We the Cats Shall Hep Ya

A character from a musical film falls into the real world in this short, predating similar films by Woody Allen (The Purple Rose of Cairo) and Wojciech Marczewski (Escape from the 'Liberty' Cinema).

A romantic drama about two couples shifting sexual dynamics over one night in a music bar.

Surrendering the mind to the hypnotic dance of fire, a candle's glimmer reveals dreamlike memories, illustrated by flickering fragments of experimental films that overlap alongside a deconstructed soundscape. Entering a hallucinatory state in a haunted ambience, one's own subconscious is put on display.

Inspired by the horrific Mann family murders of spring 1988, Garden Valley follows two friends lost in a haze of hard rock, reckless choices, drugs, and volatile romance. Set against the bleak landscape of the Garden Valley trailer park on San Antonio’s Southside, the story unfolds over one fateful day—April 14, 1988—when their lives descend into chaos, obsession, and the lingering psychological shadows of violence.

A beautifully fluid sand animation inspired by Camille Saint-Saëns' piece, 'Danse Macabre.'

Amidst many distractions, Samantha struggles to find her voice recording a new song. She encounters a mysterious stranger who reminds her of why she loves to create music.

Misha observes the area with binoculars. In the infinite white, he notices Gia, as lonely as himself.

Damiano David's short film for the presentation of his first somo album: Funny Little Fears. He speaks and sings about his fears.

Rehearsals for a fundraising gala become the arena for a struggle between two men; one, the gala director and the other, a richly talented but unstable rock drummer. As their battle for expression and control escalates against a relentless rhythmic backdrop, their public and private selves explosively collide.

Comic stories for adults about the problems of family life.

Jane Campion's "The Piano", Palme d'Or at Cannes in 1993, retold in a single minute of animation by Inés Sedan.

Mickey and his friends take a close look at important street safety situations and tips.

The Directorial Debut of Naomi Scott (Charlies Angels, Aladdin) and Husband Jordan Spence brings a quirky creative Music Film with striking visuals. This story explores the way in which 'forgetting' is not an easy task.

A running feud between Star Trek actors Brent Spiner and Levar Burton is the basis for this TV comedy pilot.

In this 100% fictional-plot short a fictional freshman, played by an actor named Don Tomkins), becomes smitten with and writes letters to a singer, Ruth Etting (Ruth Etting), on a fictional radio station. His fictional 1930s nerdy friends take her answering letters in return and torment him about no response. The fictional Ruth Etting (played by the real Ruth Etting) meets him and helps him turn the tables on his tormentors.

Cab Calloway and The Cabaliers are singing about how The Big Bad Wolf only talks about his Disney money, Felix the Cat is fat and rich, and Mickey the Mouse is riding in his motor car, while the skunk moans about how "nobody loves me" on account of him just being a "dirty old skunk".

Undead dark riders invade a wild west saloon, blasting away everyone in sight - now only a bad-ass Native American warrior can save the town.

While on a coach tour, The Beatles and a few dozen friends experience strange happenings caused by magicians.

Once upon the time on a small island named Taiwan, a neighborhood magistrate receives a secret message from space. 'The apocalypse is near...' the magistrate warns his people, however nobody seems to take his words seriously...

Stop for Bud is Jørgen Leth's first film and the first in his long collaboration with Ole John. […] they wanted to "blow up cinematic conventions and invent cinematic language from scratch". The jazz pianist Bud Powell moves around Copenhagen -- through King's Garden, along the quay at Kalkbrænderihavnen, across a waste dump. […] Bud is alone, accompanied only by his music. […] Image and sound are two different things -- that's Leth's and John's principle. Dexter Gordon, the narrator, tells stories about Powell's famous left hand. In an obituary for Powell, dated 3 August 1966, Leth wrote: "He quite willingly, or better still, unresistingly, mechanically, let himself be directed. The film attempts to depict his strange duality about his surroundings. His touch on the keys was like he was burning his fingers -- that's what it looked like, and that's how it sounded. But outside his playing, and often right in the middle of it, too, he was simply gone, not there."