John Hurt...)
This documentary tells four stories of Apartheid in South Africa, as seen through the eyes of the Truth and Reconciliation commission
When the graves of former slaves are bulldozed in Mississippi, a native son returns to protect the community they settled - a place now threatened by urban sprawl, hurricanes and an unprecedented man-made disaster.